Die schwarzen Teufel von Bagdad

As other posters note, the plot of Bagdad is incoherent, though its momentum and the good-bad IDs are always clear. It's one of those odd paste-jewelry gems of the mid-century Hollywood studios. Overall the prevailing aesthetic is camp, especially given the outrageousness of Maureen O'Hara as a red-haired, green-eyed, candle-cheeked Bedouin princess and the languid Swede Paul Hibschmud / Christian in the Valentino slot.

But if Bagdad is campy junk, it's not exactly cheap junk. The color is touching, as are the efficiently managed sets. If you look closely at the California desert shots, you'll see many a rock outcropping used in Western chases with cowboys.

Bagdad is not a Western, though, but an "Eastern." As another poster noted, Maria Montez was the icon of this minor movement in Hollywood genre films. As with other such potboilers, one of the pleasures is the precise performance of the character actors, e. g. John Sutton as the villain and whoever plays the sentimental role of the old retainer to the princess's father.

Plenty of credit to O'Hara and Price for carrying the film. The scenario has so many lurches and fillers that you see something in these actors beyond mere talent, though both have plenty. Beyond talent, they're both troopers who never flinch when the script double-clutches--they brave every scene through, holding up the pretense, and O'Hara's song-and-dance performances give some scenes a surprising robustness.

Given the plot's weaknesses, I doubt if this movie is worth sitting down for 90 minutes at one stretch. But I taped it off a cable channel and watched about 10 minutes at a time. Virtually every 10-minute episode featured a song or dance, a scene of intrigue, and luminous backdrops with well-staged action. Obviously a viewer must have a predisposition to pure escapism. What else is Hollywood for? Recommended on those terms.

It is a rousing , moving , stirring tale , though mediocre , and with action as well as thrills without much sense . And it packs a colorful photography in Technicolor , with color de Luxe . Adventure and thrilling movie and as title indicates set in Bagdad in the turbulent Oriental wars . Princess Marjan (Maureen O'Hara) , the daughter of a Bedouin wealthy , returns home from attending a college in England, and finds her father has been killed and Hassan (Paul Hubschmid or Paul Christian), the leader of a suspicious bunch known as the Black Riders , the main suspect . Leaders of the machinations against her father's people are the military governor Turkish Pasha Al Nadim (Vincent Price) who is lurking sinisterly , and a cousin (John Sutton) of a prince , as well . This is a film in which all the magic of thrilling Bagdad is shown ¿ . Lips against lips... sword against sword... in the world's fabulous city of sin! The picture of 1001 pleasures! ...1001 adventures! ...1001 delights!

Oriental adventure with all the usual ingredients , including glowing colour and distinctive photography in Cinemascope . Adventure and stirring movie set in Bagdad , including bandits , a nasty governor , gorgeous dancers , intriguing sheiks , and many other things . Maureen O'Hara gives an average acting the daughter of a sheik who swears to avenge his daddy and is soon involved the intrigue and plots between the Bedouins and the Arabs. Along the way , she dances and sings lousy songs . O'Hara managed to spring from this ridiculous camp Oriental Adventure outing to stardom . Maureen played brave females in several Adventure/Pirate movies during the 40s and 50s in Universal Pictures , similar to Yvonne DeCarlo ,in fact the latter was originally cast as Princess Marjan. However, she had recently been ill and lost a lot of weight, so much that the producers decided to replace her with Maureen O'Hara . Maureen interpreted various Muslim girls in Simbad the Sailor , Flame of Araby and Bagdad . She also performed the daughter of a powerful lord in The Black Swain , a valiant aristocrat in The Spanish Main , a feared pirate woman called Spitfire in Against All Flags and a French countess in Trípoli . Later on , in 1952 she starred At Sword point as Musketeer Athos' daughter , an untamed Australian girl in Kangaroo and finally the known Lady Godiva . There's also the ordinary good-looking , handsome partenaire , the German Paul Christian who starred a lot of adventure movies , as well . Adding a good support cast , such as : John Sutton , Jeff Corey , Frank Puglia , David Wolfe , Fritz Leiber and special mention for Vincent Price who often played baddie roles . Vincent is well , but this is an inferior vehicule for his high skills .

Colorfully produced by Robert Arthur and Universal International , being accompanied by brilliant and glimmer cinematography carried out by director of photography by Russell Metty who photographed numerous super-productions . Shooting in the ordinary locations from Alabama Hills, Lone Pine , Vasquez Rocks Natural Area Park , Santa Clarita, Universal Studios backlot , Iverson Ranch , Lane, Chatsworth , Universal City Plaza, Universal City, California . Thrilling as well as moving musical score by Frank Skinner , including Oriental sounds . The motion picture was regularly directed by the prolific artisan Charles Lamont . He churned out numerous one- and two-reel comedies for various producers, including Mack Sennett and Al Christie, and began directing features in the mid-'30s. Lamont was a staple of such independent studios as Chesterfield and Republic, for whom he turned out many action, western and comedy films, but he found his niche at Universal in the late 1930s, and directed several comedies for Universal's top comedy team of Bud Abbott and Lou Costello, including : Abbot and Costello meet the mummy , Abbott and Costello meet the Keystone Korps , Abbott and Costello Go to Mars , Meet Captain Kidd , Abbott and Costello meet the invisible man , Meet Dr Jekyll and Mr Hyde , In the Foregn Legion , Hit the ice ; furthermore , other comedies as : Francis in the haunted house and Ma and Pa Kattle series such as : Ma and Pa Kattle on vacation , Ma and Pa Kattle in the Ozarks , Ma and Pa go to town . And he made noir cinema as : The dark hour , International crime , A shot in dark and other Oriental adventures : Salome where she danced and Flame of Araby with Maureen O'Hara again .

The costumes, locations, and action make up for the thin plot in this story of a princess in search of her father's murderer. True, there are holes in the story, Maureen O'Hara as a red-haired Turkish princess takes a stretch of imagination, but the look of the film is wonderful. Vincent Price, as always, makes a menacing villain. One wishes there was more romance, however. A good time, nonetheless.

An Arab sheik's daughter (Maureen O'Hara) avenges his death, blamed on Hassan (Paul Christian) and his Black Riders.

Maureen O'Hara in Technicolor, great sets and some intrigue, Bagdad is watchable, however there's not much action and the focus is on mental games, hence it's talky. A lot of things happen but it doesn't really drive the pace. O'Hara makes for a fetching heroine, Vincent Price is at his usual slimy best who likes slapping people and hates Bedouins and Paul Christian (aka Paul Hubschmid), is a Arab 'misfit' prince with a chameleon-like personality who must use all his talents to remain alive. It's not bad, has watchable qualities, very much wonderful look at with its colour and designs, but also has it's setbacks.

This time it is not an Universal Studios colorful exotic adventure from the late forties starring Maria Montez and Jon Hall, but Maureen O'Hara and Vincent Price as an exquisite traitor; how could it be else? But seeing Maureen O'Hara - the Scarlet O'Hara of Hollywood - in an Arab prince's daughter, well, it adds to the charm of this totally unbelievable and incredible tale...The flaming Irish red headed star can not look like an Arab woman in anyway, unlike Maria Montez or Yvonne De Carlo - but with lost of make up for those two.... So, for once I think there was a midcast in this agreeable little feature, which the topic is so predictable. But beware, despite the title, it is not a One Thousand and One Nights story, but a more or less modern adventure feature. Maureen O'Hara will also play with Charles Lamont in FLAME OF ARABY. Same kind of film too.