Füge eine Handlung in deiner Sprache hinzuA teenage girl who has a crush on an older, more sophisticated man tells all her friends that the man is her boyfriend. That story soon starts making its way around the town.A teenage girl who has a crush on an older, more sophisticated man tells all her friends that the man is her boyfriend. That story soon starts making its way around the town.A teenage girl who has a crush on an older, more sophisticated man tells all her friends that the man is her boyfriend. That story soon starts making its way around the town.
- Regie
- Drehbuch
- Hauptbesetzung
- Miss Hibbs, Harry's Secretary
- (Nicht genannt)
- Courtroom Spectator
- (Nicht genannt)
- Moronica , the dog
- (Nicht genannt)
- Whistling Delivery Boy
- (Nicht genannt)
- Delivery Man
- (Nicht genannt)
- Court Bailiff
- (Nicht genannt)
- Cop at Archers
- (Nicht genannt)
- Second Cop at Archers
- (Nicht genannt)
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I didn't find the movie as bad as many other reviewers. Maybe it's because I don't hold comedy shtick to the same standard of plausibility as, say, crime drama. To me, the main standard of comedy is whether it's funny or not. This one's only mildly so, certainly not enough to fill out and hour and a half. Still, the madcap has its moments—Bobby Ellis as the officious teen newshound, Temple as a winsome 40's youngster, and Tully when he's blowing only half a gasket. And is Corliss's mom (Holden) really Dracula's Daughter (1936) who scared the pants off me many years ago!
Actually, the movie's a pretty good look at teen mores, circa 1949. I hadn't heard the phrase 'breech of promise' for decades, til this film, (deflowering a maiden on the promise of marriage and then reneging). There's also quite a bit of innuendo swirling around the misspent night—more than I would expect. But then that's half the draw, seeing the virginal Temple flirt with adult themes.
All things considered, it was probably wise for Shirley to exit the business since her movie image was so confining and not likely to change, as this 90-minutes shows. (For example, note how her "memory loss" personality mimics her moppet cuteness.) No, the movie's only memorable for being her last. But then, despite the general mediocrity, it does have its moments.
Shirley Temple is the star and this is the second time she appears as the eternally innocent Brooklyn bobbysoxer, she did Kiss And Tell four years earlier. Fans of the radio show probably were disappointed.
Temple's father is Tom Tully who is a lawyer and representing the third wife of playboy David Niven in a divorce suit. His daughter is having her usual troubles with her boy next door boyfriend Darryl Hickman. In a Lucy Ricardo type scheme she fakes a diary where says she's involved with Niven. The 'diary' falls into the wrong hands and Niven almost winds up marry Temple. I suppose that was better than That Hagen Girl where Ronald Reagan actually does marry Shirley Temple.
This is a most unfunny comedy. Niven looks embarrassed to be appearing in this. But he was a recent widower with two small sons and declining box office. He appeared in a few films like this in secondary roles to support his family.
Shirley Temple would also quit the movies after A Kiss For Corliss. No one in this film comes out with any career enhancement.
Quality: A Nose and 9/10 Entertainment: 10/10 Re-Playable: 8/10
It's a sequel to Miss Temple's 1945 vehicle, KISS AND TELL, in which she plays Corliss Archer, a fifteen-year-old girl created in a short story by F. Hugh Herbert. Miss Archer's sixteenth year of life lasted from 1943 through 1956 on the radio, and 1951, 1952, 1954 and 1955 on syndicated television. At least five actresses performed the role, plus however many did so in the stage play in 1943.
This was Miss Temple's last motion picture feature, and her most poorly received. It's episodic nature and idiotic plotting explain why. This was the period of time when America began to look upon teen-agers as a separate demographic, and all the old, stupid chestnuts were pulled out of the ashes for this one.
Wusstest du schon
- WissenswertesShirley Temple's final film role and her only starring feature since 1934 which did not receive a contemporary New York Times review.
- Zitate
Corliss Archer: Dexter, you weren't with me tonight.
Dexter Franklin: Huh?
Corliss Archer: Well, there's no point in having Daddy tear you into little pieces. You know his temper.
Dexter Franklin: What are you going to tell him?
Corliss Archer: Oh, I'll think of something. Just remember, no matter what, you weren't with me tonight.
Dexter Franklin: I can't do it. I can't let you take the rap.
Corliss Archer: Oh, I'll figure out a story.
Dexter Franklin: When?
Corliss Archer: Oh, I don't know. Give me a minute to think! Oh, my mind's an absolute blank.
Dexter Franklin: If it isn't a blank now, it will be when your old man gets through with you.
Corliss Archer: Dexter! Not when he gets through, before he starts.
Dexter Franklin: Huh?
Corliss Archer: My mind's a blank. I can't remember anything. I've got amnesia, like in the movie.
Dexter Franklin: It might work.
Corliss Archer: Oh, it's gotta work. But Dexter, you must remember, no matter what happens, no matter what I say or do, you weren't with me tonight!
Dexter Franklin: I weren't with you tonight.
Corliss Archer: Wish me luck.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Almost a Bride
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1