Sturm über dem Pazifik

In my opinion, the best movie ever made about the U.S. Navy in the Pacific conflict. With the pre-war black and white, and wartime, colored documentary footage adding that extra gloss to a fine film. Coop took on his role perfectly. Walter Brennan could never let you down whatever role he played. Bruce Bennet, always the reliable supporting actor. John Ridgley too. Stanley Ridges? Reliable as ever as a trouble maker. Moroni Olsen as a senior flag officer, as usual, eminence oozes out of him. And last but least, Wayne Morris; he must have felt at home in the movie, serving as he did as a carrier-based fighter pilot in the navy in the Pacific. Not being on sale in the U.K. video stores. Buyiing this video through Amazon.com was a MUST for me.

If you have Turner Classic Movies, it would behoove you to take the time to watch Task Force, a fine, passionate, and patriotic film about the advent of the aircraft carrier as the principal weapon of the US Navy in World War II. Although it is a product of the times--and the Production Code--TF delivers the story of how "flat-tops" superseded the battleship as the principal tool for, in Navyspeak, "projecting power." With the skillful use of lots of film footage (which helped tremendously in avoiding the use of cheesy ship models), TF tells the story of a young naval officer played believably here by a much older Gary Cooper. As Cooper advances in his skill as an aviator, he runs afoul of bureaucrats and bullies, both outside the navy and in. This results in his being disciplined and scolded for speaking his mind about naval aviation, and his frustration with a lack of personal advancement and the navy not being prepared for future conflict. Cooper is a lanky metaphor for the advent of the carrier as the Queen of the Seas.

With Pearl Harbor, Cooper's "Scottie" Scott is thrown into battle against an enemy that is much better prepared for air combat, and with the aid and leadership of his father figure, Walter Brennan, he (as metaphor) gains the recognition and ultimate victory he deserves.

I read somewhere that Gary Cooper surrendered his chance at ultra-stardom when he made certain decisions about parts that robbed his film persona of the sort of sex appeal that would have guaranteed his place as a film star/sex symbol. The reviewer said something about Cooper being more of a big brother than a lover.

I don't know if all this is true, but Cooper's image of being a friendly, decent, human hero is clearly seen in Task Force. He--and Brennan--carry this movie. The chemistry Coop has with his audience and his on-screen friend and C.O., Brennan, puts real blood and muscle into a movie that at times gets a bit too documentarian. Add in a sweet, loving performance by Jane Wyatt as the graceful and gracious military wife and you have a really human movie that works as history lesson, war film, political essay, and love story.

Finally, what I love about this film is its innate patriotism. There simply is no questioning of America's place and motive in the years leading up to and during the Second World War. We were a democracy threatened by tyranny. We were unprepared for war because we despised it so very much; once confronted, we prevailed. The stock footage of Cooper's carrier (in real life, the badly damaged USS Franklin) arriving at New York with her flight deck and upper hull twisted into scrap metal by Japanese explosives is startling, a metaphor for the cost of not being prepared with the sort of cutting-edge technology, training, and will that might have reduced the bloodiness of the war or prevented it all together.

I thought I saw all of Gary Cooper's war movies, but I just caught this one today on TMC. As others have stated, Brennan and Cooper are a great pair and they were a very good pair in this movie. Except for the typical lack of bloody wounds (in forties war movies), it was impressive that the dramatic detail in this movie was more accurate than usual for this genre. The movie did a great job depicting the interaction in the CIC (combat information center) and elsewhere on the ships. However unusual it seemed, transitioning from black and white to color to show plot transition (The Wizard of Oz notwithstanding) was effective for me. Deep down, I think it might have been a way to sneak in color war footage. As I am also a Jane Wyatt (Spock's mother) fan, she was great as Scott's (Gary Cooper's character) wife. Although it did seem to be a bit incongruous that she dressed as well as she did considering her situation. (Sorry, you'll have to see the movie.) Summary: Whether or not you've seen Midway, see Task Force.

Gary Cooper and Jane Wyatt shine in this 1949 film about the history of aviation in warfare.

The picture begins in 1922 when carriers were just getting started. The picture is at its best when we see the early American isolationism that evolved after World War 1.

Gary Cooper is in fine form as the pilot who is banished to Panama for stepping on too many toes for his pro-carrier beliefs. Jane Wyatt plays a woman who loses her husband during a practice run and marries Cooper later on.

The last 20 minutes of the film is shown in Technicolor under the admirable direction of Natalie Kalmus, a person used Technicolor so vibrantly in the films of the late 1930s and 1940s as well. The battle scenes are quite authentic and this picture serves well as a tribute to our fighting forces during World War 11.

Task Force was the first of two films Gary Cooper made regarding the development of aviation. Here he plays the fictional Jonathan Scott who looks back on his life after retiring from the Navy. The second is the Court Martial of Billy Mitchell where he plays the real life Army Aviation pioneer.

For today's fans if one wants to see where Tom Cruise and the gang from Top Gun all got their start, take a look at Task Force. The idea of a floating flattop ship from where airplanes could take off and land was one that was scoffed at post World War I. Pilots didn't have the skills yet for that. What Task Force shows is Gary Cooper and a whole bunch of other people who believed in an idea living and dying to prove that idea.

Task Force was memorable in the career of Gary Cooper for two other reasons. It was the first film he did after leaving his original studio, Paramount, at Warner Brothers where he worked for about five years. It was also the last film he did with good friend Walter Brennan. They made eight joint film appearances, including some memorable ones in The Westerner and Sergeant York where they got Oscars, Brennan for The Westerner and Cooper for Sergeant York.

Jane Wyatt is Cooper's leading lady, playing the part of the faithful wife where if this had been made at MGM, June Allyson would have had the part. She's the widow of one of Cooper's early Navy flier friends who is killed trying to land on a new aircraft carrier.

Director Delmar Daves made good use of actual combat footage both black and white and in the last 15 minutes color. Lent a real air of authenticity to what we were viewing. Look for some good supporting performances from Brennan, Wayne Morris, Bruce Bennett and the best being an obtuse United States Senator played by Stanley Ridges.

The final shot of the film shows Cooper now in civilian attire with jets passing overhead. That was a whole new skill that had to be learned by the next generation of Top Guns. Very graphically demonstrated in The Bridges at Toko-Ri.

I'd like to think that Tom Cruise and the rest of the cast of Top Gun saw those two films and realized the great heritage they were now going to portray.