Der Meisterdieb von Paris

Eric Portman plays a police officer desperate to get Guy Rolfe behind bars in "The Spider and the Fly" from 1949.

Eric Portman is Fernand Maubert, a French police officer around World War II. He is being heavily criticized because he is unable to catch a very efficient robber, Philippe Lodocq (Guy Rolfe) who always seems to have an alibi when there's a robbery.

If things weren't bad enough, both men are in love with the same woman (Nadia Gray). She is madly in love with Philippe, who at first uses her; later, however, he realizes that he does love her.

Happily for Maubert, he is able finally to catch Philippe and throw him in prison for six years. War breaks out, and Maubert, working with the government, is summoned and given an assignment. Maubert knows just the man to carry it out.

I don't know if I gave this an 8 because I've seen so mediocre films lately, or if this was really good. I think this was really good, particularly because of the performances of Portman and the elegant, handsome Guy Rolfe. I only knew him from the film "King of the Khyber Rifles" but was too busy looking at Tyrone Power to notice him.

The lesson of the film is that, for the good of a country, opposing forces can work together. Given the situation in the U. S. today, I found it timely.

There's are two twists at the end, both of which add to the film.

Recommended, especially if you're not familiar with Guy Rolfe.

The 'gentleman crook' and his ongoing battle of wits with a police detective has proved to be of immense appeal. Raffles had his Inspector Mackenzie, Lupin his Inspector Ganimard and Simon Templar his Inspector Teal. Here it is the mercurial Ledocq of Guy Rolfe versus the earthy Inspector Maubert of Eric Portman. Although on opposite sides of the law theirs is a very interesting relationship based on mutual admiration and is further complicated by their being rivals for the enigmatic Madeleine of Nadia Gray. However, a cruelly ironic twist of Fate thwarts them both.........

Films set in Europe featuring English actors seldom ring true but this is a glorious exception. Both Portman and Rolfe, whose career alas was hampered by tuberculosis, are first class. Excellent support from Edward Chapman and Maurice Denham. It is of course the lovely Miss Gray who supplies the exotic touch.

Based by writer Robert Westerby on a story related to him by a member of the French police, this film is atmospherically shot by Geoffrey Unsworth and marks an impressive editorial debut by Seth Holt.

Although no doubt considered a 'minor' work of Robert Hamer this is extremely entertaining. It typifies Hamer's flair, distinctive visual style and what one critic astutely called 'his bitter intelligence'.

Robert Hamer's next film after 'Kind Hearts and Coronets' was this super-stylish precursor to the same director's 'Father Brown' five years later; which feels like an adaptation of a novel but was actually an original screenplay. Continuing his fascination with criminality and deception while studying the bond that develops between a gentleman thief and a detective against a French backdrop, in his tragically sparce career before he drank himself to death aged just 52 he also made two other films with French settings, one of them even called 'To Paris with Love'. It also anticipates 'The Dirty Dozen' and numerous other war films in it's proposition that criminals constitute a valuable resource in wartime.

In answer to an earlier correspondent, Guy Rolfe's career never really took off because health problems made him difficult to work with; although he fortunately enjoyed a late career resurgence in the 'Puppetmaster' series.

This is a slow-paced but solid film about a police inspector, played by the calm and unruffled Eric Portman (the spider) and his quarry, a master thief and safe cracker (the fly), who is played by Guy Rolfe. Rolfe was excellent in another film which he made this same year, PORTRAIT FROM LIFE (1949, see my review). He is just as good in this one as well, though playing a very different type of character, and one far less sympathetic. Robert Hamer directed this, one of only 14 films which he directed. He retired from the screen at age 49 and died at age 52, hence the small number of his films. He is best remembered for directing KIND HEARTS AND CORONETS (1949), this very same year, with Alec Guinness. The love interest in this story is played by the Romanian actress Nadia Gray, who has both men in her thrall but has a wild passion for Rolfe which at first he does not return. This was only her second film, the first being a French film in this same year which has never been reviewed on IMDb and may be lost, or at least lost to memory. Portman finally catches the elusive Rolfe and send him to prison, but then a wartime situation arises which requires a crucial document to be stolen from the safe of The German Legation in Switzerland. Portman recruits Rolfe for this task and the thief thus uses his safe-cracking and building-climbing skills to get the document and fight the Germans. It is a good film, well made, but somewhat slow. It would not have seemed so in 1949, perhaps, but things have speeded up now.

A well cast and well paced police drama set in Paris just prior to WWI featuring Eric Portman as the professional and unemotional detective Fernand Maubert and his adversary the aristocratic gentleman thief and bank robber Philippe Lodocq played by the exceptionally tall Guy Rolfe. In some scenes I'm sure his lover, the demure Madeleine (Nadia Gray), is standing on something so as to kiss him. As the Hun approaches Paris, the French government tempts Philippe with a pardon and a wad of cash to do a little espionage. The film ends well with an unexpected twist. British film buffs should look out for a young George Cole (aka Arthur Daley)in the dual role as a trainee detective and actor. Also Arthur Lowe (Dad's Army) appears as a nervous town clerk. Note: This is not a film for those trying to quit smoking. In every scene every man smokes furiously and towards the end even the fair Madeleine lights up.