IMDb-BEWERTUNG
6,7/10
1037
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuJeff King in his experimental rocket suit battles the evil Dr. Vulcan.Jeff King in his experimental rocket suit battles the evil Dr. Vulcan.Jeff King in his experimental rocket suit battles the evil Dr. Vulcan.
- Regie
- Drehbuch
- Hauptbesetzung
Marshall Bradford
- Prof. Graftner
- (Nicht genannt)
Arvon Dale
- Chairman's Aide [Ch. 12]
- (Nicht genannt)
Empfohlene Bewertungen
King of the Rocket Men is one of the most original movie serials ever produced post-WWII. This is the stuff that dreams are still made of. What kid wouldn't give anything to be able to fly in a sonically propelled rocket pack and kick some bad guys butt? More than 50 years after it was made, this serial still has the pulse-quickening action adventure and really great acting that made it the classic that it is. The acting was serious, which made you believe this could actually happen. These actors were highly under-appreciated, yet were better than many of the celebrity "actors" that demand to be the center of attention today. The Rocketeer was based on this serial, and even though it had great production, it just barely induced the kind of excitement Jeff King gave us for 12 exciting episodes. It's a shame the sequels to this were silly and unbelievable. Allen Duffis hit the nail on the head. This is the standard that ALL of the Saturday morning and prime time adventure shows that came after wished they could be. The only thing that was as good was the first Indiana Jones movie, and that got it's inspiration from show's like this. I still marvel at the flying scenes through the canyons and across the Culver City skyline, which still look so real it's breath-taking. The Liedecker Brothers were geniuses. I wish they could make new serials just as good as this one today. I wish a really good sharp copy of these serials could be professionally put on DVD to preserve these serials forever. This one deserves to be protected for the future.
7xq
This movie serial has been on my mind for years. I finally found it via the internet. What a wonderful find! Not the greatest of acting, just a nice memory from days gone by, from when I was a kid and paying 3d (pennies) old stuff!!, in 1956-7 to go to Saturday morning movies with my brothers and be so excited at having to wait until the following week to see if Jeff King would escape! He always did, but it was never as was portrayed the previous week.... the mind forgets the small details when a week has gone by. Tristram Coffin made hundreds of film and television appearances, none of which were Oscar winners, but he was always presenting himself with a hero presence. As I say, not the greatest acting, but a brilliant step back in time to when all life was really rather innocent. Great stuff!!
1949's "King of the Rocket Men" was the first of three serials from Republic Pictures featuring a man wearing essentially the same rocket suit and helmet. The other two, both released in 1952, were "Radar Men From the Moon" and "Zombies of the Stratosphere." All three have things going for them though, each time, Republic tried to reinvent the character ... Jeff King in "King," Commando Cody in "Radar," and Larry Martin in "Zombies." The first and second serials were later revised for different purposes. "King of the Rocket Men" was edited to remove the cliffhanger sequences and the "remember when" episode (the one which is primarily flashbacks of prior chapters) and re-released it as a feature film titled "Lost Planet Airmen" in 1951. And "Radar Men From the Moon" was released as a 12-episode TV series under the new title, "Commando Cody: Sky Marshall of the Universe" in 1953. The third serial, "Zombies," while not remade, is probably the best remembered since it marked the science-fiction feature film acting debut of Leonard Nimoy (later, Mr. Spock of Star Trek fame) playing Narab, a Martian zombie.
But, "King of the Rocket Men" was the best of the three. Especially during 1949 and subsequent years, it was far more believable to envision a potential traitor, blackmailing government entities and possibly selling secrets to a foreign power than to believe in invaders from the Moon or Mars (in "Radar" and "Zombies," respectively). Also, and this is just my opinion, the two later serials seemed a bit contrived ... like they were merely attempting to cash in on the success of "King" ... a very well-acted serial for the time with an iron-clad plot line.
So, why the 8 of 10 rating? Back in 1949, money was tight in the studios. And sometimes, it was cheaper to "buy" special effects than it was to make them. That's exactly what Republic Pictures did. Since they wanted cataclysmic special effects in the last chapter but didn't want to spend the money, they simply bought rights to the 1933 film, "Deluge," for the sole purpose of borrowing the special effects footage for use in "King." And while there's nothing inherently wrong in such a practice (it has been done many times by Hollywood), it almost forced "Deluge" into obscurity. There were very few copies of "Deluge" available and, after Republic borrowed the scenes, they trashed the rest of the footage. Fortunately, one copy (not the Italian one with English subtitles) was discovered in France and it has since been preserved (though not openly released by any studio). In English? Don't know.
