Das Brandmal

A fine western that was better than I expected It to be.Alan Ladd, although sometimes wooden puts In a good performance here. The cinematography and the colour process of this movie are outstanding. This western has a few good plot twists to make It stand out.The location scenery Is stunning too. Alan Ladd has something of a mystery persona here not unlike his role In Shane. The colours In this movie are very vivid and lifelike not at all garish as I thought they might be. This western has good support acting too, Charles Bickford plays his part with ruthless relish ala Big country. Robert Keith Is a shady slime ball who's demise In the film Is very fitting. This Is an out and out satisfying western and one I can thoroughly recommend.

This horse-opera is an excellent , meaty Western ; it contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining . A gunfighter (Alan Ladd) named Choya (as someone obligingly explains Choya is Spanish for cactus) along with a swindler (Robert Keith) take part in a scheme to bilk a rich cattle family (formed by father , Charles Bickford , mother, and daughter , the feisty Mona Freeman) out of half a million dollars by pretending to be their son, who was kidnapped as child . As tough Choya (in fact, when asked if he has some friends he answers : ¨My guns¨) impersonates the long-gone son of wealthy rancher .

The picture gets action Western , shootouts , a familiar drama and is entertaining and well realized . A fairly gripping film ,being probably one of the best Western in the fifties , including frenetic action up and down . Nicely balanced thrills , intrigue , drama and a love story . The highlights of the film in the course of action are the climatic shoot'em ups , thrilling pursuits and violent fights . The traditional story as well as complex screenplay was rightly written by Sydney Boehm based on a novel by Max Brand . The enjoyable tale is enhanced for interesting moments developed among main characters and especially on the relationship between Alan Ladd, pre-Shane, and Mona Freeman , the prettiest of heroines who even played a 60 minute broadcasting radio adaptation of the movie reprising her film role . Magnificently performed by Alan Ladd who proves to be as two-fisted as his name ,Choya, and an old veteran Charles Bickford , they are awesome experts in the art of conjuring sensational acting , here are reunited in this atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of entertaining situations . Most of the fun in this one is picking out the locations and identifying stock performers , as there appears several secondaries such as Robert Keith , Peter Hansen , Milburn Stone and veteran actors as Joseph Calleia and Tom Tully giving the stars solid supports . Glamorous as well picturesque cinematography in shinning colour by means of Technicolor ; it is superbly caught by cameraman Charles Lang , though being necessary a correct remastering . Shot on location in Portal, Globe, Salt River Canyon,San Simon,Douglas, Arizona, USA Kanab Canyon, Kanab, Utah, and valley of Rio Grande . Thrilling as well as lively musical score by Roy Webb.

This is another superbly powerful Paramount Western being compellingly directed by Rudolph Mate . He was an expert cameraman and director of the classic D.O.A and filmmaking occasionally for cinema all kind of genres . Polish-born Mate was an assistant cameraman for Alexander Korda and later worked throughout Europe with noted cameraman Karl Freund , director Carl Theodor Dreyer and Erich Pommer . Dreyer was so impressed with his work that they hired him as cinematographer on The Passion of Joan of Arc . Mate was soon working on some of Europe's most prestigious films, cementing his reputation as one of the continent's premier cinematographers. Hollywood came calling in 1935, and Mate shot films there for the next 12 years before turning to directing in 1947. Unfortunately, while many of his directorial efforts were visually impressive ,especially his sci-fi When the worlds collide (1951) , his labour as cameraman was excellent . He realized a variety films of all kind of genres as Adventures : The Black Shield of Falworth , Seven Seas to Calais , Western : Three Violent People , The far horizons , Noir films : Union Station , Second chance .He also directed Epic films as The Barbarians and The 300 Espartans . The films themselves were for the most part undistinguished, with his best work probably being the film-noir classic DOA (1950). ¨Branded¨ rating : Better than average , 7. This is a fair stuff for Alan Ladd fans and Western buffs . Well worth watching .

This film begins with a gunslinger by the name of "Choya" (Alan Ladd) escaping from some men who intend to lynch him for killing a friend of theirs in a gunfight. Although he manages to escape two bystanders by the names of "T. Jefferson Leffingwell" (Robert Keith) and "Tattoo" (John Berkes) find him camping in a cave and offer him a certain proposition. Essentially, they tell him of a young boy who was kidnapped from a wealthy family 30 years ago and since he fits the general description they ask him to ride to this ranch owner and claim to be his missing son. To help with the impersonation he is given a tattoo on his right arm which resembles a birthmark that the young child had. However, what he doesn't expect is the outpouring of love given to him by this family when he successfully deceives them-and this begins to gnaw on his conscience from that point on. Now rather than reveal any more I will just say that, although it started off rather slow, it developed rather nicely after that and kept my attention all the way until the end. Admittedly, there were some parts toward the end which could have been condensed a little but it was still a pretty good western all the same and I have rated it accordingly. Slightly above average.

Excellent Paramount western, which I regularely confound with William Dieterle's RED MOUNTAIN, starring the same Ladd. Rudolph Maté the director shows us here his talent for westerns, as he also will for THREE VIOLENT PEOPLE, VIOLENT MEN. A bit less with RAWHIDE YEARS though. I would prefer SHANE, I admit, and also maybe RED MOUNTAIN. Of course there is not much surprise in this classic western, nothing much unpredictable. Robert Keith is excellent in this role. Photography is also jaw dropping, and it contributes a lot to the pleasure I had to watch it after several decades. Awesome settings with desert and valley landscapes. One of the best of Alan Ladd.

The opening scenes set the tone of the film… Ladd, an itinerant gunman known simply as Choya and with the aid of a tattooed birthmark, passes himself off as the lost son and is accepted wholeheartedly by the parents (Bickford and Royle) and Ruth (Freeman), the man's sister…

Ruth had responded to his arrival on the ranch as any pretty woman would respond to a mysterious, handsome stranger, but she rapidly sets right to the fact that he is a relative…

As soon as he is welcomed as Richard Jr, however, something happens to Choya… As a member of a loving family, Choya experiences feelings denied him by his own childhood and became increasingly sickened by his contribution in the tricking…

Leading a cattle drive to El Paso, Choya decides to give up his charade revealing his true identity to Ruth, who turns on him with consternation and antagonism… There remains only one way to redeem himself and make up for the distressing emotion he has caused the Lavery family: To find their real son…

All the elements in "Branded" are taken directly from the straight-shooting school of Western movies… Choya, despite his confession to Ruth that he is a "four-flushin' thief," is true-blue outlaw hero… The smart Leffingwell has him classified correctly: "You won't hit an older man. You ain't the kind that'll draw first, or shoot a man in the back." Even with the rules thus outlined, Ladd still has a chance to present his standard beguiling bad guy early in the film, merely holding back a victorious smile as he pretends confusion over the elder Lavery's excited reaction to his birthmark…

Besides its other values, "Branded" is a visual delight… In fact, the movie's one drawback as a Western entertainment is a lack of big action highlights