IMDb-BEWERTUNG
6,2/10
2588
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA disinherited 13th Century Saxon nobleman leaves Norman England with an archer friend to seek his fortune in the Far East.A disinherited 13th Century Saxon nobleman leaves Norman England with an archer friend to seek his fortune in the Far East.A disinherited 13th Century Saxon nobleman leaves Norman England with an archer friend to seek his fortune in the Far East.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 2 Gewinne & 1 Nominierung insgesamt
Cécile Aubry
- Maryam
- (as Cecile Aubry)
Robert Blake
- Mahmoud
- (as Bobby Blake)
Itto Bent Lahcen
- Minor Role
- (Nicht genannt)
Rufus Cruickshank
- Dickon
- (Nicht genannt)
Peter Drury
- Young Man
- (Nicht genannt)
Valéry Inkijinoff
- Chinese Minister
- (Nicht genannt)
Empfohlene Bewertungen
This is a feature film about which viewers cannot even begin to agree. Some believe it to be a major production with award-winning costumes, good actors, a vivacious leading lady, a clever story-line and colorful thirteenth-century adventures. Others deny all these judgments and assertions. The only thing that all its fans agree upon is that the movie was unusual, worth-making and worth discussing. The novel by Thomas B. Costain is clever and perhaps not-entirely-historical. It is a fictionalized biography and a recreation of an era that sets two Saxons against their Norman overlords at a time when this may have been an old-fashioned attitude; but this gives Walter of Gurnie an excuse to leave his homeland and his studies, with a companion, Tristram Griffin, master of the English longbow, to take service with Bayan of the Hundred Eyes, General to the Great Khan of China.. The other elements in the plot line are thus Bayan's inscrutable personality--he and Walter play chess and debate; Griffin's prowess with a weapon that astonishes the Easterners who see him employ it; and the two men's love for a disguised girl who is forced to flee and joins their caravan, she who is the titular "Black Rose" of the piece. The screenplay by adventure writer Talbot Jennings (developed from Costain's logical but slightly creaky novel) is perhaps a very good one; it is my assertion that with a bit more money and a better leading lady, the film might be more famous and even more appreciated. It deserves an updated remake, in my view. The director of the piece was veteran Henry Hathaway; he makes the events seem both realistic and important, never stooping to trickery to try to inject excitement at the points where none is indicated by the script. Richard Addinsell composed the music for the film, and William C. Andrews provided the art direction. The costume designs by Michael Whittaker I find to be quite serviceable and good for the period, but not extremely exciting. The cinematography by Jack Cardiff is as beautiful as it always is; the film looks as good as budgetary constraints permit in either B/W or color, which is quite a feat. it is played as an adventure; I believe it could be refashioned as a dramatic work; but what we have here is an engaging and rewarding script and production. Tyrone Power is a bit too-old for a student, but he is attractive and vivid in the lead. Jack Hawkins steals the film due to his charisma, energy and award-level interpretation of Tristram. Orson Welles is interesting and enigmatic as the general. As the Black Rose, Cecile Aubrey is adequate, often charming and able to get the basics of her very youthful part across but not much more. Michael Rennie, Finlay Currie. Herbert Lom, Mary Clare, Henry Oscar as Roger Bacon and Laurence Harvey are also featured. I like the film, and have good memories of reading the novel and seeing it years ago. It holds up well, due to its solid construction; but I yearn to remake it as a drama worthy of the very-interesting story-line even moreso. Watch for the great archery contest--surely the visual highlight of this adventure production.
After finishing his run in Mister Roberts in London, Tyrone Power stuck around to film Thomas Costain's novel The Black Rose. Costain was a popular novelist of historical themes and high adventure. The latter is what The Black Rose has plenty of.
Power is the illegitimate son of a recently deceased lord who left him some money to the distress of his wife Mary Clare and son Laurence Harvey because in effect in the will he acknowledged the affair that produced Power. In addition Power is still possessing those old prejudices of the original Saxon inhabitants against the Norman conquerors. A lot of people are telling Power to get over it, but he won't.
In fact he takes off for adventure in the Far East with similarly minded Jack Hawkins who's most handy with an English longbow. A fact that impresses Mongol lord Orson Welles who gets Power and Hawkins into his service. Welles has intentions of conquering China, an ambitious task that has failed most in history.
The title refers to Cecile Aubry the French accented daughter of a Crusader who is in Welles's harem. But she likes what she sees in the two exiled Englishmen. She's supposed to be English and that might throw a few people, but one must remember England at the time occupied a good deal of what is France. I'm sure Costain better explained it in the novel.
