Das gefährliche Alter

Yes today British male teachers have to be very careful of vexatious litigation from young female pupils if they decide to give them home tuition.The danger is that these pupils may become emotionally involved and if their amatory wishes and advances are thwarted, may take legal action against the teacher.Far better to restrict tuition to the classroom or have the girl's parent or other reliable chaperone on hand to witness the lesson if home tuition is necessary.My son is a teacher and gives a few lessons in pupils' homes but always safeguards his professional reputation in this way.Back in 1949 when this film was made society in Britain was much less politically correct and less litigious.

How young looked Petula Clark and what a vixen looked Mai Zetterling.I thought I recognised the piece played on the piano by Petula towards the end as being heard in the musical soundtrack of "Pride & Prejudice" 1995 TV miniseries by Mary Bennett (Lucy Briers).

In common with some French directors (cf. Duvivier's "Anna Karenina") Gréville made several films in England after the war. This film is a light-footed, fluffy type of comedy set in a girls' school in England with a plot based on the arrival of the first male teacher in this school and the flirtatious attempts mainly of Arlette, a French girl, played by Zetterling. She was a minor Swedish actress who worked mainly in the UK and Hollywood and ended up as a director, also of minor films. She is terribly miscast in this role, being way too old. She plays so over the top that you laugh every time she is on screen, which is clearly not what the director intended. The so-called French accent which she puts on when speaking English is very badly executed — anybody who has heard Greta Garbo or Ingrid Bergman would recognize Zetterling's voice in this film as being tinged definitely not with a French but a Swedish accent. Sometimes you wonder whether Zetterling found inspiration in Marlene Dietrich's night-club singer in "Der blaue Engel", which is patently ludicrous considering that her role is supposed to be that of a schoolgirl in England. The other members of the cast are quite good apart from the American girl in the school (too old and using inexplicable nautical jargon all the time). Hugh Williams as the teacher is a reliable performer and his daughter (also a pupil at the school), played by Petula Clark, comes across very convincingly as a teenage girl. Those interested in early post-war British cinema might enjoy spending one and a half hour with this lightweight but well-crafted film. At least — unintentionally on the part of the makers of the film — they would be assured of some laughs thanks to Zetterling's exaggerated performance

When Hugh Williams becomes the poetry and arts master at an exclusive girl's school, he brings along his wife, Margot Grahame, and his daughter, Petula Clarke. Top of the heap is Mai Zetterling, a student, who is resentful of Williams at first so, being French(!), she decides to seduce him.

For a 1949 British movie, this is very mature and telling, with a fine performance by Miss Grahame. Nonetheless, the thought struck me, about halfway through, that it was all too conventional, that all the issues were just the sort that one would expect, and I began to wonder what would happen were the girl's school's St. Trinian's or had the movie been directed by Henri-George Clouzot. Did Ronald Searle see this movie and add it to the seething mass of cartoons that inspired the movies? Did Clouzot look at it and snarl "Au diable avec les edutiantes!" and start working on LES DIABOLIQUES? I'm not sure how useful comments like these are for appraising a perfectly decent and watchable British movie that has little to do with either of those works. It's simply that, somehow, I think they are.

"The Romantic Age" (also known as "Naughty Arlette") is a British film set in a girls finishing school. A new teacher has arrived and it's a 'he'....not just another female instructor. Immediately, a French girl in the school, Arlette (Mai Zetterling) sees him as a contest....how long will it be until she makes him fall for her? At first, the teacher sees through her and realizes she's a bad influence. However, soon he proves that he's a total idiot and falls for her.

While this Lolita-like film is interesting, it suffers from one big problem....Arlette's actions are hardly subtle and this makes the entire thing seem more trivial and unbelievable. You cannot believe a sane man falling for her like this! I don't so much blame Zetterling...more the writing. It just goes too fast and it's hard to believe a man who is as strong and insightful as he is initially later becomes a pawn so quickly. Had it been more subtle and deliberate, it would have been a much better movie. As it is, it's worth seeing...but also easily skippable.

By the way, if you do watch it I'd love to know what you think of the final scene with the butler and the hairbrush!!

The first thing to be said is that nearly all the schoolgirls are played by actresses who are well over 18 years old.Mai Zetterling was 24 years old.It is difficult to know if this was looked on as a romantic comedy.Noways it wouldn't get made because the Hugh Williams character would loose his career and end up in prison for a couple of years.