IMDb-BEWERTUNG
6,6/10
1090
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA newly hired dumb secretary working for a bookie masquerading as a Realtor causes unintended hilarious troubles for her employer.A newly hired dumb secretary working for a bookie masquerading as a Realtor causes unintended hilarious troubles for her employer.A newly hired dumb secretary working for a bookie masquerading as a Realtor causes unintended hilarious troubles for her employer.
- Auszeichnungen
- 1 wins total
Eddie Acuff
- Bus Driver
- (Nicht genannt)
George Boyce
- Prospective Home Buyer
- (Nicht genannt)
Peter Brocco
- Father of Triplets
- (Nicht genannt)
Wanda Cantlon
- Peggy's Maid
- (Nicht genannt)
Harry Cheshire
- Leo Hopkins
- (Nicht genannt)
Michael Cisney
- Lawyer
- (Nicht genannt)
Cliff Clark
- Construction Materials Contractor
- (Nicht genannt)
Sayre Dearing
- Man in Courtroom
- (Nicht genannt)
Anthony Dexter
- Minor Role
- (Nicht genannt)
Kay Garrett
- Nightclub Patron
- (Nicht genannt)
Empfohlene Bewertungen
A small comedy with a nicely paced story about a bookie played by William Holden who tries to hide his operation behind the front of a real estate office that he opens in a medium sized town. He hires a secretary played by Lucille Ball who can't even type. To his consternation, she attracts interested first-time home buyers, WW2 vets and their wives and children. It almost has, at times, the feeling of George Bailey in Capra's IT'S A WONDERFUL LIFE, building homes for the emerging middle class. Taking us out to the construction site, Lucy is nearly crushed under tons of earth in a rather incredible scene, while Holden and his associates (who are given many funny lines) are reluctantly led by the positive goodness of the buyers into being pioneers in real estate development and early suburban sprawl.
This is the only big-screen movie I have seen in which the Lucille Ball of "I Love Lucy" was clearly apparent. The movie was released only a few years before the TV series started. The TV series: Of course I love it. The movie: It's nicely done but warmed-over from numerous earlier films.
Ball is hired by bookie William Holden from a secretarial school. What's odd about that? Only this: She is far and away, and very obviously, the worst student there. She makes a mess of typing, gets tangled in the typewriter ribbon, etc., Just like Lucy. A little like Charlie Chaplin.
And she uses that high, bleating voice we came to know and love in her television show. She'd made comedies before this but she was always kind of tough, the way she came across in most of her more serious outings too.
This has a fine supporting cast. Seeing James Gleason is always a pleasure. Ditto Frank McHugh, looking a little prosperous here but playing his usual sort of role. And Janis Carter is hilariously mean as Holden's onetime romantic interest.
Holden holds up his part of the movie but seems distracted. He was fine in "Golden Boy" but didn't come into his own until "Sunset Boulevard," also a few years later.
There's absolutely nothing wrong with "Miss Grant Takes Richmond." Maybe it's good, too, that if one dozes off for a bit, one will be right there and know exactly what's going on. It's familiar stuff, nicely handled.
Ball is hired by bookie William Holden from a secretarial school. What's odd about that? Only this: She is far and away, and very obviously, the worst student there. She makes a mess of typing, gets tangled in the typewriter ribbon, etc., Just like Lucy. A little like Charlie Chaplin.
And she uses that high, bleating voice we came to know and love in her television show. She'd made comedies before this but she was always kind of tough, the way she came across in most of her more serious outings too.
This has a fine supporting cast. Seeing James Gleason is always a pleasure. Ditto Frank McHugh, looking a little prosperous here but playing his usual sort of role. And Janis Carter is hilariously mean as Holden's onetime romantic interest.
Holden holds up his part of the movie but seems distracted. He was fine in "Golden Boy" but didn't come into his own until "Sunset Boulevard," also a few years later.
There's absolutely nothing wrong with "Miss Grant Takes Richmond." Maybe it's good, too, that if one dozes off for a bit, one will be right there and know exactly what's going on. It's familiar stuff, nicely handled.