Power is properly heroic, but also cynical at the same time. It takes a dose of Jack Hawkins's reawakened patriotism for Power to see where his duty lay.
The real historical characters of King Edward I and Roger Bacon appear in the story. Edward I nicknamed Longshanks is played by Michael Rennie and it's far more favorable and civilized picture of Edward than Patrick McGoohan did in Braveheart. Henry Oscar plays Roger Bacon who was Power's teacher at ancient Oxford and one of the most brilliant minds of his time.
Henry Hathaway one of the best action directors ever keeps the whole thing moving well. The book is a great deal more complex than what you see on the screen, it would probably make a good mini-series. The color cinematography is some of Jack Cardiff's best work.
For those like myself who like the romantic Tyrone Power, The Black Rose is a medieval tale of high adventure and romance and not to be missed by Power's still powerful legion of fans.
Power is the illegitimate son of a recently deceased lord who left him some money to the distress of his wife Mary Clare and son Laurence Harvey because in effect in the will he acknowledged the affair that produced Power. In addition Power is still possessing those old prejudices of the original Saxon inhabitants against the Norman conquerors. A lot of people are telling Power to get over it, but he won't.
In fact he takes off for adventure in the Far East with similarly minded Jack Hawkins who's most handy with an English longbow. A fact that impresses Mongol lord Orson Welles who gets Power and Hawkins into his service. Welles has intentions of conquering China, an ambitious task that has failed most in history.
The title refers to Cecile Aubry the French accented daughter of a Crusader who is in Welles's harem. But she likes what she sees in the two exiled Englishmen. She's supposed to be English and that might throw a few people, but one must remember England at the time occupied a good deal of what is France. I'm sure Costain better explained it in the novel.
Power is properly heroic, but also cynical at the same time. It takes a dose of Jack Hawkins's reawakened patriotism for Power to see where his duty lay.
The real historical characters of King Edward I and Roger Bacon appear in the story. Edward I nicknamed Longshanks is played by Michael Rennie and it's far more favorable and civilized picture of Edward than Patrick McGoohan did in Braveheart. Henry Oscar plays Roger Bacon who was Power's teacher at ancient Oxford and one of the most brilliant minds of his time.
Henry Hathaway one of the best action directors ever keeps the whole thing moving well. The book is a great deal more complex than what you see on the screen, it would probably make a good mini-series. The color cinematography is some of Jack Cardiff's best work.
For those like myself who like the romantic Tyrone Power, The Black Rose is a medieval tale of high adventure and romance and not to be missed by Power's still powerful legion of fans.
It is set in XII century , during the reign of Edward I (1272-1307) , son of Henry III , with a strong rivalry between Norman and Saxon people . Two young Xasons (Tyrone Power and Jack Hawkins) decide to leave England crowned by King Edward (Michael Rennie) and since 1066 when the Hastings battle took place ruled by the Normans . They are going to Orient along with a beautiful girl called Maryam (Cécile Aubry , though Leslie Caron was offered first the character , which was eventually given to Aubry) escaped from avaricious merchants (Herbert Lom , Alfonso Bedoya whose voice was dubbed by Peter Sellers) . As they arrive in Mongol territory governed by Gengis Khan and they enlist to General Bayan's (Orson Welles) troops that want to conquer China . During war they are imprisoned and will suffer numerous dangers , adventures and risks ; besides , they will learn great number of Chinese inventions , such as : compass , silk , powder , among others .
It is a spectacular adventure with plenty of emotions , action and romance . This exciting picture blends far eastern adventures and medieval scenario . This is one of the most amusing oriental adventure movies ever made and extremely well produced in awesome Technicolor photography . This juvenile romp is utterly fun and entertaining . Tyrone Power (who died in Spain filming ¨Salomon and Queen of Saba¨) and Jack Hawkins are firmly teamed , they make a first-class duo as the adventurer pals . Magnificent Orson Welles who interpreted for getting the financing ¨Othello¨ and other yarns that remained unfinished due to poor budgeted backing . Orson played several exotic personages (The Tartari , Saul , Cagliostro , Macbeth , Cesare Borgia). Here appears known supporting actors , but very secondaries , thus : Robert Blake (as Mahmoud) , Laurence Harvey , Henry Oscar (the friar named Roger Bacon) , James Robertson Justice and many others . Glimmer and splendid cinematography by classic cameraman Jack Cardiff (Black narcissus) and sometimes filmmaker (Dark of the sun) . The film was professionally directed by Hollywood veteran Henry Hathaway who subsequently shot ¨Rawhide¨ , a fundamental western also with Tyrone Power . The flick will appeal to fanciful far Eastern saga enthusiasts and Tyrone Power fans .
