Die drei Musketiere

M-G-M presents Dumas' exciting story of love and adventure ,¨The three musketeers¨ . For the first time is adapted in the greatest Hollywood splendor , the complete romance , the historical characters, the full novel just as Alexandre Dumas write it . It is packed with comedy , derring-do , intrigue, a love story , action , drama and moving swordplay . An awesome casting and lavish production shot in Metro Goldwyn Studios make for a fairly amusement swashbuckler . This is the classic version of the Dumas's novel with a handsome Gene Kelly in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover . This is a slight and high budgeted retelling about the durable Alexandre Dumas's novel with all-star-cast . This delightful adaptation based on Alexandro Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris to find Mister Treville(Reginald Owen) , chief of Musketeers . But he meets three two-fisted Musketeers , Athos (Van Heflin) , a rollicking adventurer , fighting to live and living to love , Porthos (Gig Young) and Aramis (Robert Coote) . DÁrtagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu , his deputy Rochefort (Ian Hunter) , and an astute secret agent named Milady De Winter (Lana Turner) who is lovely as a jewel , deadly as a dagger the wickedest woman in all Christendom . Meanwhile , D'Artagnan falls in love with a gorgeous young named Constance (June Allyson), daughter an innkeeper , she is a golden-haired beauty entangled in a web of treachery and intrigue . Furthermore , there is developed an intrigue between Luis XIII (Frank Morgan ) , Queen Anna of Austria (Angela Lansbury) , dazzling as her gilded palace for her , men dared a thousand perils , and Duke of Buckingham (John Sutton) ; and , of course ,the nasty Richelieu (Vincent Price) . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨.

It's a magnificent rendition from the immortal novel in big budget and breathtaking scenarios . The picture contains rousing action , intrigue , romantic adventure , mayhem and a lot of fencing . Entertaining swashbuckling with lavish production by Pandro S. Berman , glamorous gowns and luxurious sets by Oscar winning Cedric Gibbons . Sympathetic performances by main star cast and enjoyable secondary cast ; as the marvelous main actors are completed by stellar support cast full of classical and veteran players as Vicent Price , Reginald Owen , Keenan Wynn , Frank Morgan and several others . Colorful cinematography in the splendor of Technicolor by Robert Planck . Evocative musical score by Herbert Stothart based on Tchaikowski themes . Lush production design is well reflected on the luxurious interiors and exteriors filmed at Hollywood . The motion picture was well realized by George Sidney (Scaramouche , that he subsequently made in similar style). This classy story is subsequently remade on several versions , firstly take on this classic turns out to be the following : 1921 silent version by Fred Niblo with Douglas Fairbanks . And going on 1935 adaptation by Rowland V. Lee with Walter Abel and Paul Lukas ; 1973 amusing version by Richard Lester with Michael York , Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland , Oliver Platt and Chris O'Donnell , and 2001 rendition by Peter Hyams with Justin Chambers , Mena Suvari and Tim Roth , among others. ¨The three Musketeers¨ is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be an excellent adaptation with big budget based on the classic tale .

"The Three Musketeers" is an adaptation of Alexandre Dumas' novel of the same name. The film features sweeping scenes, bright costumes and classical themes. Gene Kelly does well in an energetic performance as D'Artagnan. The rest of the cast is solid as well, particularly Lana Turner and Vincent Price as the scheming villains.

The film features a number of sword fights which are well staged, but become repetitive. The filmmakers tried to balance the action scenes with the intrigue of Dumas' novel. This was welcome, but I found the film had tedious stretches and didn't completely capture the excitement of the novel.

The true test of a filmed version of a famous novel is not how close the action is to the plot of the book - it's whether it's faithful to the spirit of the original, and above all, whether it *works*. I didn't think casting Gene Kelly as a non-singing, non-dancing D'Artagnan would work: it does. I didn't think censoring the religious references to suit the US market would work - it does. I didn't think this could possibly rival the 1974 Lester/Macdonald Fraser version... well, I'm still not sure about that one, but it's an unexpectedly close call.

Without any question, the outstanding performance in this film is that of Gene Kelly. His athleticism, unsurprisingly, is marvellous, his swordplay is dazzling - but most importantly, as an actor his characterization of the impetuous, susceptible, hot-headed but good-hearted young Gascon is spot on the mark. He plays the part with a humour and charm that leave us likewise loving and laughing in his wake, and the only character with a chance of upstaging him is that truly preposterous yellow horse... a piece of type-casting if ever I saw one!

Perhaps the most disappointing performance, in contrast, is Van Heflin as Athos, the high-minded musketeer who drinks to find oblivion from a dark secret in his past. This Athos is a sullen peasant rather than a tragic nobleman, perhaps because the scriptwriters chose to demote him from Comte to Baron de la Fere. He has none of the charisma that should have been brought to the part, and it's often hard to understand why his three companions put up with him.