A film who, today, could have a basic virtue - to see William Holden, Lucille Ball and James Gleason in a comedy with too many expectations. a student at secretarial school, her unexpected luck, a bookie joint under Realtor appearences, a moral end - confuse, off course, noble message , the importance of the poor people. all - pretext for a nice comedy . not more. and that is the good thing. because it represents the right choice for the public looking for easy old fashion comedies. I am one of small examples - the admiration for the real significant roles of William Holden, I saw this film not ignoring its easy charm. and Lucille Ball is perfect as miss Grant. so, a film for see. especially for the fans of actors.
Ellen Grant (Lucille Ball) is the worst typist in class. Everyone is surprised when Dick Richmond (William Holden) hires her for his new secretary. He's actually a bookie running a horse race gambling operation out back and a fake property rental business front. He needs a dumb blonde as the face of his fake business but she starts making the fake operation real.
Lucy is showing off some of her physical humor which would come in handy later on her TV show. She does need to be much dumber. The comedy would work better if she's a complete moron. Ellen should be absolutely a young innocent. One can absolutely see the TV Lucy especially when she turns fake thug. The plot is a bit convoluted but a screwball comedy can do that. This is a great progression into one of the great TV shows of all times.
Lucy is showing off some of her physical humor which would come in handy later on her TV show. She does need to be much dumber. The comedy would work better if she's a complete moron. Ellen should be absolutely a young innocent. One can absolutely see the TV Lucy especially when she turns fake thug. The plot is a bit convoluted but a screwball comedy can do that. This is a great progression into one of the great TV shows of all times.
Who in his right mind would give a secretarial job to Ellen Grant, a woman who doesn't seem to have mastered either typing or shorthand? Leave it to Dick Richmond, a man that wants to use Ellen as a distraction to be his receptionist at his real estate agency that serves as a front for his illegal betting activities that is his real business. Poor Mr. Richmond, he gets more than what he bargained for.
Ellen, who starts as an eager secretary, suddenly decides to help the firm in sponsoring the construction of badly needed housing in the area. This is happening at the 'baby boom' era in America, where the returning sailors and their families couldn't find affordable housing. Ellen, who has a heart of gold, wants to involve Richmond into being the builder. Little does she know she is getting in his way.
Lloyd Bacon directed this mildly funny comedy that showed Lucille Ball's talent as a comedienne, something she would exploit in later years as one of America's best loved funny woman in that new medium of television. William Holden shows he was an excellent comedy actor with the way he portrayed the con man Richmond. Two of the best character actors of the thirties and forties, James Gleason and Frank McHugh are seen as the men working the racket in the Richmond's real estate firm.
Although Lucille Ball was nearing forty at the time she appeared in this film, one tends to forget her contribution to the movies that came before this comedy and before finding fame in that new technology, television.
Ellen, who starts as an eager secretary, suddenly decides to help the firm in sponsoring the construction of badly needed housing in the area. This is happening at the 'baby boom' era in America, where the returning sailors and their families couldn't find affordable housing. Ellen, who has a heart of gold, wants to involve Richmond into being the builder. Little does she know she is getting in his way.
Lloyd Bacon directed this mildly funny comedy that showed Lucille Ball's talent as a comedienne, something she would exploit in later years as one of America's best loved funny woman in that new medium of television. William Holden shows he was an excellent comedy actor with the way he portrayed the con man Richmond. Two of the best character actors of the thirties and forties, James Gleason and Frank McHugh are seen as the men working the racket in the Richmond's real estate firm.
Although Lucille Ball was nearing forty at the time she appeared in this film, one tends to forget her contribution to the movies that came before this comedy and before finding fame in that new technology, television.
Wusstest du schon
- WissenswertesRita Hayworth was going to star in this movie, but Hayworth requested script revisions, and went on suspension to avoid making it.
- PatzerMr. Woodruff tells the students that they have 45 seconds to transcribe their shorthand notes. He sets the timer. This scene, which is shown in real time, takes 71 seconds from the time he says "go" to the time the timer goes off.
- Zitate
Hood: [answering the phone] It's Dick. Are you in?
Peggy Donato: I'm always in for Dick.
- VerbindungenFeatured in The Lady with the Torch (1999)
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Details
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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