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Vor verschlossenen Türen

Originaltitel: Knock on Any Door
  • 1949
  • 12
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
6,6/10
4630
IHRE BEWERTUNG
Humphrey Bogart and Allene Roberts in Vor verschlossenen Türen (1949)
Official Trailer
trailer wiedergeben1:38
1 Video
99+ Fotos
Film NoirCrimeDrama

Füge eine Handlung in deiner Sprache hinzuAn attorney defends a young hoodlum charged with murdering a policeman using the oppressiveness of his client's upbringing in the slums to appeal to the sympathies of the jury.An attorney defends a young hoodlum charged with murdering a policeman using the oppressiveness of his client's upbringing in the slums to appeal to the sympathies of the jury.An attorney defends a young hoodlum charged with murdering a policeman using the oppressiveness of his client's upbringing in the slums to appeal to the sympathies of the jury.

  • Regie
    • Nicholas Ray
  • Drehbuch
    • Daniel Taradash
    • John Monks Jr.
    • Willard Motley
  • Hauptbesetzung
    • Humphrey Bogart
    • John Derek
    • George Macready
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    4630
    IHRE BEWERTUNG
    • Regie
      • Nicholas Ray
    • Drehbuch
      • Daniel Taradash
      • John Monks Jr.
      • Willard Motley
    • Hauptbesetzung
      • Humphrey Bogart
      • John Derek
      • George Macready
    • 70Benutzerrezensionen
    • 35Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Videos1

    Knock on Any Door
    Trailer 1:38
    Knock on Any Door

    Fotos140

    Poster ansehen
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    + 132
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    Topbesetzung99

    Ändern
    Humphrey Bogart
    Humphrey Bogart
    • Andrew Morton
    John Derek
    John Derek
    • Nick Romano
    George Macready
    George Macready
    • District Attorney Kerman
    Allene Roberts
    Allene Roberts
    • Emma
    Candy Toxton
    Candy Toxton
    • Adele Morton
    • (as Susan Perry)
    Mickey Knox
    Mickey Knox
    • Vito
    Barry Kelley
    Barry Kelley
    • Judge Drake
    Florence Auer
    Florence Auer
    • Aunt Lena
    • (Nicht genannt)
    Vince Barnett
    Vince Barnett
    • Carl Swanson
    • (Nicht genannt)
    Theda Barr
    • Girl
    • (Nicht genannt)
    Richard Bartell
    • Reporter
    • (Nicht genannt)
    Paul Baxley
    • Policeman
    • (Nicht genannt)
    Joan Baxter
    • Maria Romano
    • (Nicht genannt)
    Eddie Borden
    Eddie Borden
    • The Chef in Poolroom
    • (Nicht genannt)
    • …
    Hazel Boyne
    • Woman
    • (Nicht genannt)
    Joe Brockman
    • Man
    • (Nicht genannt)
    Argentina Brunetti
    Argentina Brunetti
    • Ma Romano
    • (Nicht genannt)
    Charles Camp
    • Waiter
    • (Nicht genannt)
    • Regie
      • Nicholas Ray
    • Drehbuch
      • Daniel Taradash
      • John Monks Jr.
      • Willard Motley
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen70

    6,64.6K
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    Empfohlene Bewertungen

    bobsgrock

    Lost in the mix of an all-too obvious message.

    Humphrey Bogart's first film away from the controlled environment of Warner Brothers shows its technical flaws, particularly in the script which consists of scene after scene of relentless polemical exposition detailing the supposed evidence for why society has just as much a blame as the criminals living in the slums produced by them.

    This is not a new message from the movies and after World War II, the intent to clean up the streets of America became much more of a signature statement for the left-leaning political crowd as a way to counter the focus on international affairs. Bogart and director Nicholas Ray were certainly huge figures in that movement but Bogie's first time as producer and Ray's second feature film leave much to be desired. Most of the performances are either too stiff or too exaggerated. Only Bogie manages to maintain a collected and understated performance despite his unnecessary preaching at the end. Perhaps no other actor in history portrays hard-edged cynicism better than Bogart, which makes it all the more surprising that his character remains this way for much of the film only to jump on society in the final scene.

    Ray's direction is nothing too special as he was still feeling his way around a movie set. He does, however, exhibit some interesting and striking visual tricks, foreshadowing future films to come.
    6michaelRokeefe

    Live fast and die young.