The fight scenes are excellently staged, as is to be expected in a precursor of 'Scaramouche', but I personally did feel that they went on for a little too long. Likewise, Anne of Austria was wonderfully imperious, but not as beautiful as the legend would have her. Constance Bonancieux, by contrast, gets a much larger part in this version than in Dumas' novel - and a somewhat less sleazy relationship with the young lodger - and makes the most of it.

The pivotal change in the plot during Milady's stay in England features Constance to a large extent, and is in my opinion actually very effective. The fact that even those of us who know the source material inside out have no idea *how* the inevitable is going to happen increases the tension enormously, and the change of emphasis to the relationship between the two women, rather than the seductive act we have seen several times before, gives both actresses a fresh chance to shine.

Richelieu, shorn of his Cardinal's title to avoid Church offence, has relatively little to do in this version, and D'Artagnan's nemesis Rochefort barely appears at all, though both actors make the most of what screen time they have. There is an effective scene at the end (again, owing nothing to Dumas) where Richelieu reminds the King of his dominion as the power behind the throne, only to save face in a graceful manoeuvre as Louis XIII temporarily asserts himself: we are quite certain that the King will soon be back under his thumb.

Overall, I was very impressed by the way in which this film captured the roistering, sometimes raucous, sometimes melodramatic spirit of its source material. Reading other people's comments about the silent version starring Douglas Fairbanks, I only wish I were likely to get the chance to see that as well!

It starts out as a broad slapstick comedy, and when Gene Kelly has the opportunity to showcase his acrobatic skills, it's good old-fashioned swashbuckling fun. But after the first 20 minutes it turns into mostly heavy drama, and the swordfights are actually few and far between. The problem with the script is that, trying to cover all the characters and subplots of the book, it has no time to develop them enough, and the story lacks a strong central focus. At times you wonder exactly what each person is trying to achieve, and where some of the characters you know are basic have gone (the main example: Richelieu, excellently played by Vincent Price, has only about three of four scenes in the entire film). Still, it's a good-looking, entertaining production. (**1/2)

MGM pulled out all the stops for this 1948 version of "The Three Musketeers." Filmed in color and directed by George Sidney, it has a large, all-star cast consisting of Gene Kelly, Lana Turner, June Allyson, Van Heflin, Cornell Wilde, Vincent Price, Angela Lansbury, Robert Coote, Frank Morgan, Keenan Wynn and John Sutton.

Gene Kelly is D'Artagnan, who arrives to join the Musketeers and ends up having to fight three duels in a day with Athos (Heflin), Porthos (Young) and Aramis (Coote). They all wind up friends.

The Musketeers' first assignment is to steal the Queen's jewels back for her - a gift of twelve diamond studs from her husband (Morgan). She has given them to her lover, the Duke of Buckingham, but now needs them back to wear in nine days' time.

Cardinal Richlieu (Price), anxious to reveal the secret relationship between the two, dispatches his evil mistress, Lady De Winter (Turner) to steal two of the studs. Richlieu wants France to declare war against England and completely destroy the King's powers.

The Musketeers have to get the jewels from the Duke and return with them to Paris. With two diamond studs missing, they have an added task of picking up two replacements from a jeweler and getting them to the Queen in time to wear them at a banquet.

In the process of all of this, D'Artagnan falls in love with the Queen's lady-in-waiting, Constance (Allyson).

All of the acting is wonderful, with the role of Lady De Winter expanded from the original book. Lana Turner is perfect as De Winter - gorgeous, cool, irresistible and deadly. The scenes between Constance and De Winter toward the end of the film are among the best in the movie, very suspenseful (and different from the book).

Turner to me looks carefully made up to hide some extra pounds, not to mention being tightly corsetted. The movie was filmed right after Lana had broken up with the great love of her life, Tyrone Power, which may have had something to do with it.

Van Heflin is sympathetic and strong as Athos, who has a past with De Winter and still loves her, and Vincent Price makes an excellent Cardinal Richlieu.

Gene Kelly is the ideal D'Artagnan, and his casting is very clever, giving him a chance to show the great athleticism that contributed so much to his dancing. His swordplay is amazing, really making the swordfights entertaining.

Though the role has very serious moments, Kelly gives it a lightness and humor when needed. Especially fun is the scene where D'Artagnan, in the dark, poses as Lady De Winter's lover.

There are, as mentioned, many versions of this Dumas classic. This one is vividly entertaining, colorful and energetic, with a very attractive cast, good direction, and a thrilling score. Highly recommended.