Die Letzten von Fort Gamble

This is pretty standard cavalry outpost versus the Apaches fare, but it's well acted and directed, moves along at a good clip and boasts an intelligent script that develops its stock characters effectively. Robert Taylor is at his best in this kind of stalwart but human role. And the rest of the cast delivers strongly. (Arlene Dahl has great chemistry with both Taylor and John Hodiak, rivals for her affections.)

This was director Sam Wood's last film. The many action scenes are well staged and exciting, although color would have enhanced them. This is an example of big-budget Hollywood westerns from the late 40's and early 50's (many better known than this, e.g., "Red River) which--for some reason--were filmed in black and white.

Ambush was the second western Robert Taylor made in his career. The first was Billy the Kid eight years earlier. At the time a critic said that Robert Taylor looked like a kid in his new cowboy suit as Billy. Truth be told that was in Taylor's heartthrob days and he did look somewhat callow in the part.

No one would ever say that about Ambush. When we first meet Taylor he's with sidekick scout John McIntire with several days growth, dirty and unkempt, and on the dodge from Apaches. Of course he and McIntire escape and return to the fort they're assigned to and find a new spit and polish second in command in John Hodiak.

Even after a shave and a bath Taylor looks gritty and tough and starts to get interested in Arlene Dahl who is the daughter of a general and who's getting the army to go after her sister who's been captured by the same band of Apaches that Taylor just escaped from. Even though he knows it will cost lives Taylor scouts for the mission. He also wants to tweak Hodiak a bit who also is interested in Dahl.

There's another romantic triangle going at the post. Young lieutenant Don Taylor is interested in Jean Hagen the post laundress who's married to a wife beating enlisted man, Bruce Cowling.

This was the last film of director Sam Wood who possibly because of his right wing political views is not as well remembered today as a lot of his contemporaries. He received three nominations for Best Director for Kitty Foyle, Goodbye Mr. Chips, and King's Row. He did such other classics as Pride of the Yankees, A Day At the Races, A Night at the Opera and Our Town. That's a pretty good resume.

This maybe a cavalry picture, but it's not like one that John Ford would have directed. It's got some lean and mean characters and I don't mean just the standard villains. Ford would never have had anything as frank as out and out adultery in one of his films.

Ambush is a great western for fans of the genre and others. And after this no one was going to give Robert Taylor a review like the one he got for Billy the Kid.

For those who may have wondered what "Fort Apache" and, to a lesser extent, "The Searchers" might have looked like had they been directed by someone with roughly half the talent of John Ford, you now have your answer. In other words, "Ambush" is a too slow paced western with occasional flashes of interest that you cease to think about almost as soon as it is done. Its good points can be rather quickly summarized: sardonically intelligent dialogue by Marguerite Roberts, one of the better western scribes and one of the only women doing it, well executed battle scenes from director Sam Wood, whose last film this is (guy had a fatal coronary less than a year later, obviously worn out by decades of red baiting and commie hunting), and a good, hard bitten, low key performance from Rat Fink Bob. Its flaws, centered around an under developed love triangle between Taylor, Arlene Dahl and John Hodiak, as well as the standard racist depiction of Apaches, are too many to mention, although I feel I must single out the really dull sub plot involving a lieutenant played by Don Taylor, one of late 40s Hollywood's duller young actors, and an enlisted man's wife, played by the usually good, but not here, Jean Hagen. Oh and the cinematography is so dark that you feel you're watching an exercise in how not to shoot western noir. C plus.

This was a gritty western that show cases Robert Taylor well. Robert Taylor plays Ward Kinsman a prospector and Indian scout. Ward is persuaded to help the U. S. Cavalry rescue a woman who has been kidnapped by El Diabolito and his tribe during a raid in which her husband was killed.

Initially Ward is resistant to helping as he thinks it is a lost cause that will just get more soldiers and Indians killed...but after meeting her sister, Anne Duverall, he eventually warms to the idea.

Meanwhile there is a side story going on with a soldier and friend of Ward's, Lt. Linus Delaney. You see Linus is in love with a married woman who is working as a laundress in their camp and being abused by her drunk of a husband who just happens to be a lower ranking soldier. DRAMA!

Wonderful scenes shot in the desert with great rock formations and as mention this is a wonderful showcase for Robert Taylor who gets to be rugged, smart and a good friend.

The one storyline not mentioned is the superior officer, Captain Ben Lorrison, who is in love with Anne and determined to do what it takes to get her sister back...according to Linus he is a by the book soldier and Ward's other friend describes him as the kind of guy who is perfect so he doesn't understand the mistakes of others. Well, let's just say pride goes before the fall.

This was a decent western and told a good story. I highly recommend it if you are a fan of westerns or the desert.

Rugged Robert Taylor is a scout on the hunt for a white woman kidnapped by renegade Indians in this better than average Western from Sam Wood, whose last film this would be. The story takes time to fill out a number of characters, providing a depth and frankness that was unusual for the time while still serving up some decent action amongst some impressive scenery. A strong supporting cast also helps.