Hunt the Man Down

This unusual RKO supporting feature was ambitious to say the least. Its director was a prolific French born veteran of numerous American features, George Archainbaud. Some of his work has been recognised for its artistic merits (13 Women '32 - The Lost Squadron '32) Archainbaud turned to TV later in his career. The involved and imaginative story was penned by generally undistinguished writer De Vallon Scott - both the direction and story were worthy of being treated to main feature status. An interesting, above average cast bring this rather complicated tale to life with dedicated conviction. Gig Young (why he chose to lump himself with that peculiar name is beyond understanding) plays a dedicated public defender working to uncover the truth behind a re-opened murder case that spans a pre and post WW11 timeline. To save on investigative expenses he asks for assistance from his retired ex-cop father (the always interesting Harry Shannon who played the father of 'Citizen Kane' in '41) together, they make a formidable team.

The time distance between the original crime can make keeping track of this intriguing plot a little difficult - as the audience is expected to remember who the players are - and with most not being particularly well known, this demands some concentration - especially as the war years have brought various changes to their circumstances and appearances. It also looks as if RKO may have shortened the production schedule or made post production cuts at some stage (?) There's no boring padding within this story, it starts and holds fast to the main threads till the end - while it could have done with a tad more character development to assist us to more readily identify them. The casting makes good use of James Anderson (To Kill A Mockingbird '62) and a bevy of wonderful looking - hard working B feature women, including Mary Anderson (Lifeboat '44), Carla Balenda (Sealed Cargo '51).

Especially interesting is the Grace Kellyish; Christy Palmer, who plays the eventual wife to the Gerald Mohr character. Christy Palmer, who in real life married actor Alan Baxter, doesn't seem to have stared in any other film (our loss!) she is another plus for this little movie. Good use is also made of a variety of character actors all given snappy lines to bolster interest as it speedily rolls along. Visually, it's perfectly captured on film by the marvellous Nicholas Musuraca. Above average and under recognised.

Note: The old C&C TV print currently being run on local Aust TV is in need of replacing and either they are running it at a faster speed or they have clipped it - as it only clocks in at 65m while being listed at 69mins. Those four mins just might have helped with further character recognition.

Hunt the Man Down is directed by George Archainbaud and written by DeVallon Scott. It stars Gig Young, Lynne Roberts, Mary Anderson, Harry Shannon, James Anderson, Willard Parker, Carla Balenda and Gerald Mohr. Music is by Paul Sawtell and cinematography is by Nicholas Musuraca.

Plot finds Young as a hard-working public defender who seeks to clear the name of an alleged murderer (Anderson) who has been on the run for 12 years and who is only caught when he plays hero during a robbery attempt at the diner he has been working at.

Economical for sure, but this is a tight noirish legal thriller that is well written, tidily performed and has the skills of Musuraca for noir photographic shadings that belies the film's obvious low budget. Story is interesting because the accused is adamant he was framed all those years ago, and when we see his story in flashback we understand just why Young's lawyer is so determined to crack the case. So roping in his ex policeman father (Shannon excellent), who lost an arm in service, the scene is set for trying to track down witnesses and hopefully prove the client's innocence.

The pic then shifts into noir gear, cynicism hangs heavy as the one time group of young upwardly mobile socialite witnesses are now either dead, damaged by fate or have mental health problems. The American Dream has not surfaced for these people, and with a couple of nifty twists for resolution purpose, pic - while not a hidden gem or anything like that - is worth tracking down by fans of noir like crime programmers. 7/10

Watching Hunt The Man Down put me in mind of a Law And Order episode where Mandy Patinkin had to be retried again after jumping bail some 20 years after the crime and Sam Waterston's problem was the same as Gig Young's, missing witnesses. Only Young is the public defender.

James Anderson after years of hiding foils a robbery at a restaurant/bar where he was a dishwasher. That act of heroism cost him his freedom.

Young is appointed to handle his new trial and he prevails on his retired cop father Harry Shannon to locate all the people who were witnesses. On the night in question Anderson fell in with a crowd of young 20 something yuppies as we would call them today. One of them is shot while he's sleeping and Anderson is the one who looks good for it.

This group has gone up, down, and sideways on the social scale in the intervening years. One murder, and two attempts on other witnesses convince Young he's got an innocent client. In the end it's an act of kindly deception perpetrated on one of them that's the key to solving the case.

Standing out in this film is Willard Parker as the blind veteran, once a rising star in business now a bookbinder. Lynne Roberts who believes in Anderson's innocence and Cleo Moore a brassy blond from the Veda Ann Borg school. Veda must have been busy because Cleo's playing her kind of part and she does well with it.

Hunt The Man Down is a well made B film from RKO and it looks like a television pilot. I think that Young and Shannon in a series based on this film would have worked.

It amazes me when people dismiss a movie because of its short length. I much more appreciate a compact, well written and directed movie than some drivel that drags on and on and makes me wonder what happened to the editor. I watched this movie with low expectations since i had never heard of the director and most of the actors. Despite the number of central characters, the director did an excellent job of quickly defining them and getting to the point of the movie. Any additional footage would have been superfluous and only bogged down the steady pace of the movie. James Anderson was excellent at avoiding the stereotypical unjustly accused victim, he neither ranted about his predicament nor did he come across as the overly likable guy who just happens to be at the wrong place at the wrong time, which is what is normally expected of that type of roll. Though it's hard to imagine a public defender putting as much work into the case as this one did, i thought it was a great bit of writing to make his pivotal discovery an accident despite the pd's dogged pursuit of those involved 12 years earlier. I highly recommend this movie to those who appreciate tightly written and economically directed movies.

Jam Packed Little Movie with Probably more Characters than the Budget or the Short Running Time can Encompass. There is much Cynicism in the Fate of the Many "Witnesses" to the Murder at Hand. Some like Mental Illness, Alcoholism, and Class Elitism are quite at home in the World of Film-Noir.

The Movie does its best to keep all the Players in Line but it can be somewhat of a Challenge to keep them all Straight. But it makes up for the Complications with some Sharp Cinematography and Deeply Affected Participants. There is the Wrongly Accused Man trying to Unwind the Events that happened Years before, and Gig Young is the Public Defender trying Desperately to Help.

The Film is so Full of Interesting Stuff that it Manages to be Entertaining Despite the Confusion. There is more than one Great Scene and some others that are Lurid B-Movie Delights. In the End it just Needed more Breathing Room to Elaborate on some of the Truly Interesting and Off-Beat Characters. But as it Stands there are some really Intriguing Interludes and doesn't Pull Punches as it Relies on some Stylized Realism for its Portrayal of Pulp Fiction.