But, "King of the Rocket Men" was the best of the three. Especially during 1949 and subsequent years, it was far more believable to envision a potential traitor, blackmailing government entities and possibly selling secrets to a foreign power than to believe in invaders from the Moon or Mars (in "Radar" and "Zombies," respectively). Also, and this is just my opinion, the two later serials seemed a bit contrived ... like they were merely attempting to cash in on the success of "King" ... a very well-acted serial for the time with an iron-clad plot line.
So, why the 8 of 10 rating? Back in 1949, money was tight in the studios. And sometimes, it was cheaper to "buy" special effects than it was to make them. That's exactly what Republic Pictures did. Since they wanted cataclysmic special effects in the last chapter but didn't want to spend the money, they simply bought rights to the 1933 film, "Deluge," for the sole purpose of borrowing the special effects footage for use in "King." And while there's nothing inherently wrong in such a practice (it has been done many times by Hollywood), it almost forced "Deluge" into obscurity. There were very few copies of "Deluge" available and, after Republic borrowed the scenes, they trashed the rest of the footage. Fortunately, one copy (not the Italian one with English subtitles) was discovered in France and it has since been preserved (though not openly released by any studio). In English? Don't know.
This was a fantastic serial with great special effects for it's time. Unfortunately, many who review such fare today do so from feature length versions. One must always remember that these serials were meant to be viewed, chapter by chapter, on a weekly basis. It was the draw that got you back to the theater and a five cent bag of fresh popcorn with real butter, not butter substitute. This cherished specialized cinema of the 1940's and early 50's, produced mainly for kids, was known widely as "Saturday Mornings At the Movies".
To understand and appreciate such cinema, one really needs to have the inventive mind of a child, growing up during such exciting times of pioneering new technology. There was no 24 hour television in color or black and white, VCR's, or anything to get in the way of a child's greatest attribute, their imagination. This was the generation that would grow up to make all of these modern day wonders come true.
It is also fair to mention that stars like Tristram Coffin, deserved to be remembered for the fine actors they were; despite the limited range of the roles they played. After all, it takes a fine actor to make even a child believe that a man can strap two powerful flaming rockets to his back, attached to a flimsy leather jacket with four simple control knobs in front, and fly convincingly - without being killed. How many of our high paid, so-called actors of today can effectively accomplish such a feat?
To understand and appreciate such cinema, one really needs to have the inventive mind of a child, growing up during such exciting times of pioneering new technology. There was no 24 hour television in color or black and white, VCR's, or anything to get in the way of a child's greatest attribute, their imagination. This was the generation that would grow up to make all of these modern day wonders come true.
It is also fair to mention that stars like Tristram Coffin, deserved to be remembered for the fine actors they were; despite the limited range of the roles they played. After all, it takes a fine actor to make even a child believe that a man can strap two powerful flaming rockets to his back, attached to a flimsy leather jacket with four simple control knobs in front, and fly convincingly - without being killed. How many of our high paid, so-called actors of today can effectively accomplish such a feat?
While I don't want to date myself, this is the first film I actually saw made. It's a 13 part chapter play, aka serial, that fifties kids enjoyed on Saturdays at the movies. All serials had a formula. They ended with a cliffhanger, they began with the "take out" of the previous week's episode, and featured lots of action and lame dialog. This one also offered the best human flying effects to that time. In fact, nobody surpassed them until Superman: The Movie. You can thank the Lydecker Brothers who not only created the effect, but nearly sunk NY City with a tidal wave. 4.5 hours of film on a budget of $175,000. You can only shake your head in amazement. I've seen the series a dozen times. I can recall seeing a screening of it in a local theater where they played all 13 episodes back to back. It got so that one section of the audience would cheer the producer and another the director. Everybody booed the actors. When did you last have a movie going experience like that?
Wusstest du schon
- WissenswertesThis was another of Republic's titles to use a play-on-words for "King of..." "King" was actually the name of the main character.
- PatzerAt the end of Chapter 6/ beginning of Chaper 7, when the truck smashes through the warehouse wall and goes over the cliff the rear wheels and axle become completely detached from the undercarriage, but when the truck plunges into the water the axles and wheels are attached to the truck.
- Zitate
Glenda Thomas: Am I glad you caught up with me again.
Jeffrey King: It's getting to be a habit that I'd like to break.
Glenda Thomas: Well, I was only trying to help.
Jeffrey King: The best you can do is help yourself to a ride back to town. The highway is right over there.
- Alternative VersionenThis Republic serial was edited down to a feature film and released under the title "Lost Planet Airman."
- VerbindungenEdited into Lost Planet Airmen (1951)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- King of the Rocket Men
- Drehorte
- Republic Studios, Hollywood, Los Angeles, Kalifornien, USA(Science Associates headquarters, etc.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 165.592 $ (geschätzt)
- Laufzeit
- 2 Std. 47 Min.(167 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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