IMDb-BEWERTUNG
5,9/10
1425
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAmerican soldiers stranded in the Philippines after the Japanese invasion form guerrilla bands to fight back.American soldiers stranded in the Philippines after the Japanese invasion form guerrilla bands to fight back.American soldiers stranded in the Philippines after the Japanese invasion form guerrilla bands to fight back.
Micheline Presle
- Jeanne Martinez
- (as Micheline Prelle)
Robert Patten
- Lovejoy
- (as Bob Patten)
Miguel Anzures
- Native Traitor
- (Nicht genannt)
Sabu Camacho
- Bo
- (Nicht genannt)
Erlinda Cortes
- Partisan
- (Nicht genannt)
Cris de Vera
- Japanese Officer
- (Nicht genannt)
Rosa Del Rosario
- Partisan
- (Nicht genannt)
Maria del Val
- Señora Martinez - the Aunt
- (Nicht genannt)
Vic Diaz
- Japanese General
- (Nicht genannt)
Arling Gonzales
- Radio Operator
- (Nicht genannt)
Fred Gonzales
- Radio Operator
- (Nicht genannt)
Eddie Infante
- Col. Dimalanta
- (Nicht genannt)
Empfohlene Bewertungen
Not one to see a lot of war films, I have to say I enjoyed "American Guerilla in the Philippines," starring Tyrone Power and directed by Fritz Lang.
Power plays a real-life navy man, Chuck Parsons, who helped organize guerrilla forces in the Philippines after MacArthur promised to return.
There are some exciting and tense scenes, and also, the film is a tribute to the courage of the Filipinos. There are obvious non-actors in small roles, which is a little distracting, but I suppose this was done for the sake of realism.
Power is rugged and handsome as Parsons, and Tom Ewell gives an excellent performance as a wisecracking soldier.
Micheline Presle is the de rigeur love interest - it's Tyrone Power who's starring, after all, and their love scenes are great, as are their scenes where she subtly fights her attraction to him. Of course, I'd have caved right in.
Power did not get to meet the real Chuck Parsons until a few months after filming, when Parsons appeared, unannounced, in Power's dressing room when the actor was performing "Mr. Roberts" in London. One must assume Parsons was pleased to have been portrayed by a matinée idol.
Fritz Lang did a wonderful job of directing, but of course, this film is a far cry from Metropolis. It was a hard shoot for Power, as his wife, Linda Christian, miscarried while visiting him on location.
Despite other reviews on this page, Amrican Guerrilla is very watchable. You have to take it for what it is - propaganda to get the U. S. ready for the Korean war.
Power plays a real-life navy man, Chuck Parsons, who helped organize guerrilla forces in the Philippines after MacArthur promised to return.
There are some exciting and tense scenes, and also, the film is a tribute to the courage of the Filipinos. There are obvious non-actors in small roles, which is a little distracting, but I suppose this was done for the sake of realism.
Power is rugged and handsome as Parsons, and Tom Ewell gives an excellent performance as a wisecracking soldier.
Micheline Presle is the de rigeur love interest - it's Tyrone Power who's starring, after all, and their love scenes are great, as are their scenes where she subtly fights her attraction to him. Of course, I'd have caved right in.
Power did not get to meet the real Chuck Parsons until a few months after filming, when Parsons appeared, unannounced, in Power's dressing room when the actor was performing "Mr. Roberts" in London. One must assume Parsons was pleased to have been portrayed by a matinée idol.
Fritz Lang did a wonderful job of directing, but of course, this film is a far cry from Metropolis. It was a hard shoot for Power, as his wife, Linda Christian, miscarried while visiting him on location.
Despite other reviews on this page, Amrican Guerrilla is very watchable. You have to take it for what it is - propaganda to get the U. S. ready for the Korean war.
9w0aq
I caught this movie on the Fox Movie Channel last week. A shame that the DVD is not available as this one would be a keeper. If you like WWII era movies this one is a good one. It documents insurgency activity against the Japanese during the war. A rag-tag group of people including some Americans separated from the rest of their detachment lead locals in a courageous and sometimes complex scheme to keep the enemy unaware of their activities.
