Das Ende einer Reise

This is a good film for anybody who likes Hitchcock, Film Noir, Detective or Romance movies. It manages to hit all these bases nicely. There is excellent cinematography, a reasonably involving script and some very surprising, yet natural, twists in the plot. While the tension does not match Hitchcock at his best, it does stand up well against a lot of lesser Hitchcock efforts. For example, it is better than "the Wrong Man," "the Paradine Case," or "Under Capricorn." and as good as "Secret Agent." The actors were all fine, with Christine Norden giving her usual better than they deserve performance. She was perhaps the sexiest women working in British cinema at the time.

Here's the basic plot setup. A married man and married woman leave their spouses and run away on a train together. Racked with quilt, the man decides to return to his home. It appears that the emergency chord on the train gets pulled and a train wreck ensues killing 10 people. The man soon becomes the chief suspect as the person who caused the accident, yet there is much more going on here than first appears.

Some people might find the style of the ending a bit of a disappointment, but I think it was actually pretty fresh in 1949, and not at all the cliché it later became when overused in later movies and television shows. It is more logical and more satisfying than most endings of this style.

The Interrupted Journey is directed by Daniel Birt and written by Michael Pertwee. It stars Richard Todd, Valerie Hobson, Tom Walls and Ralph Truman. Music is by Stanley Black and cinematography by Erwin Hillier.

To Stop Train In Case Of Emergency Pull Down The Chain. Penalty For Improper Use £5.

That's a woman in a million.

Very tidy Brit noir this one. The story is a bit hokey as it enters Twilight Zone territories, but the twists, turns and mystery quotient keep it lively to hold the attention. The low budget is never a problem for Birt, who aided by the excellent Hillier, brings a feverish realm to the story by way of canted angles, shadow play and hazes, while certain images (shapes of doorways etc) are cunningly teasing the audience about what is going on. Cast are very strong to round this out as more than worth the time of the Brit noir film fan. 7/10

This movie is a pretty good surprise : the story with multiple twists and constant psychological details is really gripping, cinematography is impressive in the important sequences, and casting serves intelligently the story especially Valerie Hobson (so distinguished) and Richard Todd who form a handsome couple. Better than Hitchcock?

It struck me that this was a case of life imitating art. Just as Valerie Hobson tries to support her husband in the movie, she would later support her real husband John Profumo when he was involved in a scandal. The story goes up and down emotionally; I thought we'd reached a happy ending but there was a lot more story left. It's noir, lots of shadows, and a good story, though like most reviewers I was disappointed in the end. I enjoyed Tom Walls, whom I had only seen in comedies before.

Just take a few deep breaths when the film-makers over-stress the plot points, and you'll find this a fun movie with a tasty wee twist on it's tail. The acting is over the top at times, with Mr. Todd doing some ridiculous grimacing, but it was made in '49' when I think these particular film-makers must have thought that their audience was pretty stupid, so they threw subtlety out the window. A good performance by the great Tom Walls. Before watching ask yourself if you are in the mood for this type of film, if so you'll have a good time-I did.