Ein Brief an drei Frauen

Warning! - possible mini-SPOILER to follow...

Other comments herein attest to this film's amazingly well-achieved wit and sophistication, both for its time and, when viewed today, outclassing almost anything I can think of in recent release. Twentieth-Century Fox gave Joseph L. Mankiewicz top-notch professionals to help him win his eventual Oscars for direction and screenplay.

One moment that will always spring to my mind when I recall this film is that wonderful character actress, Connie Gilchrist (so perfectly partnered in her scenes with one of my all-time beloveds, Thelma Ritter), reacting to Laura Mae's announcement of her engagement to her boss, Mr. Hollingsway, so well-played by the great Paul Douglas. As she falls in a dead faint, she emits a jubilant exclamation on her way to the floor: "Bingo!" One of this film's best guffaws and a nice counterpoint to some of the more subtle examples of humor in this example of what Hollywood can do when everything meshes so superbly.

You have here a situation that is rarer than you might imagine-a top-notch cast with an even better script. This is a delightful film with fine performances all around and some of the best dialogue! Strangely, none of the cast were nominated for their work here, although three were nominated for other performances in other films they did that year. The script deservedly won an Oscar as did the director. This is a joy to watch and the voice-over narration is perfectly handled throughout. Highly recommended!

One of Hollywood's best directors, Joseph Mankiewicz, who gave us "All About Eve," had a previous winner with "A Letter to Three Wives," starring Linda Darnell, Jeanne Crain, Ann Sothern, Kirk Douglas, Paul Douglas, Jeffrey Lynn, Thelma Ritter, and Connie Gilchrist.

The never-seen Addie Ross (voice of Celeste Holm) has run off with the husband of one of her friends - whose? Three women look back over their marriages, each realizing she could be the one who will not come home to anyone that evening.

Linda Darnell was involved with Mankiewicz during the filming of "A Letter to Three Wives" in what would be a devastating relationship for her. Her story is the most fun and interesting of the film. Lolamae works in one of Porter Hollingsway's department stores, and she manages to nab the boss by playing her cards just right. He assumes throughout their marriage that she's with him because of his money. The funniest parts of the film take place in the home Lolamae shares with her mother (Connie Gilchrist) and sister. They live next to the train tracks and when a train goes by, the house rattles and shakes. Each time this happens, everyone just waits patiently for the train to go by as they rattle right along with it and then takes up where they left off as if nothing happened. When Lolamae and Hollingsway announce their engagement, Gilchrist cries out, "Bingo!" and faints! Thelma Ritter plays Gilchrist's best friend. The two provide some of the best moments in the film - Ritter is also the maid in the home of Ann Sothern and Kirk Douglas. Lolamae and Paul are the most fully drawn couple, and the one the audience is most invested in.

As with "All About Eve," the female characters are the focal point. Sothern is married to Kirk Douglas - he's a schoolteacher and she writes for radio, so it's intellect vs. the dumbing down of America fight; Jeanne Crain plays a woman who married upper class Jeffrey Lynn after leaving the service, and she originally feels out of her element among his tight-knit group of country club members. All of these women have to contend with the much admired (by males) Addie Ross, who remembers their men's birthdays, dresses beautifully, sends wonderful gifts, and has loads of class.

When it was pointed out to Mankiewicz that Jeanne Crain had played a character named Deborah in two films for him, he replied, "I don't like the name Deborah, and I don't like Jeanne Crain." Hers is the weakest storyline, but she is beautiful and gives a good performance. Lynn as her husband has very little to do. Sothern and Douglas make a spirited couple - he's at the height of his good looks, and Sothern makes the most of her witty dialogue.

But in the end, the focus is on Darnell and Paul Douglas. Darnell is stunningly beautiful and, because of this, isn't often thought of as a great actress. She brings a dry humor, sexiness, and vulnerability to the role of a woman who on the surface appears clever and a little too street smart for her own good. Douglas is a wonder, a complete natural - he plays his role as if Porter could just as easily be a hardware salesman as a filthy rich department store owner. He's both endearing and sympathetic, with his dumb, lovable face and his immaculately tailored suits. While they don't look like a perfect couple, their chemistry and what's underneath their bantering dialogue makes them one.

Now, which husband ran off with Addie? See if you can figure it out during this highly entertaining and well-acted film.

A Letter to Three Wives has a stellar cast with Ann Southern, Jeanne Craine, Linda Darnell, Paul Douglas, and Kirk Douglas. Any one of those actors would assure the viewer of a terrific performance. All of them together creates one of the first ensemble casts that are so popular today as in ER or Friends. Ann Southern is great as she plays off of Kirk Douglas and Thelma Ritter. Just looking at Linda Darnell makes watching the movie worthwhile. She was one of the most beautiful women who ever acted in a motion picture. Paul Douglas plays his usual rough and tumble character with a heart of gold. The premise is that a group of friends has one female who has the attention of all the men, and all the stares of the women. One day when the three wives are working on a volunteer project with some children when they receive a special delivery letter from the target of their stares. In the letter the woman states that she is moving away and will never return, and she is taking one of their husbands with her. The women then think about how easily it could be each one of their husbands. It's a great way to spend a couple of hours on a Sunday afternoon, and boy will it surprise your wife when you watch it with her. She won't know what to think.

One of the funniest and truest commentaries on married life is set into motion when the three wives receive a letter stating that the town siren has run off with one of their husbands--but which one? Flashbacks trace the course of three stories in one--along with witty dialog and comic situations that keep you entertained from beginning to end. All of the principals are excellent--but if I had to choose the favorite couple it would have to be Paul Douglas and Linda Darnell. Why they weren't both at least nominated for Oscars, I'll never understand. Darnell, in particular, more noted for being a great beauty than a great actress, has some of the wittiest lines in the movie and gets them across with slambang effect. Her Lora Mae Hollingsway just about steals the film in some of the funniest, yet poignant moments in the whole story. Paul Douglas is superb opposite her, as are Thelma Ritter and Connie Gilchrist as two outspoken bystanders. Not far behind are Ann Sothern and Kirk Douglas as the squabbling couple whose marriage is falling apart because of her financial success as a soap opera writer vs. his non-lucrative teaching career. Only sequences that fail to register strongly are those between Jeanne Crain and Jeffrey Lynn--lacking the wit of the other stories. The lines and situations get more hilarious as the film goes on and by the end you've seen one of the most richly satisfying comedies ever about the ups and downs of domestic bliss. Fully deserved its Oscars for best screenplay and direction.