This was an easy movie to get into and one I would add to my collection if available. It is in color as well and features some spectacular shots.
This was an easy movie to get into and one I would add to my collection if available. It is in color as well and features some spectacular shots.
Had BACK TO BATAAN and BACK TO BATAAN not been made, then I assume that American GUERILLA IN THE PHILIPPINES would probably be a better remembered film. That's because it's an excellent movie in just about every way, but the earlier John Wayne and Robert Taylor films about the Philippines during WWII were very outstanding films and tend to overshadow this Tyrone Power flick.
While the plot is not identical to these other two films, there are many similarities. All three document the heroic efforts of the Philippino partisans as well as that of Americans stuck in this land during the war. About the only noticeable difference was that the Power film was in color and I really think for this subject matter, black and white actually worked better--looking more like what you'd expect a WWII film to look like. Plus, the other two films are just a little more exciting and involving--but this isn't to say this Power film is bad--it just isn't quite as involving.
Still, among the many, many WWII films, this one is a bit better than average and well worth a peek. And, yes, I also noticed the line that said a Navy Ensign is equivalent to an Army Major! I'm surprised that Power, with his WWII experience, would have said such a stupid line. An ensign is most closely equivalent to an Army Lieutennant--a much lower rank.
While the plot is not identical to these other two films, there are many similarities. All three document the heroic efforts of the Philippino partisans as well as that of Americans stuck in this land during the war. About the only noticeable difference was that the Power film was in color and I really think for this subject matter, black and white actually worked better--looking more like what you'd expect a WWII film to look like. Plus, the other two films are just a little more exciting and involving--but this isn't to say this Power film is bad--it just isn't quite as involving.
Still, among the many, many WWII films, this one is a bit better than average and well worth a peek. And, yes, I also noticed the line that said a Navy Ensign is equivalent to an Army Major! I'm surprised that Power, with his WWII experience, would have said such a stupid line. An ensign is most closely equivalent to an Army Lieutennant--a much lower rank.
It's not really about what I thought of the film - I note military and naval experts have commented on various inaccuracies. This is more a comment on an aspect of the film, which I saw many years ago in b/w, and got a greater insight into when seeing the Canadian commentator Elwy Yost's programmes on cinema history in the 1970's. How many viewers realise that the reason the heroine (the Filipino hero's wife) is cast as a Frenchwoman? This is not to make the story more romantic, or as a tribute to 'our gallant wartime allies' or even because the actress might be French, but because in those days to comply with the Hayes Code, the heroine, if she gets the white hero in the end (or vice versa!) has to be white!
The great Tyrone Power does it again! Not only does he wow the audience with his fabulous looks, he also makes you feel like you're really there, with his great acting ability. It is natural, not put on. The real chemistry with Michelle Perelle is very evident. (It's easy to see why Ty had thousands swarm to see him where ever he went.) You not only get a history lesson about the war in the Philippines, you also get to see it through the eyes of those who risked their lives and suffered through it! This includes Ty Power who sacrificed big bucks in offered movie contracts to go fight for our freedom instead. What a great American! It has dynamic movement, not a dull moment in it anywhere. The scenery is great, too! I must say I like having Tyrone Power doing the areas of narration, also. A real must to see with the whole family.
Wusstest du schon
- WissenswertesThis movie was filmed just prior to the outbreak of the Korean War in June of 1950, and used American warships to portray Japanese ships. One such ship, the U.S.S. Orleck (DD 886), exists to this day after serving in the Korean War, the Vietnam War and being sold for a while to the Turkish Navy, and is permanently docked in Lake Charles, LA, where it serves as a museum.
- PatzerWhen setting the sail early in the movie, Power's character refers to a halyard as a sheet. No real sailor would make such an error.
- VerbindungenEdited into All This and World War II (1976)
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- American Guerrilla in the Philippines
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- 1 Std. 45 Min.(105 min)
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- 1.37 : 1
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