Das gefährliche Alter

When Hugh Williams becomes the poetry and arts master at an exclusive girl's school, he brings along his wife, Margot Grahame, and his daughter, Petula Clarke. Top of the heap is Mai Zetterling, a student, who is resentful of Williams at first so, being French(!), she decides to seduce him.

For a 1949 British movie, this is very mature and telling, with a fine performance by Miss Grahame. Nonetheless, the thought struck me, about halfway through, that it was all too conventional, that all the issues were just the sort that one would expect, and I began to wonder what would happen were the girl's school's St. Trinian's or had the movie been directed by Henri-George Clouzot. Did Ronald Searle see this movie and add it to the seething mass of cartoons that inspired the movies? Did Clouzot look at it and snarl "Au diable avec les edutiantes!" and start working on LES DIABOLIQUES? I'm not sure how useful comments like these are for appraising a perfectly decent and watchable British movie that has little to do with either of those works. It's simply that, somehow, I think they are.

I recently had the pleasure of viewing The Romantic Age again after about 25 years from an underground video. It used to occasionally play on the local LA late show back then, along with other such nostalgic films as Miranda, Cynara, No Minor Vices, The Lady Says No, etc. I found that I could remember much of the dialog which brought back a flood of youthful memories. A classic scene is when Hugh Williams' daughter, Petula Clark, starts dancing and drinking wildly in a British nightclub as her shocked father enters to pull her out of there. Over the sound of the jazz, a disreputable-looking fat lady starts laughing at this, and you can still hear her piercing laugh as Williams yanks Petula out into the streets. I can still hear that laugh 25 years after seeing the movie! The irony of this is that Williams has been having an affair with one of his students, namely Arlette Tessereau, a French flirt played by a young Mai Zetterling. This film may be fluff, but it ranks high with me probably due to its nostalgia power. It should be released on video as well as Miranda and other obscure British comedies which are my favorites. But where are these films now? Who owns them? And will they ever be shown or released again?

Movie Girl -

I saw this film on TV in the early 60's as a kid on a station here that aired British films on Friday nights one summer. My older sister and I always loved this film.

In the second review here it says that Petula Clark was the petulant daughter of Arnold who was spanked at the end. No, it was Mai Zetterling, her provocative school friend.

When I saw the opening scene "Littleton School for Girls" I cheered, for I knew it was the beginning of the film. (Sadly, every time the film aired in the 70's the beginning was cut off and the same happened with Mad About Men!). In the early 90's I finally obtained a complete copy.

The adolescent girl who got spanked by the butler was not Petula Clark here, but Mai Zetterling (as Arlette, a spoiled student) who had had an affair with her friend's father. She had earlier made a bet with her friends that she could seduce the new art master who was the only male teacher and was very reserved. Hugh Williams played the part very authentically.

Petula is very good too as his daughter Julie, but Mai as Arlette Tereseau takes the cake! Raymond Lovell was his usual talented self as the butler. (At the end he reaches his limit of endurance when Arlette is repeatedly rude to him).

I well remember the scene where Petula (as Julie the daughter) goes to a nightclub and dances provocatively with Arlette's boyfriend, Henri Sinclair. When Hugh (as Arnold Dixon) as her dad drags her out of there it makes him realize how sordid Arlette and her friends were. I do remember the woman in the bar who laughed and laughed when this happened! I can still hear her laughter ring out. (Julie secretly restores her family, for her father comes home again after that).

Arnold parts in great sadness from Arlette, believing he has done her wrong. She secretly snickers at him. When Julie discovers the malicious plot hatched by her so-called school friend, she turns away in disdain, but keeps the girl's insults about her boring and stuffy father to herself.

One thing that got by the censors was the spanking by the butler at the end, but the key thing was the fact that she did actually seduce Arnold! The students were on a field trip and it was pouring rain. Arlette was "lost" and sought refuge in a deserted hut. Of course she knew he (as the only man on the trip) would be the one to come to her rescue. (They had spent several hours in the hut). Margot Grahame is great as Helen, his suffering wife. They had been a happy family until Arlette entered the picture.

I will always remember how fun it was to watch with my sister. A lot of things got by me at the time, but in viewing the film again it all fits into place.

Though the film had serious elements there are moments of humor as problems are resolved.

Somewhat dated in this post-feminist age, the premise of the story is possibly illegal, based as it is upon the notion that men can be seduced by teen-aged girls! If one looks past these anomalies, however (and that is a big 'ask') there are some memorable performances from the main players, including Petula Clark as the petulant daughter, who, at one point, rather charmingly receives her 'come-uppance' over the knee of the family butler. The film-goer is treated to a delightful, if somewhat tuneless, early example of Miss Clark's adolescent singing skills. It's hard to imagine a scene such as this getting past the censors today!

Yes today British male teachers have to be very careful of vexatious litigation from young female pupils if they decide to give them home tuition.The danger is that these pupils may become emotionally involved and if their amatory wishes and advances are thwarted, may take legal action against the teacher.Far better to restrict tuition to the classroom or have the girl's parent or other reliable chaperone on hand to witness the lesson if home tuition is necessary.My son is a teacher and gives a few lessons in pupils' homes but always safeguards his professional reputation in this way.Back in 1949 when this film was made society in Britain was much less politically correct and less litigious.

How young looked Petula Clark and what a vixen looked Mai Zetterling.I thought I recognised the piece played on the piano by Petula towards the end as being heard in the musical soundtrack of "Pride & Prejudice" 1995 TV miniseries by Mary Bennett (Lucy Briers).