Füge eine Handlung in deiner Sprache hinzuTreasury Department officials recruit a florist to lead them to a wanted criminal, but once he gets too close, he finds that he's the hunted.Treasury Department officials recruit a florist to lead them to a wanted criminal, but once he gets too close, he finds that he's the hunted.Treasury Department officials recruit a florist to lead them to a wanted criminal, but once he gets too close, he finds that he's the hunted.
- Regie
- Drehbuch
- Hauptbesetzung
- Sam
- (Nicht genannt)
- Nurse Baldwin
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- Gray
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- Servant
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- Police Officer
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- Dr. Jaynes
- (Nicht genannt)
- Man in Basement
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- Man in Basement
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- Hotel Guest
- (Nicht genannt)
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Raft, Foch and Macready all are very good. The feeling of this movie is much like that of "Key Largo", which was around the same time.
The pacing of the film is enjoyable, and there are no slow stretches. There is a lot of character development for viewers to appreciate. The villain of the story would be worthy of a James Bond movie! The front door to his mansion is the biggest front door I've ever seen, worthy of a castle. Take special notice of the villain's huge library room--it's a virtuoso display of imaginative and evocative set decoration. The designer had a lot of fun with that!
The movie is a fine example of late 1940's film noir. Raft gives a thoughtful, understated performance. Foch is sultry. Well worth seeing.
Odd as it seems, George Raft is one of my top classic gangster figures from the golden age of Hollywood. However, I must admit, George Raft was usually better when he was the supporting actor and not so much as the lead.. I guess the reason is, as a supporter in a film, George Raft had the opportunity of working with guys like James Cagney, Pat O'Brien, Paul Muni and Humphrey Bogart... Even if the script was below par, with the aide of an all-star cast it often can lift a poor film up a bit because of the cast of actors appearing in the scenes together.... I noticed that when George Raft was the lead actor, he often was forced to carry the film alone and was working with good but "Lesser" actors who weren't as popular with film viewer's.... Thus, those type of films get reduced to "B" quality.....
I guess that George Raft's peak years in Hollywood was more than likely between 1938 to 1945...... By '45 George Raft was age 50 and fully wearing some upper hair-piece to cover the horse shoe.... Cheers to George Raft....
MR.BILL Raleigh
Foch is slightly married to the epicene George MacReady whom the Feds want to nab real bad. It's not just his elaborate counterfeiting operation that they want to shut down. MacReady is being financed by the Soviet Union and he's got quite a setup in distributing counterfeit and raking off a big bundle from his Soviet handler Ivan Triesault. MacReady and Foch live in fine style on an unknown Caribbean island that the Feds would like to know the location of to bust MacReady and his operation. In the end MacReady proves too much for his Soviet bosses.
Not so with Raft and his contact Will Geer who plays a Treasury agent. Geer in many spots steals the film from the leads with a nice laconic performance, not unlike his Wyatt Earp in Winchester 73.
Johnny Allegro is typical of the action/noir type films that Raft was doing at this point in his career. Soon he'd be working for Poverty Row Lippert films and Johnny Allegro from Columbia's B picture unit looked like Citizen Kane next to their stuff.
Fans of George Raft will be pleased. Especially with that ending borrowed from The Most Dangerous Game.
George Raft plays the title character, a reformed hoodlum, who now runs a florist shop (!!) in a hotel. He encounters a mysterious blonde, of the femme fatale variety, and winds up involved in a counterfeiting operation. Most of the action then takes place on an island off Florida where the womens husband is a tall, blonde master-criminal who enjoys hunting with a bow and arrow.
Everything here is above average and the film comes together in all areas very well. The interplay between Allegro and the evil, sophisticated Morgan Vallin, is similar to many a James Bond film with mutual distrust and respect between the two antagonists.
With good performances all round, a brisk plot and the inventiveness of the storyline, 'Johnny Allegro' is well worth watching for B-movie fans. The director was better known as a cinematographer, and his obvious skills are shown to good effect.
Not bad; the ending is reminiscent of "The Most Dangerous Game." George Raft couldn't act, but for someone who played gangsters so much, he had a warmth and a smoothness. By 1949, some of his gravitas had gone, but he was still pleasant to watch. When I was growing up, Nina Foch was playing skinny socialites on TV. It's always nice to see her as a young leading woman. Will Geer as the treasury agent is delightful, very laid back.
You might want to see this for the cast.
Wusstest du schon
- WissenswertesGeorge Macready's character's name in Gilda (1946) is Ballin Mundson who used a walking stick with a bayonet inside. In this movie, his character's name is Morgan Vallin who hunted with a bow and arrow.
- PatzerThe mountainous island where Vallin lives is supposedly located on the Florida coast, but there are no such hilly islands anywhere in or near the state of Florida. In fact, the highest elevation anywhere in south Florida is 50 feet above sea level.
- Zitate
Morgan Vallin: Hello, Glenda.
Glenda Chapman: Morgan.
Morgan Vallin: Welcome home.
[For the first time, he sees there's another man in the room]
Glenda Chapman: Morgan, this is...
Morgan Vallin: How chummy! You brought a friend with you. How hospitable.
Glenda Chapman: I was just going to explain that.
Morgan Vallin: Why trouble to explain? It's so touchingly natural.
Glenda Chapman: This is Johnny Allegro.
Morgan Vallin: You actually know his name! I'm Morgan Vallin. Always glad to meet any of Glenda's friends, though she doesn't usually bring them with her.
Glenda Chapman: I had to bring him here, Morgan. He killed a detective for me so I could get here.
Morgan Vallin: How adventurous! How romantic!
Glenda Chapman: Morgan, don't be foolish.
Morgan Vallin: Forgive me, Johnny whatever your name is. I want to thank you for any assistance you may have given my little wife.
Johnny Allegro: Wife?
Morgan Vallin: She forgot to tell you, of course. She usually does. Or were you afraid he might not have come here with you?
Glenda Chapman: I told you why I brought him here. He had no other getaway. This is Johnny Rock. They want him for escaping a stretch at Sing Sing.
Morgan Vallin: And what have you told him?
Glenda Chapman: Nothing. He doesn't even know where he is.
Morgan Vallin: And how did that minute mind of yours conclude that anyone could be of service to me with his pictures in all the papers, with a number across the front of them?
Johnny Allegro: They took those a long time ago. I've changed a lot since then.
Morgan Vallin: But your type never changes. Just looking at you makes one think of alley fighting, tommy guns.
Johnny Allegro: Is that bad?
Morgan Vallin: It's not for me. You see all this?
[He gestures around the room at the paintings, sculptures, and mounted animal heads]
Johnny Allegro: Nice museum.
Morgan Vallin: You would call it that. But it's my library, my concert hall, my trophy room. Here I have the best the world has to offer, and I don't intend to let anything jeopardize it. I can permit only people around me of whose methods I am sure.
- SoundtracksSymphony no. 3 in E-flat: Finale
(uncredited)
Written by Ludwig van Beethoven
Played on Morgan Vallin's phonograph
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Hounded
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 21 Min.(81 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1