Kokain

One of the more underrated actors of his day was Dan Duryea. He never became a household name but the actor had a great knack for playing all sorts of characters...some good, some pure evil and many in between. Here, you get a good chance to see him at his best. Along for the ride is Howard Duff, whose part is strictly by the book and not particularly interesting. Additionally, in one of his first films is Tony Curtis who plays a mute assassin of all things!

There is an international drug ring running from Mexico all the way to Vancouver. The federal authorities have some leads...but not much. So, to help them infiltrate this mob, George (Duff) arranges to have Johnny Evans (Duryea) released early from prison. The problem is George isn't very sure how far he can trust his new partner and they go undercover at a dude ranch outside of Tucsan, Arizona. Things get complicated when Johnny brings along a dame he feels sorry for (Shelley Winters), though having her along might easily jeopardize everything.

The film is mostly unremarkable but enjoyable. However, the movie really had a terrific ending--and this alone help elevate the movie above the ordinary. Well worth seeing.

Treasury agent George Morton (Howard Duff) convinces a prisoner he knew as a kid (Dan Duryea) to help him go undercover in "Johnny Stool Pigeon" from 1949.

Along the way, they meet Shelley Winters, who works in a mob club, and she becomes involved in their scheme. The three of them wind up at a Tucson dude ranch run by John McIntire as they attempt to uncover a heroin smuggling operation going through Nogales.

Duryea and Duff share a mutual dislike. The question is, will Duryea reveal to the mobsters that Duff is a cop? Meanwhile, a mute mob associate (Tony Curtis) recognizes Duff from somewhere, but he doesn't seem to be able to put it together.

Pretty routine story with good acting, directed by William Castle, told in the sem-documentary style that was popular for movies involving the government in the '40s.

The striking thing about this film to me was how incredibly young these actors were! Shelley Winters was slender and pretty, Duff was trim and handsome, and Curtis was positively adorable. This was his third film; he came to the attention of audiences when he danced with Yvonne DeCarlo in Criss Cross. Easy to see why. I'm prejudiced. I used to work for him.

Feels fairly by-the-numbers but, honestly, it's also a ton of fun. Solid cultivation of suspense, really fun characters and a fantastic ending. I recommend it!

Enjoyable minor film noir with a good cast, tough dialog, and interesting locations. Dan Duryea and Tony Curtis (in a non-speaking role) would appear the same year in CRISS CROSS, while John McEntire and Barry Kelley would be in THE ASPHALT JUNGLE the following year. Also in the cast Shelley Winters and Howard Duff.

This is a frequently used plot of a government agent or policeman secretly infiltrating a criminal organization and it works very well with Duff and especially Duryea, playing the leads. Winters is a sympathetic call-girl and McEntire is great as a duplicitous character. The day-for-night locations in Mexico (or a stand-in for it) are dramatically shot with overhanging clouds and trees that seem to glow in the shadows. William Castle directs and he's at his best. Not a major noir by any means, but a fine film that deserves to be restored.

The movie starts off like a police procedural of the period, but twists into something quite different and intense. Howard Duff is a cop and Dan Duryea is a criminal who infiltrate a drug mob. Both are top notch actors who keep us guessing as to what they're really thinking. Shelley Winters is sexy as the girl who flirts with both in order to escape from her life as a gangster moll. Hanging around on the edges of the film is Anthony (Tony) Curtis. He is quite chilling portraying a cruel thug without saying a word. This was the 24 year-old Bernard Schwartz's third film, but the first one where he is really generating interest. William Castle is known as a director of gimmicky films, but he has some surprisingly effective horror films, "The House on Haunted Hill," and "the Tingler" to his credit. This movie is also surprisingly effective.