It is a spectacular adventure with plenty of emotions , action and romance . This exciting picture blends far eastern adventures and medieval scenario . This is one of the most amusing oriental adventure movies ever made and extremely well produced in awesome Technicolor photography . This juvenile romp is utterly fun and entertaining . Tyrone Power (who died in Spain filming ¨Salomon and Queen of Saba¨) and Jack Hawkins are firmly teamed , they make a first-class duo as the adventurer pals . Magnificent Orson Welles who interpreted for getting the financing ¨Othello¨ and other yarns that remained unfinished due to poor budgeted backing . Orson played several exotic personages (The Tartari , Saul , Cagliostro , Macbeth , Cesare Borgia). Here appears known supporting actors , but very secondaries , thus : Robert Blake (as Mahmoud) , Laurence Harvey , Henry Oscar (the friar named Roger Bacon) , James Robertson Justice and many others . Glimmer and splendid cinematography by classic cameraman Jack Cardiff (Black narcissus) and sometimes filmmaker (Dark of the sun) . The film was professionally directed by Hollywood veteran Henry Hathaway who subsequently shot ¨Rawhide¨ , a fundamental western also with Tyrone Power . The flick will appeal to fanciful far Eastern saga enthusiasts and Tyrone Power fans .
Two young Saxons, bitter over the Norman predations in their homeland, travel to far Cathay to win their fortunes. Their dangerous journey becomes infinitely more complicated when they provide unwilling refuge for an enticing girl known as THE BLACK ROSE.
Filmed expansively in England & North Africa, 20th Century Fox gave this film excellent production values, with great masses of surging extras & plenty of swashbuckling flurry. The plot is outlandish, based on the novel by Thomas B. Costain, but this doesn't detract from the enjoyment of watching the action or hearing the (often) intelligent dialogue. While not as cerebrally fulfilling as the previous year's PRINCE OF FOXES, the film is still able to hold its own for pure entertainment.
At 36, Tyrone Power may be unconvincing as an Oxford undergraduate, yet he still fills his hero's role with dash & passion. The Technicolor camera isn't always kind to his aging good looks, and he's up against a powerful congregation of talented co-stars, yet Power never fails to offer anything less than a satisfying performance.
Jack Hawkins is every bit Power's equal in screen charisma, making his role as the longbowman sidekick absolutely vital to the story. A lesser actor would have been swamped by Power's star prerogative, but Hawkins holds his own admirably. Entrancing French actress Cécile Aubry is very fetching as the girl the heroes reluctantly rescue. With her big eyes & intense manner, she provides the film with its most tender moments.
Appearing as the formidable Mongol general Bayan, the inimitable Orson Welles fills a rather modest role with his megawatt personality. Body swaggering, voice booming, he effortlessly filches every scene he's in, entertaining the viewers & obviously amusing Power & Hawkins as well. While not as significant as either Cesar Borgia or Harry Lime - his two great roles of that immediate period - Welles still wrings every bit of cinematic pleasure out of Bayan, as if he were saying, `There! Look what I can do with even a small part!' The film's biggest drawback is his abrupt departure from the story line.
The rest of the cast is peppered with fine British actors - James Robertson Justice, craggy Finlay Currie, Michael Rennie, Herbert Lom, & Laurence Harvey. Mary Clare as a Norman countess & Madame Phang as the Chinese Empress both give tiny, vivid portrayals. Movie mavens will recognize an uncredited Torin Thatcher as a rebellious Saxon. Young Robert Blake plays a Moslem servant boy. And that's Peter Sellers dubbing the voice for the oily Lu Chung.
Now for an historical reality check: by the time of the film's action, roughly 200 years after the Battle of Hastings in 1066, the difficulties between the Normans & the Saxons had long since dissipated. The Norman government did much to modernize & civilize England; this trend continued under King Edward I, whose reign commenced in 1272 and who appears briefly in the film.
Regardless of what the plot states, the Mongols had long before captured Cathay (China). Genghis Khan had largely completed this task and ruled a huge empire stretching from the Black Sea to the Pacific Ocean by the time of his death in 1227. Tyrone Power's cinematic journey seems to owe much to that of the historical Marco Polo from Venice, who arrived at Shando, the capital of Genghis' grandson Kublai Khan, in 1275.
