Ein großer Raubüberfall läuft wie geplant ab, doch dann sorgen ein doppeltes Spiel, Pech und solide Polizeiarbeit dafür, dass alles aus den Fugen gerät.Ein großer Raubüberfall läuft wie geplant ab, doch dann sorgen ein doppeltes Spiel, Pech und solide Polizeiarbeit dafür, dass alles aus den Fugen gerät.Ein großer Raubüberfall läuft wie geplant ab, doch dann sorgen ein doppeltes Spiel, Pech und solide Polizeiarbeit dafür, dass alles aus den Fugen gerät.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 4 Oscars nominiert
- 5 Gewinne & 14 Nominierungen insgesamt
William 'Wee Willie' Davis
- Timmons
- (as William Davis)
Mary Anderson
- Police Broadcaster
- (Synchronisation)
- (Nicht genannt)
Ray Bennett
- Detective in Hardy's Office
- (Nicht genannt)
David Bond
- Father Sortine
- (Nicht genannt)
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You're back outside, after a little time confined, you have a plan for a new caper, that's quite refined, just need to find a willing backer, muscle, driver and safecracker, what could possibly go wrong, it's all defined.
Doc Erwin Riedenschneider played by the great Sam Jaffe seeks a big payday but things don't go quite as well as he'd been planning as unforeseen events, mistrust and double crossing scupper his best laid plans. Alonzo D. Emmerich is perfect as the dodgy lawyer financing the deal and Sterling Hayden just as impressive as the muscle with an attitude.
Another fantastic piece of Film Noir that perpetually delivers.
Doc Erwin Riedenschneider played by the great Sam Jaffe seeks a big payday but things don't go quite as well as he'd been planning as unforeseen events, mistrust and double crossing scupper his best laid plans. Alonzo D. Emmerich is perfect as the dodgy lawyer financing the deal and Sterling Hayden just as impressive as the muscle with an attitude.
Another fantastic piece of Film Noir that perpetually delivers.
When the intelligent criminal Erwin "Doc" Riedenschneider (Sam Jaffe) is released from prison, he seeks a fifty thousand-dollar investment from the bookmaker Cobby (Marc Lawrence) to recruit a small gang of specialists for a million-dollar heist of jewels from a jewelry. Doc is introduced to the lawyer Alonzo D. Emmerich (Louis Calhern) that offers to finance the whole operation and buy the gems immediately after the burglary. Doc hires the safecracker Louis Ciavelli (Anthony Caruso), the driver Gus Minissi (James Whitmore)and the gunman Dix Handley (Sterling Hayden) to the heist. His plan works perfectly but bad luck and betrayals compromise the steps after the heist and the gangsters need to flee from the police.
"The Asphalt Jungle" is a fantastic film-noir by the legendary director John Huston and with magnificent performances. The brilliant story of bad luck and betrayal in a heist was nominated to four Oscars, three Golden Globes and nominated and winner of several other prizes. Marilyn Monroe is sexy and gorgeous in a minor but important role. My vote is nine.
Title (Brazil): "O Segredo das Jóias" ("The Secret of the Jewels")
Note: On 30 September 2016, I saw this film again.
"The Asphalt Jungle" is a fantastic film-noir by the legendary director John Huston and with magnificent performances. The brilliant story of bad luck and betrayal in a heist was nominated to four Oscars, three Golden Globes and nominated and winner of several other prizes. Marilyn Monroe is sexy and gorgeous in a minor but important role. My vote is nine.
Title (Brazil): "O Segredo das Jóias" ("The Secret of the Jewels")
Note: On 30 September 2016, I saw this film again.
I'm a sucker for a good heist film, and three of the best I've ever seen were made around 1955/56 - 'Rififi', 'Bob le flambeur' and 'The Killing'. Now they are still three of the greatest crime thrillers ever made, but now that I've finally seen 'The Asphalt Jungle' it's obvious what source those movies were drawing on! Not that I'm saying they're rip offs, they're not, but they are kind of three (excellent) variations on Huston's theme. 'The Asphalt Jungle' must therefore be seen as the most influential crime movie of the modern era, and the blueprint for every subsequent caper movie ('The Anderson Tapes', 'Thief', 'Reservoir Dogs', 'The Usual Suspects', 'The Score',etc.etc.) This superb film noir is almost impossible to fault. The script is first rate, John Huston's direction is inspired, Sterling Hayden - possibly America's most underrated actor - is fantastic as troubled ex-con Dix Handley, and the ensemble cast are all excellent, especially James Whitmore ('Them!'), Louis Calhern ('Notorious'), Sam Jaffe ('The Day The Earth Stood Still') and John McIntire ('Psycho'). The early role for Marilyn Monroe made a strong impact on a lot of people, but I was even more impressed by Jean Hagen as Doll. She is unforgettable and her scenes with Hayden are wonderful. Why did she never become a major star? This is a crime classic and brilliant entertainment. Highly recommended!
