Der Berg des Schreckens

The "Lost Dutchman" Gold Mine has entered American folklore as one of those unattainable, and menacing, treasures. Supposedly Jacob Walz found it in the Superstition Mountains of Arizona, and died without ever revealing fully it's location. At least a dozen people have died violently searching for it. Therefore this film easily adds to the story of greed and blood that covers the wealth of that forgotten mine.

I liked the negative performances of the leads (Ford, Lupino, and Young), none of whom are likable or redeemable. It was very unusual to see them in such characterizations (although Lupino had played some villainous types, like "Betsy Broke" in "The Light That Failed"). Young was still a few years from his first decent role, the weak drunkard in "Come Fill The Cup". Ford usually played good guys, although he did play the politically ambitious Civil War madman in "The Man From Colorado" in this period. But here they all cut their teeth quite well in the film as low lives.

The interesting thing is that they are not the only villains - greed also percolates in the modern part of the movie, where the hero (William Prince) discovers the most unlikely, deadly villain facing him at the end.

Altogether a worthwhile film.

An excellent movie with a complicated plot. The story starts & ends in the present (1948); a long flashback sequence in the middle describes the time period 1880-1887. The grandson of the rediscoverer of the richest goldmine in America (worth $20 million back in those days!) goes to search for the mine, but becomes involved in a series of unresolved murders. The stars of the movie (Ford, Lupino, & Young) are all part of the flashback sequence. There's mystery, action, murders, romance, treasure, singing, double-crossing & more in this exciting western. All the actors do a fine job (Edgar Buchanan is great in a small role & we get to see Jay Silverheels just before he started doing Tonto in the Lone Ranger TV series). The plot is long & winding & holds the viewer's interest, & the conclusion is highly ironic & oh-so frustrating! Highly recommended for western & treasure & romance fans. This one rates a 10!

From its initial release in 1949, to the VHS forty years later, to the DVD this year, Columbia Pictures never had a clue how great this movie is. Always under promoted, always passed off as just another cheap western; until it was listed on eBay where buyers have been hungrily going for it. The unique structure has a present day (1948) narrative set in Florence, Arizona, as the Dutchman's grandson seeks the Lost Dutchman mine. This part is the first 20 minutes and the final 20 minutes of the movie. In the middle is a gritty, excellent flashback that tells the Dutchman's story: Greed, romance, betrayal, more betrayal, and more greed. Frankly, I've watched the 40 minute middle of this movie over 50 times. It always grabs me. I was 11 years old when I saw this movie at the Silver. It impressed me then, but more so now. Be sure you see this one.

There is nothing more exciting than a quest for treasure. In fact, even if the treasure is only a legend, people will look for it. In "Lust For Gold", the treasure seekers exhibit the lust, greed, and paranoia that often overtakes logic. Glen Ford as Jacob Walz is so afraid that his hidden mine will be found out by the angry crowds following him, that he falls prey to the scheming Ida Lupino and her jealous husband, Gig Young. The story of how the mine was lost, and the supposed reliable clues of how to find it, are told in a very logical flashback scenario. The movie moves quite quickly and is beautifully photographed. Even if there never was a treasure, "Lust For Gold" is a treasure itself. - MERK

I saw this on TV years ago and was very impressed and needless to say the recent DVD release got me really excited. I am pleased to say LUST FOR GOLD lives up to my memory. The first thing that struck me was the film noir aspects of LFG - the flashback structure, the first person narration, the anti-heroes of the flashback story and those dark shadows and sinister characters. I have always loved Ida Lupino and what a great femme fa-tale she makes - cold, greedy and obsessed with "lust for gold". Glen Ford is at his most villainous and gruff - although his German accent comes and goes.Gig Young is the perfect scorned husband patsy. There are surprises galore like the abrupt ending of the flashback and the parallel "natural" threat that is a warning to the modern day hero and the undoing of the villain. Coming a year before WINCHESTER 73, LFG is one of the earliest noir westerns ( like Blood on the Moon and Pursued) and has a cast of noirish actors fulfilling their doomed roles. A real classic!