Füge eine Handlung in deiner Sprache hinzuIn turn-of-the century Chicago, Andrew and Veronica are co-workers in a music shop who dislike one another during business hours but unwittingly carry on an anonymous romance through the mai... Alles lesenIn turn-of-the century Chicago, Andrew and Veronica are co-workers in a music shop who dislike one another during business hours but unwittingly carry on an anonymous romance through the mail.In turn-of-the century Chicago, Andrew and Veronica are co-workers in a music shop who dislike one another during business hours but unwittingly carry on an anonymous romance through the mail.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
- Otto Oberkugen
- (as S.Z. 'Cuddles' Sakall)
- Audience Member
- (Nicht genannt)
- Pretty Girl
- (Nicht genannt)
- Supper Club Patron
- (Nicht genannt)
- Supper Club Patron
- (Nicht genannt)
- Judge
- (Nicht genannt)
- Male Quartette Member
- (Nicht genannt)
- Sheet Music Customer
- (Nicht genannt)
- Supper Club Patron
- (Nicht genannt)
- Band Leader
- (Nicht genannt)
- Italian Proprietor
- (Nicht genannt)
Empfohlene Bewertungen
This adaptation makes good use of Judy Garland's talents, and she in turn delivers a fine performance. Van Johnson is agreeable, if sometimes a bit bland, as the leading man. The rest of the cast is good as well, and although Buster Keaton does not get a lot to do, it's still great to see him in the cast. The story in itself is fairly thin, but it has a light, good-natured atmosphere and some lively material. The settings are believable, and they go along well with the story. There's easily enough to make "In the Good Old Summertime" worth seeing.
Nothing great, nothing heavy or new but simply just great easy entertainment with great performances from Judy Garland, Van Johnson and Buster Keaton in a small but fun role and apparently also Liza Minnelli in an even smaller, and her first role.
The story is simple but charming and effective. It's an early version (but not the earliest) of "You've Got Mail". It's not really a musical, just merely a movie that just happen to have some songs in it. The songs are nothing spectacular like you would expect when you hear the word 'musical'. So, if you don't like musical movies this movie might still be very well worth your time as well.
Don't let the year it was made in scare you of. This is a movie that doesn't ever get outdated, mainly thanks to its fun and easy to watch, kind of atmosphere.
7/10
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Wusstest du schon
- WissenswertesBuster Keaton was working as a gag writer at MGM when this movie was made. The filmmakers approached him to devise a way for a violin to get broken that would be both comic and plausible. Keaton came up with an appropriate fall, and the filmmakers then realized he was the only one who would be able to execute it properly, so they cast him in the film. Keaton also devised the sequence in which Van Johnson inadvertently wrecks Judy Garland's hat, and coached Johnson intensively in how to perform the scene. This was the first MGM film Keaton appeared in since being fired from the studio in 1933.
- PatzerWhen Andy and Veronica collide on the post office steps, her hat is completely knocked off her head and hanging just below her chin, but in the immediate closeup, it is on top of her head.
- Zitate
Veronica Fisher: I wish you could read his letters, then you could find out that he has such a lofty point of view.
Andrew Delby Larkin: [sitting close and speaking in a low voice] Lofty?
Veronica Fisher: [starts to scoot away] And now to find out he's so materialistic.
Andrew Delby Larkin: [putting his arm around her shoulders and drawing her close again] Materialistic too? I'm sorry. I hate to think I've spoiled your Christmas.
Veronica Fisher: Well, you haven't spoiled it. I suppose I should be thanking you.
Andrew Delby Larkin: [whispering] Oh, no, you don't have to do that, but do you know what I wish you would do? I wish you'd send this Newspickle about his business and concentrate on me instead.
Veronica Fisher: [turing her back to him] Well, I can't; you already have someone.
Andrew Delby Larkin: [kissing her neck] Oh, no, not yet; no.
Veronica Fisher: [stammering] Now wait a minute; this is all wrong.
Andrew Delby Larkin: After all, it is Christmas.
Veronica Fisher: I know, but Mr. Larkin...
Andrew Delby Larkin: [pulling her close] Oh, Veronica, I love you so! Please open box 2-37 and take me out of my envelope.
Veronica Fisher: [turns to face] Box tuh... box 2-3-7!
[turns to look into Andrew's face]
Andrew Delby Larkin: Dear friend.
Veronica Fisher: You?
Andrew Delby Larkin: Yes.
[nodding head; Veronica audibly exhales]
Andrew Delby Larkin: Are you disappointed?
[last lines]
Veronica Fisher: Psychologically, I'm very confused, but personally I feel just wonderful.
[they kiss]
- Alternative VersionenThere is an Italian edition of this film on DVD (Extra Movie with "EASTER PARADE"), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- VerbindungenFeatured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
- SoundtracksIn the Good Old Summertime
Music by George Evans
Lyrics by Ren Shields
Played during the opening credits and often throughout the picture
Sung by Spring Byington, Van Johnson (uncredited), S.Z. Sakall (uncredited) and Buster Keaton (uncredited)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La novia incógnita
- Drehorte
- Produktionsfirma
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Box Office
- Bruttoertrag in den USA und Kanada
- 6.304.560 $
- Weltweiter Bruttoertrag
- 7.704.120 $
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1