Panik in Arizona

This movie may be memorable for being Blake Edwards' second movie script, but it remains a B western with a good budget, one of Allied Artists' efforts to lift itself out of the shrinking market for Saturday morning kiddie fare. It does so by some adult themes and a bit of depth in its character study, as cattle rancher Rod Cameron denies water to the nesters coming onto the range, despite the obvious attraction he and Gale Storm have for each other.

It's also visually darker than most B westerns, with the darkness lurking around the edge of the frame as people ride their horses, and in several still compositions shot, apparently, in dense forest. Everyone tries to make this a more important movie than it winds up being by techniques adopted from other film genres, but Rod Cameron's simple, muscular line readings defeat the effort.

Rod Cameron is a world class JERK in this territory rights tale.

Gale Storm is the spunky girl who takes him on head-to-head. Lots of talk to get the flick started results in threats and random gunshots. Lots of stupid stuff, too. Second-rate all the way.

Best thing is Gale whom here resembles a spunkier Shirley Temple type.

Big budget Allied Artists western 'spectacular' has two really interesting moments: THE ALLIED ARTISTS LOGO done in a TWENTIETH CENTURY FOX style which is a very effective copy; and the big Stampede itself where hundreds of mad cows steer their way over a cliff. Maybe AA borrowed the Lydeckers from Republic or maybe they hopped over the studio fence to help out after hours, because it is a very well created scene in miniature that is quite convincing. From memory it is in a lightning storm...not a Gale Storm but a real studio storm. Gale Storm IS in this film, fresh from the Monogram musical blockbuster SUNBONNET SUE and perhaps some campus hi-jinks with Elyse Knox in another University set swing programmer (usually with Frankie Darro and Manton Moreland)....but I digress. STAMPEDE is a romantic western drama made with an attempt to showcase ALLIED ARTISTS as an arm of MONOGRAM that delivers bigger budget pix for the new age of 'competing with television' in the USA of 1949. Written by Blake Edwards!

Settlers from back east are headed to Arizona. Sleazy businessmen LeRoy Stanton and Stanley Cox had sold them the land, but it's bone dry. Rancher brothers Mike and Tim McCall own the needed land and they have dam the river for their cattle. Tim falls for Connie Dawson, the daughter of a settler.

It's an old B-western with the standard story of settlers vs ranchers. At least, they do real horse riding and spend a good amount of time outside. It's always old timey comedy gold to spank the leading lady. Jumping off the cliff does need something better looking, but the trick photography required is probably beyond them. This is fine for a B-western.

Rod Cameron plays iron-willed Mike McCall, an 1880s Arizona cattleman marked for death by corrupt land developers and victimized by their villainous scheme to stir up a rampage that sends McCall's panicked herd pounding across the range and toppling helplessly over a high cliff...

Stampede is a standard settlers vs ranchers story, though the real villain is Stanton, a land developer, but as expected there's some gunplay, fistfights and a stampede (Of course) to keep things interesting. It's well-paced, has some snappy dialogue, and a killer action scene in the barn which is an eye opener- two guys jump Rod Cameron and there's some edgy fist fight, then gunplay and some fist fighting in the loft. Phew!