Ein großer Raubüberfall läuft wie geplant ab, doch dann sorgen ein doppeltes Spiel, Pech und solide Polizeiarbeit dafür, dass alles aus den Fugen gerät.Ein großer Raubüberfall läuft wie geplant ab, doch dann sorgen ein doppeltes Spiel, Pech und solide Polizeiarbeit dafür, dass alles aus den Fugen gerät.Ein großer Raubüberfall läuft wie geplant ab, doch dann sorgen ein doppeltes Spiel, Pech und solide Polizeiarbeit dafür, dass alles aus den Fugen gerät.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 4 Oscars nominiert
- 5 Gewinne & 14 Nominierungen insgesamt
William 'Wee Willie' Davis
- Timmons
- (as William Davis)
Mary Anderson
- Police Broadcaster
- (Synchronisation)
- (Nicht genannt)
Ray Bennett
- Detective in Hardy's Office
- (Nicht genannt)
David Bond
- Father Sortine
- (Nicht genannt)
Empfohlene Bewertungen
This is an amazing film and one that serious film buffs need to see. However, while it is clearly an example of Film Noir, it represents a very realistic style of Noir--lacking the dramatic excesses of some (such as KISS OF DEATH and its wheelchair scene) or super-snappy dialog (like DRAGNET). I actually like all three types of Noir films but when it comes to realism, this film ranks up there with HE WALKED BY NIGHT and T-MEN--and this is certainly good company.
The movie is a step-by-step case study of a crime being organized, executed investigated and resolved. While it could have been shot documentary-style (like a few Noir films, such as NAKED CITY), it was handled like a traditional crime drama except that the focus tended to shift back and forth between the criminals and the police--though the focus tended to be on the criminals a bit more often. This really helped make the movie exciting and worked very well. What also helped the movie was the exceptional acting by mostly unknowns or long-time character actors. Good Noir usually does NOT star big names and having the film anchored by Sterling Hayden (who was amazing), Sam Jaffe and Louis Calhern was an excellent move. To assist them were some other exceptional actors, such as James Whitmore and Marilyn Monroe (in a small but exceptional role).
However, despite the amazing acting, the biggest star of the film was the taut script. From start to finish, it sparkled and abounded with realism and an unflinching message that crime doesn't ultimately pay. The total package is one of the best Noir films ever--only exceeded by a small number of movies (such as my favorite Noir, THE KILLERS). See this film!
By the way, please take a look at the very amazing biography of Sterling Hayden on IMDb. I did and was totally blown away--what an amazing life he led. It all sounded so amazing that if they turned it into a film, many would think it was fiction!!
The movie is a step-by-step case study of a crime being organized, executed investigated and resolved. While it could have been shot documentary-style (like a few Noir films, such as NAKED CITY), it was handled like a traditional crime drama except that the focus tended to shift back and forth between the criminals and the police--though the focus tended to be on the criminals a bit more often. This really helped make the movie exciting and worked very well. What also helped the movie was the exceptional acting by mostly unknowns or long-time character actors. Good Noir usually does NOT star big names and having the film anchored by Sterling Hayden (who was amazing), Sam Jaffe and Louis Calhern was an excellent move. To assist them were some other exceptional actors, such as James Whitmore and Marilyn Monroe (in a small but exceptional role).
However, despite the amazing acting, the biggest star of the film was the taut script. From start to finish, it sparkled and abounded with realism and an unflinching message that crime doesn't ultimately pay. The total package is one of the best Noir films ever--only exceeded by a small number of movies (such as my favorite Noir, THE KILLERS). See this film!
By the way, please take a look at the very amazing biography of Sterling Hayden on IMDb. I did and was totally blown away--what an amazing life he led. It all sounded so amazing that if they turned it into a film, many would think it was fiction!!
You're back outside, after a little time confined, you have a plan for a new caper, that's quite refined, just need to find a willing backer, muscle, driver and safecracker, what could possibly go wrong, it's all defined.
Doc Erwin Riedenschneider played by the great Sam Jaffe seeks a big payday but things don't go quite as well as he'd been planning as unforeseen events, mistrust and double crossing scupper his best laid plans. Alonzo D. Emmerich is perfect as the dodgy lawyer financing the deal and Sterling Hayden just as impressive as the muscle with an attitude.
Another fantastic piece of Film Noir that perpetually delivers.
Doc Erwin Riedenschneider played by the great Sam Jaffe seeks a big payday but things don't go quite as well as he'd been planning as unforeseen events, mistrust and double crossing scupper his best laid plans. Alonzo D. Emmerich is perfect as the dodgy lawyer financing the deal and Sterling Hayden just as impressive as the muscle with an attitude.
Another fantastic piece of Film Noir that perpetually delivers.