Filmed expansively in England & North Africa, 20th Century Fox gave this film excellent production values, with great masses of surging extras & plenty of swashbuckling flurry. The plot is outlandish, based on the novel by Thomas B. Costain, but this doesn't detract from the enjoyment of watching the action or hearing the (often) intelligent dialogue. While not as cerebrally fulfilling as the previous year's PRINCE OF FOXES, the film is still able to hold its own for pure entertainment.
At 36, Tyrone Power may be unconvincing as an Oxford undergraduate, yet he still fills his hero's role with dash & passion. The Technicolor camera isn't always kind to his aging good looks, and he's up against a powerful congregation of talented co-stars, yet Power never fails to offer anything less than a satisfying performance.
Jack Hawkins is every bit Power's equal in screen charisma, making his role as the longbowman sidekick absolutely vital to the story. A lesser actor would have been swamped by Power's star prerogative, but Hawkins holds his own admirably. Entrancing French actress Cécile Aubry is very fetching as the girl the heroes reluctantly rescue. With her big eyes & intense manner, she provides the film with its most tender moments.
Appearing as the formidable Mongol general Bayan, the inimitable Orson Welles fills a rather modest role with his megawatt personality. Body swaggering, voice booming, he effortlessly filches every scene he's in, entertaining the viewers & obviously amusing Power & Hawkins as well. While not as significant as either Cesar Borgia or Harry Lime - his two great roles of that immediate period - Welles still wrings every bit of cinematic pleasure out of Bayan, as if he were saying, `There! Look what I can do with even a small part!' The film's biggest drawback is his abrupt departure from the story line.
The rest of the cast is peppered with fine British actors - James Robertson Justice, craggy Finlay Currie, Michael Rennie, Herbert Lom, & Laurence Harvey. Mary Clare as a Norman countess & Madame Phang as the Chinese Empress both give tiny, vivid portrayals. Movie mavens will recognize an uncredited Torin Thatcher as a rebellious Saxon. Young Robert Blake plays a Moslem servant boy. And that's Peter Sellers dubbing the voice for the oily Lu Chung.
Now for an historical reality check: by the time of the film's action, roughly 200 years after the Battle of Hastings in 1066, the difficulties between the Normans & the Saxons had long since dissipated. The Norman government did much to modernize & civilize England; this trend continued under King Edward I, whose reign commenced in 1272 and who appears briefly in the film.
Regardless of what the plot states, the Mongols had long before captured Cathay (China). Genghis Khan had largely completed this task and ruled a huge empire stretching from the Black Sea to the Pacific Ocean by the time of his death in 1227. Tyrone Power's cinematic journey seems to owe much to that of the historical Marco Polo from Venice, who arrived at Shando, the capital of Genghis' grandson Kublai Khan, in 1275.
I saw this movie when I was twelve and identified with the young girl. I may have been young, impressionable, but involved with her character. I fell in love with Tyrone Power.I also felt Orson Welles was very handsome and knowledgeable. I thrilled to the thought of being in her place. I watched avidly the scenery as the film progressed for I was unable to travel as my family was not well off. I often dreamed of visiting foreign countries.I loved their beautiful costumes.I knew very little of the world and soaked up every moment.The Black Rose had many particulars of movies of today, romance,action,thrills,suspense,scenery,and a surprise ending. I believe any young girl of twelve to fourteen would love it today.I hope to see it again soon on Turner Classic Movies.
Wusstest du schon
- WissenswertesIn addition to dubbing Alfonso Bedoya, Peter Sellers also provides the voice for an uncredited Chinese actor playing a guard. These two roles gave Sellers his first film work.
- PatzerIt's the 13th Century when our heroes first leave England. Walking through the Arab market, they pass tomatoes for sale, which are later thrown at them by children. Tomatoes are a New World plant, and could not have been found in Old World markets prior to the voyages of Columbus in the 15th century.
- Zitate
King Edward: Tell me, when you refuse me your loyalty because I am a Norman, have you not considered that I have no choice in the same matter - that I must be king for Norman and Saxon alike whether I like it or not. Do you, Saxon, not owe something besides hatred to the same cause?
- VerbindungenFeatured in Cameraman: The Life and Work of Jack Cardiff (2010)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La rosa negra
- Drehorte
- Warwick Castle, Warwick, Warwickshire, England, Vereinigtes Königreich(as Gurney Castle)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Laufzeit2 Stunden
- Seitenverhältnis
- 1.37 : 1
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