Dein Leben in meiner Hand

"Woman in Hiding" from 1950 stars Ida Lupino, Stephen McNally, and Howard Duff.

The film begins with a narration by Lupino, over a scene where police are trying to find her dead body after a car crash.

After her father (John Litel) dies from a fall, Deborah Chandler inherits the successful mill the family owns. She marries the general manager Selden (McNally). On her wedding night, they go to a cottage and find a girlfriend (Peggy Dow) of Selden's who has let herself in with a key.

Deborah then finds out that Selden killed her father. She flees from the cottage, only to find out that Selden, knowing she would do this, has cut the brakes of the car. Deborah jumps out before the car hits the water.

Selden isn't sure she's dead because no body was found; he wants to know for sure so he can inherit the mill free and clear. So he offers a $5000 reward for anyone who can find her. Deborah sees the ad while working in a restaurant and takes off. Passing a beauty salon, she hatches the idea to change her appearance.

Well, this is a not too great part of the story. She reappears with her hair maybe two shades lighter - she keeps calling herself a blonde, but she isn't - no sunglasses, hat, nothing. A man, Keith Ramsey (Duff) running the newspaper counter at the bus station remembers meeting her. When he sees her again, he takes off in pursuit.

Keith manages to earn Deborah's trust. His motives are a little ambiguous. He calls Selden and says he's not totally sure it's his wife, and he seems concerned about her. As Deborah attempts to keep running, things get rough.

Very exciting film with good performances. Lupino gives a strong performance as frightened and vulnerable woman; McNally is good at playing evil; and a young Howard Duff is handsome and charming. As Selden's girlfriend, Peggy Dow is terrific. The screen lost a real beauty as well as a fine actress when she married and retired.

The last ten minutes or so are nerve-wracking. Enjoy.

To begin with I never liked noir genre and thankfully this movie has only got a small portion of it - all the rest consists of a gorgeous drama, chilling thriller and a romance that happened unintentionally and all the three genres perfectly blend together making it one of the best movies in its genre which is unfairly forgotten now. Ida Lupino is an absolute master and her stunning performance has been playing the first fiddle throughout the whole movie, not allowing us to leave it in peace. "Woman in hiding" keeps you guessing until the very end, it hints, gives clues to what might happen but you can never really be sure what exactly and this is the best thing about movies in general as an art. For me, unfortunately, this is a one-time movie as I don't really like paperthin storylines and no subtext but it was a brilliant ride anyway.

'Woman in Hiding', when hearing of it through a fellow user recommendation, has the sort of concept that immediately had me sold. Being a fan of the genre (a mix of film noir and crime) and that type of film. While not considering Michael Gordon (my first exposure to him being 'Pillow Talk' and 'Move Over Darling') one of my favourite directors, he didn't fare too badly if not exceptionally in the genre. Both Ida Lupino and Steven McNally have been great in other films.

There may be many other films of the genre or with not too dissimiliar stories, both before and since, that are a lot better than 'Woman in Hiding'. It is still a good example of how good Gordon was at directing film noirs when the material was good, which it generally is here despite being imperfect, and how far he had come on from his "B-movie" period in the early 40s. Both Lupino and McNally come over well, though to me both have been better.

Am going to start with what 'Woman in Hiding' didn't do so well. Some of the story is on the ridiculous side and strains credibility, especially towards the end such as Deborah being that trusting of Patricia. Likewise with the rather vague and foolish motivations and decision making that make the characters at times seem idiotic.

Did feel that the hotel convention scene was not as suspenseful as it should have been and came as too busy and silly.

Having said all of this, 'Woman in Hiding' is a tightly plotted film and does have a dark and tense atmosphere a lot of the time. Did get creeps and chills a fair few times. Despite it going downhill a bit from the hotel convention scene, it does pick up in the climax. Which was not a predictable one and was genuinely anxiety-inducing. Gordon directs in an assured fashion and the script intrigues and entertains enough. All the cast perform expertly, Howard Duff's role does not sound interesting but actually he is a strong sympathetic presence in it. Peggy Dow does very well as Patricia.

Lupino has the most difficult part and plays it with searing intensity and pathos. McNally is genuinely menacing, the character is obvious but his performance does give the creeps. 'Woman in Hiding' is very atmospherically and stylishly photographed and lit, really enhancing especially the mill setting later on. The music is suitably ominous and the sound did give me the jitters without over-emphasising.

All in all, not great but pretty good despite a few frustrations. 7/10

As the opening credits roll, newly wedded Ida Lupino (as Deborah Chandler) desperately tries to stop herself from crashing her car. In an attempted murder, the brakes have been disabled. We see the car drive off a North Carolina bridge and listen to Ms. Lupino's ghostly narration. But don't assume she's dead, or that the accident ends the story… After the prologue fails to uncover a dead body, we begin earlier. Inheriting a profitable mill upon the subsequently suspicious death of her father, Lupino marries the plant's general manager Stephen McNally (as Selden Clark). Apparently, they were a long-term couple; the wedding is the first of several implausible story developments. Lupino asks, "Why didn't I see it?" Don't know...

When they arrive at Mr. McNally's mountain cabin for a honeymoon, sexy Peggy Dow (as Patricia Monahan) is waiting. She reveals herself as McNally's "little business trips" lover and is understandably furious with Lupino's presence. After husband and lover smack each other around, Lupino decides she wants the marriage annulled, but McNally refuses. Lupino runs off, changes her name to "Ann Carter" and tries to hide from her homicidal husband. She meets handsome and helpful Howard Duff (as Keith Ramsey), but he isn't sure who is telling the truth. Beautiful black-and-white photography by William Daniels, effective direction from Michael Gordon and engaging performances make "Woman in Hiding" well worth following.

******* Woman in Hiding (12/27/49) Michael Gordon ~ Ida Lupino, Howard Duff, Stephen McNally, Peggy Dow

Deborah Chandler (Ida Lupino) assures her mill owner father that she is not marrying dubious plant manager Selden Clark IV (Stephen McNally). Then her father dies in a plant accident. On the day of the funeral, Selden asks her to marry him. She eventually accepts, but suspicion soon arises when distraught Patricia Monahan (Peggy Dow) shows up on their honeymoon.

There are so many red flags. It is probably for the best that the audience doesn't always see him sweet-talk her to ignore those flags. I don't think that I would believe those scenes. I can always ignore what I don't see. This is a nice little melodramatic potboiler. It helps to have Ida Lupino selling the material.