Tarzan und das blaue Tal

Edgar Rice Burroughs' Ape Man creation had already seen some rocky cinematic days by the time "Tarzan's Magic Fountain" was released in 1949. Still, this inoffensive adventure will most likely placate fans of the series, particularly with Lex Barker making his debut in the leading role. Story has Tarzan discovering a mystical valley where no one grows old, a scenario which appears to perplex Brenda Joyce's Jane (who seems catatonic) and two funny, neurotic chimps (one paces, the other bites her nails). Handsomely-produced entry with some amusing asides. Barker is a bit bland and slow to start, but Tarzan-addicts might want to cut him some slack: this was quite a daunting part to fill. ** from ****

The "Lost Horizon" aspects of this plot may border on the silly -- the residents of the "Blue Valley" dress in Egyptian-Polynesian style! -- but they provide a serviceable framework for the first of Lex Barker's Tarzan movies. Barker, alas, is asked to play the title role as something of an overgrown bumpkin who can't quite seem to master the use of such basic articles of speech as "a" and "the," and there's little hint of the "killer instinct" which has allowed him to survive for so long in such hostile terrain. However, Barker's Tarzan is a likable sort who looks good in his loincloth which, for the sake of modesty, rides high enough on his midsection to cover his navel. Perhaps his beefcake-highpoint comes in the final reel when he's tethered with outstretched arms in a cave while some men from the Blue Valley prepare to blind him. (Yes, they actually have a tool designed for this purpose: a two-pronged fork that can poke out both eyes at the same time. Why this fork has to be heated white-hot before it can do its work remains a mystery.) Obviously aimed at a Saturday matinée crowd, this briskly-plotted movie devotes a lot of attention to the antics of Cheetah who, during the course of the proceedings, chews bubblegum, learns the peril of hot pepper, and gets to play with ants. Children may giggle, adults will groan. As an added bonus, there's Elmo Lincoln - the silent movies' Tarzan -- who here plays a burly villain with a black eyepatch. He and Barker get to engage in a couple of semi-comic fights.

For the record, the fountain doesn't belong to Tarzan nor does it fall under his jurisdiction so the title is something of a misnomer.

First Tarzan film with Lex Barker in the title role, "Tarzan's Magic Fountain" is a welcome improvement after Johnny Weissmuller's last entry, the dull "Tarzan and the Mermaids", whose only saving grace was the location shooting in México, with its attractive monuments and landscapes. When he moved the franchise to RKO Radio, producer Sol Lesser was much helped with the addition of Barker, a handsome, tall and dignified Lord Greystoke; simple and attractive art direction and inexpensive but effective visual effects. Although the story is lineal and easy, lacking strong emotional or action peaks, it is still fun to watch, due to its fantasy elements: a British woman pilot who disappeared in an African jungle (not to far from Tarzan's home), reappears 20 years later looking as young as when her small plane crashed, thanks to the magic fountain of Blue Valley. Soon greedy men want to get there and start a business bottling the fountain water. (In the story, the product target is women, but in these days it would be also a success among men). The plot is more romantic than this but it's up to you to discover the whole story. And Cheetah is funnier than ever!

Tarzan's Magic Fountain (1949)

** 1/2 (out of 4)

After Johnny Weissmuller walked away from the Tarzan series RKO was quick to replace him with Lex Barker and the first of the new series actually turned out to be a good little film. Tarzan (Barker) and Jane (Brenda Joyce) find a cigarette case, which just happens to belong to Gloria Jessup (Evelyn Ankers), a pilot who went missing twenty-years earlier. It turns out that her plane crashed and she was taken in by a local tribe who also happen to have a magic fountain that can keep something youthful forever. Gloria returns back to her homeland but begins to grow old so she wants Tarzan to take her back to her village. TARZAN'S MAGIC FOUNTAIN certainly isn't a masterpiece but it's still a lot better than the previous five films from the Weissmuller series. I think a lot of the credit has to go to Curt Siodmak who co-wrote the screenplay. Film buffs will recognize his name as the man behind many of the Universal horror movies like THE WOLF MAN and BLACK Friday. He certainly knows how to add in some good touches and he turns this typical story about youth into a pretty good adventure film. I think the screenplay does a nice job at not taking itself too serious but at the same time it works well for adults. The previous few films were certainly aimed at children but this one here has a more serious tone including a couple rather violent deaths and another sequence with some nice black humor involving the skeletons of the plane crash victims. There's no question that Weissmuller was the greatest screen Tarzan so Barker had a large loin cloth to fill. For the most part I thought he was decent in the role as he certainly has the physical appearance for the part and he handled most of the dialogue just fine. Joyce, in her final appearance as Jane, isn't too bad either but I'm a little surprised the producers brought her back considering they were trying to start a new series. Ankers is as charming as ever and Albert Dekker makes for a good villain. The screen's very first Tarzan, Elmo Lincoln, appears quickly at the start of the film as a fisherman. There are a few pacing issues and there are some dry moments here and there but it's hard to not say that the series at least got going back in the right direction after some pretty lifeless films.

The first Tarzan film minus Weissmulle,r and replaces him with Lex Barker as the new Tarzan. In this outing the Lord of the Apes finds a secret Valley where nobody ages, so it's basically "Lost Horizon" with more loincloths. Co-written by Curt Siodmak, who wrote a few minor classics including "The Wolf Man," "I Walked with a Zombie" and "Earth vs. the Flying Saucers," makes this one of the better later Tarzan films. Overall, it's nothing brilliant, but if you're in the right mood it's entertaining enough and far better than any of the cheaper Tarzan spinoff-/ripoff Bomba films. Alan Napier, Alfred on the 1960s Batman TV series, also appears in the film, as does Albert Dekker, who played the evil Dr. Soberin in "Kiss Me Deadly."