Die drei Musketiere

M-G-M presents Dumas' exciting story of love and adventure ,¨The three musketeers¨ . For the first time is adapted in the greatest Hollywood splendor , the complete romance , the historical characters, the full novel just as Alexandre Dumas write it . It is packed with comedy , derring-do , intrigue, a love story , action , drama and moving swordplay . An awesome casting and lavish production shot in Metro Goldwyn Studios make for a fairly amusement swashbuckler . This is the classic version of the Dumas's novel with a handsome Gene Kelly in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover . This is a slight and high budgeted retelling about the durable Alexandre Dumas's novel with all-star-cast . This delightful adaptation based on Alexandro Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris to find Mister Treville(Reginald Owen) , chief of Musketeers . But he meets three two-fisted Musketeers , Athos (Van Heflin) , a rollicking adventurer , fighting to live and living to love , Porthos (Gig Young) and Aramis (Robert Coote) . DÁrtagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu , his deputy Rochefort (Ian Hunter) , and an astute secret agent named Milady De Winter (Lana Turner) who is lovely as a jewel , deadly as a dagger the wickedest woman in all Christendom . Meanwhile , D'Artagnan falls in love with a gorgeous young named Constance (June Allyson), daughter an innkeeper , she is a golden-haired beauty entangled in a web of treachery and intrigue . Furthermore , there is developed an intrigue between Luis XIII (Frank Morgan ) , Queen Anna of Austria (Angela Lansbury) , dazzling as her gilded palace for her , men dared a thousand perils , and Duke of Buckingham (John Sutton) ; and , of course ,the nasty Richelieu (Vincent Price) . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨.

It's a magnificent rendition from the immortal novel in big budget and breathtaking scenarios . The picture contains rousing action , intrigue , romantic adventure , mayhem and a lot of fencing . Entertaining swashbuckling with lavish production by Pandro S. Berman , glamorous gowns and luxurious sets by Oscar winning Cedric Gibbons . Sympathetic performances by main star cast and enjoyable secondary cast ; as the marvelous main actors are completed by stellar support cast full of classical and veteran players as Vicent Price , Reginald Owen , Keenan Wynn , Frank Morgan and several others . Colorful cinematography in the splendor of Technicolor by Robert Planck . Evocative musical score by Herbert Stothart based on Tchaikowski themes . Lush production design is well reflected on the luxurious interiors and exteriors filmed at Hollywood . The motion picture was well realized by George Sidney (Scaramouche , that he subsequently made in similar style). This classy story is subsequently remade on several versions , firstly take on this classic turns out to be the following : 1921 silent version by Fred Niblo with Douglas Fairbanks . And going on 1935 adaptation by Rowland V. Lee with Walter Abel and Paul Lukas ; 1973 amusing version by Richard Lester with Michael York , Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland , Oliver Platt and Chris O'Donnell , and 2001 rendition by Peter Hyams with Justin Chambers , Mena Suvari and Tim Roth , among others. ¨The three Musketeers¨ is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be an excellent adaptation with big budget based on the classic tale .

Still a spectacular and fun movie and an adaption of the work by Alexandre Dumas that got the spirit of the writings. The cast with Gene Kelly, Lana Turner and Vincent Price among others is superb. Still a movie to dream and one of my favorites regarding the adventures of D'Artagnan. Athos, Aramis and Porthos. Top movie for the whole family.

"The Three Musketeers" is an adaptation of Alexandre Dumas' novel of the same name. The film features sweeping scenes, bright costumes and classical themes. Gene Kelly does well in an energetic performance as D'Artagnan. The rest of the cast is solid as well, particularly Lana Turner and Vincent Price as the scheming villains.

The film features a number of sword fights which are well staged, but become repetitive. The filmmakers tried to balance the action scenes with the intrigue of Dumas' novel. This was welcome, but I found the film had tedious stretches and didn't completely capture the excitement of the novel.

The Hollywood of the classic studio system is not known for its kindness in adapting great literary works. Often overwrought or oversimplified, cut down or bastardized, the movie versions rarely capture the essence or the form of the books they pretend to adapt.

This one is exceptional. Both the pathos and the verve of the Dumas novel (itself a roman-feuilleton - a serial- which it is rumored Dumas didn't actually write) are wonderfully captured, and Kelly is the dream D'Artagnan. Every bit of physicality and fun that he brought to his choreographies in the musicals is used beautifully to bring grace and energy to the duels. The humor of the star is used quite brilliantly. Compare the toungue-in-cheek pastiche THE DUELLING CAVALIER in SINGING IN THE RAIN with this earlier work. Look up a few of his directorial efforts (The Cheyenne Social Club) with the humor here.

Each fan of Dumas will have his favorite version of THE THREE MUSKETEERS, but we all must agree this is a noble and (overall) successful effort.

The true test of a filmed version of a famous novel is not how close the action is to the plot of the book - it's whether it's faithful to the spirit of the original, and above all, whether it *works*. I didn't think casting Gene Kelly as a non-singing, non-dancing D'Artagnan would work: it does. I didn't think censoring the religious references to suit the US market would work - it does. I didn't think this could possibly rival the 1974 Lester/Macdonald Fraser version... well, I'm still not sure about that one, but it's an unexpectedly close call.

Without any question, the outstanding performance in this film is that of Gene Kelly. His athleticism, unsurprisingly, is marvellous, his swordplay is dazzling - but most importantly, as an actor his characterization of the impetuous, susceptible, hot-headed but good-hearted young Gascon is spot on the mark. He plays the part with a humour and charm that leave us likewise loving and laughing in his wake, and the only character with a chance of upstaging him is that truly preposterous yellow horse... a piece of type-casting if ever I saw one!

Perhaps the most disappointing performance, in contrast, is Van Heflin as Athos, the high-minded musketeer who drinks to find oblivion from a dark secret in his past. This Athos is a sullen peasant rather than a tragic nobleman, perhaps because the scriptwriters chose to demote him from Comte to Baron de la Fere. He has none of the charisma that should have been brought to the part, and it's often hard to understand why his three companions put up with him.

The fight scenes are excellently staged, as is to be expected in a precursor of 'Scaramouche', but I personally did feel that they went on for a little too long. Likewise, Anne of Austria was wonderfully imperious, but not as beautiful as the legend would have her. Constance Bonancieux, by contrast, gets a much larger part in this version than in Dumas' novel - and a somewhat less sleazy relationship with the young lodger - and makes the most of it.

The pivotal change in the plot during Milady's stay in England features Constance to a large extent, and is in my opinion actually very effective. The fact that even those of us who know the source material inside out have no idea *how* the inevitable is going to happen increases the tension enormously, and the change of emphasis to the relationship between the two women, rather than the seductive act we have seen several times before, gives both actresses a fresh chance to shine.

Richelieu, shorn of his Cardinal's title to avoid Church offence, has relatively little to do in this version, and D'Artagnan's nemesis Rochefort barely appears at all, though both actors make the most of what screen time they have. There is an effective scene at the end (again, owing nothing to Dumas) where Richelieu reminds the King of his dominion as the power behind the throne, only to save face in a graceful manoeuvre as Louis XIII temporarily asserts himself: we are quite certain that the King will soon be back under his thumb.

Overall, I was very impressed by the way in which this film captured the roistering, sometimes raucous, sometimes melodramatic spirit of its source material. Reading other people's comments about the silent version starring Douglas Fairbanks, I only wish I were likely to get the chance to see that as well!