Füge eine Handlung in deiner Sprache hinzuSally borrows her friend's cosmetics kit to sell door-to-door but fails miserably. She and her fiancé get caught up in a smuggling scheme, are suspected of murders, and must evade the police... Alles lesenSally borrows her friend's cosmetics kit to sell door-to-door but fails miserably. She and her fiancé get caught up in a smuggling scheme, are suspected of murders, and must evade the police while hunting for the real culprits.Sally borrows her friend's cosmetics kit to sell door-to-door but fails miserably. She and her fiancé get caught up in a smuggling scheme, are suspected of murders, and must evade the police while hunting for the real culprits.
- Mrs. West
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- Fingerprint Man
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- Babysitter
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- Sue Finley
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- Burlesque Patron
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- Husband Watching TV
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- Pop
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In fairness, some of her fence-climbing, bad-guy-fighting, and hurdle-leaping abilities in this film were probably those of a stunt double, which I don't believe she had on the TV show. But she's really engaged, perky, and comes alive in this film in a big way, unlike some of her post-I Love Lucy films, where she appears to be in some kind of a trance.
The scene where she is pushed out onto a burlesque stage, and forced to dance like a stripper, is one of the most hysterically funny Lucy moments I've ever seen, on TV or film.
She is ably supported by Eddie Albert as her lovable but slightly dimwitted husband, and a very capable cast. The plot is not only a comedy, but is also a murder mystery with surprise twists and turns, with as much credibility as a lot of other murder mystery films I've seen. And for fans of The Fuller Brush Man, there's a nice little surprise.
It's great to see Lucy as a young, highly-talented, up-and-coming starlet who is about to make her mark in a big, big way. This film should be required watching for all aspiring actors and actresses, as it shows exactly what Hollywood and the public are looking for -- and found in Lucille Ball.
The plot line itself is patterned after the many occupational comedies of the time—The Good Humor Man (!950), The Yellow Cab Man (1950), etc.-- as Sally (Ball) and Humphrey (Albert) get hilariously mixed up with cops and crooks. Red Skelton even puts in an amusing cameo from his Fuller Brush Man (1948).
The gags fly fast and furious maybe too much so, along with an overlong climax. Still, the set-ups are consistently inventive, while Ball gets to show a lot of sex appeal along with the clowning. Albert strives manfully to keep up, but it's Ball who gets the close-ups and the spotlight. Catch her versatility, for example, as she moves effortlessly into her amusing nightclub act.
I don't know why the pro's consistently downgrade the film—TCM giving it only two stars out of four. True, the slapstick gets a little frenetic at times, but the results remain pretty darn funny and provide a great early glimpse of TV's top comedienne in the making.
This film also was a good preview of what audiences were going to see down the road when Ball became super-famous on television. She plays a similar type of character: a well-meaning ditz who gets into one jam after another. Here, she winds up an innocent victim and has gangsters chasing her and Albert all over town.
I only wish this was out on DVD or even on a good VHS tape in the United States. With only a couple of reviews, apparently most people have never heard of it. It's worth seeing and owning, believe me.
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- WissenswertesRed Skelton: , who played the title role in Dieser verrückte Mr. Johns! (1948), here in character.
- PatzerWhen Humphrey is climbing down the mattress springs, you can see the wire holding him up.
- Zitate
Sally Elliot: It only took you a year to finish that correspondence course.
Humphrey Briggs: Yeah, but that was a six month course.
- VerbindungenFeatured in 100 Years of Comedy (1997)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La pelirroja enamorada
- Produktionsfirma
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- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1