I suppose the only reason why this movie can be purchased on video (not on DVD though, it seems) is the fact that Marilyn Monroe plays a part in it. If I am right, this shows how much the movie industry has to rely on big names. Sometimes this is a real shame. No movie proves this better than Asphalt Jungle.
This caper movie is one of my all time favorites and frankly the best of its genre. Its brilliance lies for me in the fact that no big name of the Hollywood acting community was involved Monroe was small fries then. Instead John Huston worked with a cast of reliable, mostly very experienced character actors many people will know as "supports" from numerous other movies of the period. And many of those actors probably gave here the best performances of their lives. Everybody is cast dead right, this is what is so magnificent about Asphalt Jungle. The balance is perfect, the chemistry works all ways. Maybe just one miscast actor or actress would have spoiled the whole atmosphere. No one is overacting at any time, and there are many, many very moving moments as one can observe these characters struggling on the sidelines of urban society.
One is always tempted to name an actress or an actor whose performance one liked best in a movie. Here, I could not do it I liked them all. Yet I want to mention one actor: Louis Calhern. Seldom has a sudden change of mood and countenance in a character had such an impact on me as a viewer.
This caper movie is one of my all time favorites and frankly the best of its genre. Its brilliance lies for me in the fact that no big name of the Hollywood acting community was involved Monroe was small fries then. Instead John Huston worked with a cast of reliable, mostly very experienced character actors many people will know as "supports" from numerous other movies of the period. And many of those actors probably gave here the best performances of their lives. Everybody is cast dead right, this is what is so magnificent about Asphalt Jungle. The balance is perfect, the chemistry works all ways. Maybe just one miscast actor or actress would have spoiled the whole atmosphere. No one is overacting at any time, and there are many, many very moving moments as one can observe these characters struggling on the sidelines of urban society.
One is always tempted to name an actress or an actor whose performance one liked best in a movie. Here, I could not do it I liked them all. Yet I want to mention one actor: Louis Calhern. Seldom has a sudden change of mood and countenance in a character had such an impact on me as a viewer.
I guess the great John Huston knew what he was doing when making this film. Get the right cast and so he did.! The timeless touches in this film make it so watchable so often that we forget that a studio like MGM rarley made a gutty film like this.
Every character in the " Asphalt Jungle" has his/her moments! When Angela Phinley says to Emerich( Calhern) what will happen and Emerich responds the appropriate " you'll have lots of vacation".
Marc Lawrence as cobby has never been better since his part as Ziggy in "Key Largo" Jean Hagen shows some real ability and we wonder why she was used in future films to a lessor effect.Hayden, as Dix Hanley has a warped credo for a man on the edge.Sam Jaffe steals the show as doc..smart enough in most items save for your girls dancing in bars.
Even the supporting cast shines under Huston, Mcintre and the police chief , Brad Dexter as the crooked investigator, Barry Kelly as the corrupt cop with James Whitmore playing a man whose body is warped but whose soul is still intact.
Thanks goodness there is no music( film score) during the jewel heist. This fact alone lets us know this is a real film..unlike the ones being released today.
Mikos Rosza's score is emotional for sure..and the final in a Kentucky field is very poetic a la Huston
Perfection...
C Pope
Every character in the " Asphalt Jungle" has his/her moments! When Angela Phinley says to Emerich( Calhern) what will happen and Emerich responds the appropriate " you'll have lots of vacation".
Marc Lawrence as cobby has never been better since his part as Ziggy in "Key Largo" Jean Hagen shows some real ability and we wonder why she was used in future films to a lessor effect.Hayden, as Dix Hanley has a warped credo for a man on the edge.Sam Jaffe steals the show as doc..smart enough in most items save for your girls dancing in bars.
Even the supporting cast shines under Huston, Mcintre and the police chief , Brad Dexter as the crooked investigator, Barry Kelly as the corrupt cop with James Whitmore playing a man whose body is warped but whose soul is still intact.
Thanks goodness there is no music( film score) during the jewel heist. This fact alone lets us know this is a real film..unlike the ones being released today.
Mikos Rosza's score is emotional for sure..and the final in a Kentucky field is very poetic a la Huston
Perfection...
C Pope
Wusstest du schon
- WissenswertesThe poster showing Marilyn Monroe in a purple dress was created much later, after she became a household name. Monroe was basically unknown when the film was made in 1950 and only has a very small role. She certainly wouldn't have been given top billing at the time. In fact, she wasn't named on the original posters at all.
- PatzerWhen the police enter Gus's diner, he turns the volume of the music up, but oddly he does it by turning the dial counterclockwise, which would normally turn volume down. When they go, Gus turns the volume down, again turning the dial counterclockwise.
- Zitate
Doc Riedenschneider: One way or another, we all work for our vice.
- Alternative VersionenAlso available in a computer colorized version.
- VerbindungenEdited into American Cinema: Film Noir (1995)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Mientras la ciudad duerme
- Drehorte
- 120-128 Sycamore Street, Cincinnati, Ohio, USA(opening scenes - The Vulcan Copper & Supply Co.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.232.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 29.868 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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