Superman

If you've read any reviews of this first set of serials, most of them say the same thing. Superman turns into a cartoon (which I found fun!), the acting is wonderful, and the adventure is a real good yarn.

The problem is the Spider Lady. Not an interesting character, and she doesn't really give Superman enough challenges. The same 2 thugs seem to be beat up and nearly caught in every episode, and the plot really gets sluggish between episodes 9 through 13, and then picks up at 14 to a quick finish at episode 15.

The best are the first few--krypton, Jor-El, the Kents, Superman first meets Kryptonite, early use of his vision, 'up up and away,' etc.--and the last 2 episodes.

The 2nd serial set is superior, but this is still great fun to look at from time to time.

Superman, the 15-chapter serial, is the best of it's kind. Kirk Alyn is excellent as Superman/Clark Kent, Noel Neill is the best Lois Lane ever to hit the screen, Carol Forman makes Spider Lady one of the most hated serial villains of all time!

Some say that the animation is terrible, but I'd prefer it over using real people. The special effects are very amusing, and Mischa Bakaleinikoff's musical score fits the themes of the movie perfectly.

The story goes like this, Jor-El is the only scientist who knows that the planet Krypton is going to explode. He builds a rocket and sends his son far off to the planet earth before the doomed planet explodes. Clark grows up and moves to Metropolis, where he becomes better known as Superman. As Superman he fights for "Truth, Justice, and Tolerance", but the evil Spider Lady plans to destroy everything he represents.

I give it 10/10 Stars

This is one good serial! There is a lot of action and decent SFX and fairly good (if now stereotypical) characterization.

Kirk Alyn is great as Superman and Clark Kent...a performance that really wasn't surpassed in any media until Christopher Reeve's triumph in 1978. Lois and Jimmy are suitably doltish...though even Lois was a bit more intelligent in the comics than in this serial.

I've been told that the producers had some remorse at the cheapness of the effects (i.e., using animation for Superman flying), but I really don't think it comes off as shoddy...in fact I think it comes off fairly well, or at least better than using a derivative of Republic's effects for making Captain Marvel fly seven years earlier.

Superman is supposedly the most popular chapterplay in history. I don't know about that, but it is very enjoyable and an excellent example of the genre of the movie serial.

This is a great serial. What people tend to forget when watching it today, is that it was made in 1948 and was aimed at the Saturday matinee crowd.

The special effects, to be sure, are primitive by today's standards, but take a closer look. Remember this was 1948. The opening sequence and Superman's flying effects were achieved through some excellent animation.

Don't forget that Superman IS a comic book character. The transition from live action to animation in the flying sequences, is performed seamlessly and realistically. I thought that this was pretty innovative for its' time.

Kirk Alyn was born to play Superman. He gives a realistic and credible performance as both Superman and Clark Kent. The diminutive Noel Neill makes an excellent Lois Lane, girl reporter, Timmy Bond (Formerly "Butch" of the Our Gang comedies) is good as Jimmy Olsen and veteran Pierre Watkin is suitably cranky as Perry White.

Carol Forman brings a cold and icy sexiness to the role of the Spider Lady, Superman's chief nemesis. Serial veterans Charles Quigley, Charles King, Terry Frost and Rusty Wescoatt round out the cast in various villain roles.

The 15-chapter serial, SUPERMAN (1948), is best in its early chapters as it details the more familiar parts of the Superman story, including an elaborate sequence on Krypton dealing with the planet's destruction and Jorel's sending his son off in a rocket to Earth. We see Clark growing up with the Kents and heading off to Metropolis and a job at the Daily Planet where he meets Perry White, Lois Lane and Jimmy Olsen. We see Superman doing superheroic things in these early episodes like rescuing people from a burning building or rescuing miners trapped in a tunnel.

However, after roughly the first third, each episode follows tried-and-true serial formula with standard cliffhanger endings as Superman gets hit with kryptonite or Lois gets trapped somewhere and only Superman can save her. There are even long stretches where Superman doesn't use his powers at all. It all comes to a disappointingly abrupt ending and anticlimactic resolution.

Superman fights an unlikely villain in the Spider Lady (Carol Forman) and her gang of standard-issue thugs--middle-aged crooks in suits, ties and fedoras who are constantly slugging Jimmy and kidnapping Lois. The Spider Lady gets help from a renegade scientist who has an agenda of his own, but he's so badly acted that he slows the film down considerably. The Spider Lady (who loses her ridiculous mask after her first few appearances) is more of a standard serial villain, and, while not unattractive, is coiffed and dressed like a film noir floozie and would probably have been more at home sidling up to Humphrey Bogart in a gambling joint than fighting Superman.

That said, there are considerable points of interest here. When Superman flies, the effect is created through animation as a fluidly animated Superman cartoon figure takes over for the live actor (Kirk Alyn). This tactic allows the makers to show Superman flying through a variety of locales and settings. While the contrast may be jarring at first, it does acknowledge the comic book origins of the character.

Noel Neill is a perfect Lois Lane and is as spunky as they come. When thugs attack, she recklessly plunges into each fight with the verve and daring normally associated with the standard square-jawed cliffhanger hero. When she's not fighting, she's smiling, always eager to get the story and clearly loving her job. A seedy character named Hawkins (played by Frank Lackteen with undetermined accent) is an informant who gives Lois tips about Spider Lady's activities. Lois is always happy to see him and at one point pays for his tips by taking him to lunch at a restaurant called Luigi's (surely a foolhardy act for an informant). None of the characters gets a single change of costume throughout the serial, but it's more noticeable on Lois. Neill played Lois in a second serial, ATOM MAN VS. SUPERMAN, and later in the TV series, "Superman," opposite George Reeves.

Jimmy Olsen, on the other hand, gets little of consequence to do, other than getting constantly knocked out by thugs and stating the obvious when needed. He's played by Tommy Bond, better known as Butch from "The Little Rascals." (In the TV series, Jack Larson was a vast improvement in the role.) Pierre Watkin makes a good, dyspeptic Perry White, behaving more like J. Jonah Jameson from "Spiderman" than the Perry we know and love.

A point should be made here about the sequel, ATOM MAN VS. SUPERMAN (1950). It improved on this serial greatly and had a more comic book-like villain in Lex Luthor (well played by Lyle Talbot). It also had Superman doing a great many more Superman-like things and offered a new twist in each episode. It had a better story structure and more satisfying resolution. The characters also got to change their outfits.