    Humphey Bogart in his first movie for his own production company Santana. And introducing "pretty boy" John Derek. Bogart plays a sympathetic lawyer defending a juvenile delinquent(Derek)on trial for murder. Pretty average Film-Noir, but good enough to hold your interest. Courtroom scenes provide high drama and then comes the twist ending that really is not so surprising. Also in the cast are:George Macready, Allene Roberts and Mickey Knox. And then there is Dooley Wilson tickling the ivories.
    6James_Take2

    Bogart class in dated courtroom drama

    A film for Bogart aficionados as this great actor once again oozes class as the tough but empathetic lawyer.

    The film though doesn't hit the same mark. The script is fairly weak and dated. Similarly the plot is tenuous and as a movie it hangs together as a romantic drama to coming of age drama, to crime drama with noir touches to retrospective character study of a juvenile delinquent turned criminal and finally all under "courtroom drama". It tries to hard to be too many things and doesn't really do justice to any of them - only Bogart and McCready's performances save this movie from being destined to the "forgettable bin".

    The pace and direction is generally good and though it was Nicholas Ray's second film, his cinematography and style (using noir tones and angles) is a clear forerunner of his classic noir films including In a Lonely Place (again with Bogart) and On Dangerous Ground.

    And so to John Derek, he definitely had the pretty boy looks for the "Pretty Boy Romano" role but his acting is lame and isn't believable - no matter how much Bogart and McCready (who incidentally puts in a solid performance as the DA) try to drag him up to their standard.

    All in all, a reasonably interesting and engaging watch despite the flaws. Had Ray cast a better actor than Derek (e.g. Clift, Garfield or Curtis) and developed a more robust plot and less cliched script, this could have been up there as yet another classic in the Bogart canon.
    6bkoganbing

    Confused Message

    Knock on Any Door was Humphrey Bogart's first film after leaving Warner Brothers. He and his Santana productions did a few for Columbia at that time.

    It's a throwback film to the Thirties, a time it was seen that all cures to society's ills was a better social program. That's the message that attorney Bogart was driving home to the jury, that for a few better breaks his client John Derek would be a solid citizen.

    Actually during the course of the film, what we see of John Derek's life showed he had some opportunities and blew them. It also did show that the family had some rotten luck. A mixed message to say the least.

    The film shows Bogart as an attorney and his involvement over the years with young John Derek who was making his screen debut. Derek has been arrested for killing a policeman after a bar stickup and he turns to Bogart for help. The first part of the film is Bogart's opening remarks to the jury at the murder trial and we see in flashback, Derek's life and how it intertwined with Bogart's.

    The second half was the trial itself and the aftermath. George MacReady as the District Attorney probably gave the best performance in the movie. Another reviewer described MacReady as evil. Granted he usually is in his roles, but here he's just one very effective prosecutor.

    Yet Knock On Any Door, confused as it is, does still raise some relevant questions. The scenes in the reform school are still being shown today and had their not been Code restrictions might have been more graphic. I only have to cite the movie Sleepers from a few years back.

    Bogart fans will like it and John Derek certainly merited the nickname "pretty boy."
    8ronnybee2112

    Heavy-handed at times but intense!

    Star-studded cast. Good acting throughout. Pretty intense at times. Solid camera work. Odd courtroom scenes. Well worth seeing !

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    Handlung

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    • Wissenswertes
      When Humphrey Bogart was told that director Nicholas Ray wanted to film the entire 'sentencing statement for the defense' sequence in a single take, Bogart was concerned because he had never delivered such a long speech without cuts and feared he couldn't do it. Ray calmed Bogart down, suggested several rehearsals, and much to Bogart's surprise, Ray rolled during the rehearsals filming most of what has become the famous and well-played sentencing sequence.
    • Patzer
      The court artist is seen several times drawing various characters as photography is banned in courts then all of a sudden about half a dozen press photographers appear from nowhere and take several close range flash photographs of one of the witnesses in the witness box.
    • Zitate

      Nick Romano: Live fast, die young, and have a good-looking corpse.

    • Crazy Credits
      "And introducing John Derek as Nick Romano"
    • Verbindungen
      Featured in Great Performances: Bacall on Bogart (1988)

    Top-Auswahl

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    FAQ19

    • How long is Knock on Any Door?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 17. November 1954 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Italienisch
      • Latein
    • Auch bekannt als
      • Llamad a cualquier puerta
    • Drehorte
      • Lake Arrowhead, San Bernardino National Forest, Kalifornien, USA
    • Produktionsfirma
      • Santana Pictures Corporation
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 900.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 40 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Humphrey Bogart and Allene Roberts in Vor verschlossenen Türen (1949)
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