When the intelligent criminal Erwin "Doc" Riedenschneider (Sam Jaffe) is released from prison, he seeks a fifty thousand-dollar investment from the bookmaker Cobby (Marc Lawrence) to recruit a small gang of specialists for a million-dollar heist of jewels from a jewelry. Doc is introduced to the lawyer Alonzo D. Emmerich (Louis Calhern) that offers to finance the whole operation and buy the gems immediately after the burglary. Doc hires the safecracker Louis Ciavelli (Anthony Caruso), the driver Gus Minissi (James Whitmore)and the gunman Dix Handley (Sterling Hayden) to the heist. His plan works perfectly but bad luck and betrayals compromise the steps after the heist and the gangsters need to flee from the police.
"The Asphalt Jungle" is a fantastic film-noir by the legendary director John Huston and with magnificent performances. The brilliant story of bad luck and betrayal in a heist was nominated to four Oscars, three Golden Globes and nominated and winner of several other prizes. Marilyn Monroe is sexy and gorgeous in a minor but important role. My vote is nine.
Title (Brazil): "O Segredo das Jóias" ("The Secret of the Jewels")
Note: On 30 September 2016, I saw this film again.
"The Asphalt Jungle" is a fantastic film-noir by the legendary director John Huston and with magnificent performances. The brilliant story of bad luck and betrayal in a heist was nominated to four Oscars, three Golden Globes and nominated and winner of several other prizes. Marilyn Monroe is sexy and gorgeous in a minor but important role. My vote is nine.
Title (Brazil): "O Segredo das Jóias" ("The Secret of the Jewels")
Note: On 30 September 2016, I saw this film again.
I suppose the only reason why this movie can be purchased on video (not on DVD though, it seems) is the fact that Marilyn Monroe plays a part in it. If I am right, this shows how much the movie industry has to rely on big names. Sometimes this is a real shame. No movie proves this better than Asphalt Jungle.
This caper movie is one of my all time favorites and frankly the best of its genre. Its brilliance lies for me in the fact that no big name of the Hollywood acting community was involved Monroe was small fries then. Instead John Huston worked with a cast of reliable, mostly very experienced character actors many people will know as "supports" from numerous other movies of the period. And many of those actors probably gave here the best performances of their lives. Everybody is cast dead right, this is what is so magnificent about Asphalt Jungle. The balance is perfect, the chemistry works all ways. Maybe just one miscast actor or actress would have spoiled the whole atmosphere. No one is overacting at any time, and there are many, many very moving moments as one can observe these characters struggling on the sidelines of urban society.
One is always tempted to name an actress or an actor whose performance one liked best in a movie. Here, I could not do it I liked them all. Yet I want to mention one actor: Louis Calhern. Seldom has a sudden change of mood and countenance in a character had such an impact on me as a viewer.
This caper movie is one of my all time favorites and frankly the best of its genre. Its brilliance lies for me in the fact that no big name of the Hollywood acting community was involved Monroe was small fries then. Instead John Huston worked with a cast of reliable, mostly very experienced character actors many people will know as "supports" from numerous other movies of the period. And many of those actors probably gave here the best performances of their lives. Everybody is cast dead right, this is what is so magnificent about Asphalt Jungle. The balance is perfect, the chemistry works all ways. Maybe just one miscast actor or actress would have spoiled the whole atmosphere. No one is overacting at any time, and there are many, many very moving moments as one can observe these characters struggling on the sidelines of urban society.
One is always tempted to name an actress or an actor whose performance one liked best in a movie. Here, I could not do it I liked them all. Yet I want to mention one actor: Louis Calhern. Seldom has a sudden change of mood and countenance in a character had such an impact on me as a viewer.
THE ASPHALT JUNGLE is a sometimes unsung triumph of director/writer John Huston. Sterling Hayden plays a down and out hoodlum who pairs up with cheesecake obcessed master thief Sam Jaffee. The seedy urbane characters that populate their world keep you glued to the screen. Marilyn Monroe is perfect as the spoiled mistress of crooked lawyer Louis Calhern. James Whitmore deserved an Oscar for his role as Gus, the diner owner with a fondness for kittens and crime. Has a great look, will make you pine for more black and white.
Wusstest du schon
- WissenswertesThe poster showing Marilyn Monroe in a purple dress was created much later, after she became a household name. Monroe was basically unknown when the film was made in 1950 and only has a very small role. She certainly wouldn't have been given top billing at the time. In fact, she wasn't named on the original posters at all.
- PatzerWhen the police enter Gus's diner, he turns the volume of the music up, but oddly he does it by turning the dial counterclockwise, which would normally turn volume down. When they go, Gus turns the volume down, again turning the dial counterclockwise.
- Zitate
Doc Riedenschneider: One way or another, we all work for our vice.
- Alternative VersionenAlso available in a computer colorized version.
- VerbindungenEdited into American Cinema: Film Noir (1995)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Asphalt Jungle?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Mientras la ciudad duerme
- Drehorte
- 120-128 Sycamore Street, Cincinnati, Ohio, USA(opening scenes - The Vulcan Copper & Supply Co.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.232.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 29.868 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen