Füge eine Handlung in deiner Sprache hinzuAttorney Marsha Meredith is nominated for a federal judgeship but her confirmation is opposed by a puritanical 'Good-Government' group who think her divorce makes her unfit for the job.Attorney Marsha Meredith is nominated for a federal judgeship but her confirmation is opposed by a puritanical 'Good-Government' group who think her divorce makes her unfit for the job.Attorney Marsha Meredith is nominated for a federal judgeship but her confirmation is opposed by a puritanical 'Good-Government' group who think her divorce makes her unfit for the job.
- Kitty Lawton
- (as Katharine Warren)
- Senate Committee Observer
- (Nicht genannt)
- Spinster
- (Nicht genannt)
- Dumpy Woman
- (Nicht genannt)
- Croupier
- (Nicht genannt)
- Cleo, Marsha's Maid
- (Nicht genannt)
- Party Guest
- (Nicht genannt)
- Minor Role
- (Nicht genannt)
- Winston - Kitty's Butler
- (Nicht genannt)
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Her ex-husband wants her back and Bob Cummings as the ex does get her back, kind of, sort of. But after that it all gets kind of wild as she uses Gig Young as a foil against Cummings and Bob keeps getting in trouble trying to hide witness Marie McDonald in one of his cases because Bob is a lawyer as well.
What director Norman Foster did well with were some great supporting player performances from a cast of seasoned Hollywood professionals. I think the two most memorable are Clem Bevans as a lighthouse keeper with a side contract from Cupid and Douglass Dumbrille as Cummings playboy client. That one was really a case of reverse casting because Dumbrille is best known for playing slick villains, but I wish there had been more of him as the merry making playboy.
Tell It To The Judge is certainly dated, but while it's not Rosalind Russell's best her fans will not be disappointed.
The only part that drags is the sequence at the lighthouse, which has the film's most unfunny business: something about chopping off the head of a fish. But the film quickly redeems itself, and it reaches its peak with a delightful ski sequence later on. Overall, a fun film with some inspired comic bits by Cummings and costar Rosalind Russell.
Then there's Gig Young as the rival for Russell's affection, Clem Bevans as Mr. Roogle (it rhymes with bugle) and Marie McDonald adding a funny twist as the witness who keeps stalking Bob. For the most part, the cast is on top of their game and has some great moments. However, be forewarned, this is not Rosalind Russell's best work by a long shot. Despite the fact that she's given some wonderful performances (Auntie Mame, Trouble With Angels, etc) she's not very strong here and this is one situation where I really think another actress should have been cast. (Too bad Carole Lombard was already gone - she would have been PERFECT.) Some time the twists go a bit too far and get rather tedious on repeat watchings, but this is the screwball genre - it's not supposed to be realistic. It's a fun movie that still makes me laugh no matter how many times I see it. What more can you ask for?
Probably my favorite romantic comedy, sharp dialogue, crazy twists, adorable characters and all.
Wusstest du schon
- Wissenswertes"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on November 2, 1950 with Rosalind Russell and Robert Cummings reprising their film roles.
- Zitate
Peter B. 'Pete' Webb: [Pete and Marsha are climbing the spiral staircase in the lighthouse] Watch your heel, honey.
Marsha Meredith: You watch out for yourself.
- VerbindungenReferenced in Polizeirevier Hill Street: Larry of Arabia (1986)
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Details
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1