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Der Superspion

Originaltitel: A Southern Yankee
  • 1948
  • 12
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,6/10
576
IHRE BEWERTUNG
Arlene Dahl and Red Skelton in Der Superspion (1948)
Official Trailer
trailer wiedergeben2:15
1 Video
43 Fotos
FarceSlapstickGeschichteKomödieKriegWestern

Füge eine Handlung in deiner Sprache hinzuA hapless bellboy in a St. Louis hotel near the end of the Civil War is recruited by the Union secret service to impersonate a notorious Confederate spy.A hapless bellboy in a St. Louis hotel near the end of the Civil War is recruited by the Union secret service to impersonate a notorious Confederate spy.A hapless bellboy in a St. Louis hotel near the end of the Civil War is recruited by the Union secret service to impersonate a notorious Confederate spy.

  • Regie
    • Edward Sedgwick
    • S. Sylvan Simon
  • Drehbuch
    • Harry Tugend
    • Melvin Frank
    • Norman Panama
  • Hauptbesetzung
    • Red Skelton
    • Brian Donlevy
    • Arlene Dahl
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    576
    IHRE BEWERTUNG
    • Regie
      • Edward Sedgwick
      • S. Sylvan Simon
    • Drehbuch
      • Harry Tugend
      • Melvin Frank
      • Norman Panama
    • Hauptbesetzung
      • Red Skelton
      • Brian Donlevy
      • Arlene Dahl
    • 23Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    A Southern Yankee
    Trailer 2:15
    A Southern Yankee

    Fotos43

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 36
    Poster ansehen

    Topbesetzung84

    Ändern
    Red Skelton
    Red Skelton
    • Aubrey Filmore
    Brian Donlevy
    Brian Donlevy
    • Kurt Devlynn
    Arlene Dahl
    Arlene Dahl
    • Sallyann Weatharby
    George Coulouris
    George Coulouris
    • Maj. Jack Drumman aka The Grey Spider
    Lloyd Gough
    Lloyd Gough
    • Capt. Steve Lorford
    John Ireland
    John Ireland
    • Capt. Jed Calbern
    Minor Watson
    Minor Watson
    • Gen. Watkins
    Charles Dingle
    Charles Dingle
    • Col. Weatherby
    Art Baker
    Art Baker
    • Col. Clifford M. Baker
    Reed Hadley
    Reed Hadley
    • Fred Munsey
    Arthur Space
    Arthur Space
    • Mark Haskins
    Joyce Compton
    Joyce Compton
    • Hortense Dobson
    Byron Foulger
    Byron Foulger
    • Mr. Duncan
    • (Gelöschte Szenen)
    Edward Gargan
    Edward Gargan
    • Male Nurse
    • (Gelöschte Szenen)
    Bert Moorhouse
    Bert Moorhouse
    • Capt. Jeffreys
    • (Gelöschte Szenen)
    Addison Richards
    Addison Richards
    • Dr. Clayton
    • (Gelöschte Szenen)
    Pierre Watkin
    Pierre Watkin
    • Major
    • (Gelöschte Szenen)
    Richard Alexander
    Richard Alexander
    • Bartender
    • (Nicht genannt)
    • Regie
      • Edward Sedgwick
      • S. Sylvan Simon
    • Drehbuch
      • Harry Tugend
      • Melvin Frank
      • Norman Panama
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen23

    6,6576
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    Empfohlene Bewertungen

    7MissSimonetta

    Not a remake of The General-- keep that in mind

    THE GENERAL is my favorite movie of all time while Red Skelton is not a favorite of mine (I don't hate him, he's just not my cup of tea), so I am ashamed to admit I went into A SOUTHERN YANKEE fully expecting to hate it. To my surprise, it was not bad.

    Though often called a "remake" of the Buster Keaton classic, A SOUTHERN YANKEE's plot is entirely different: Skelton plays a bellboy/aspiring secret agent who bumbles onto a real Confederate spy plot. General farce ensues, with only a few gags lifted from Keaton's earlier film. For what it is, A SOUTHERN YANKEE is quite enjoyable. Even some of the dumber gags had me howling.
    6timniles

    Better than You'd Expect

    I remember Red mostly from TV in the 50s. To my knowledge I had not seen even one of his films until this one a few years ago.

    I found it amusing and well worth the viewing time.

    It's also in something of a counterpoint to most of his TV sketch comedy which was too broad and pointless to me even as a child.

    One of the interesting features of this film was that it was set in the American Civil War and was mostly a comedy. The film was produced in the late 40s (I think) in a period when most - if not all - Civil War films were completely dramatic ("Gone with the Wind" had a few pointedly amusing lines from Rhett Butler but was a serious film.) The Civil War by then was some 80 years in the past, but the South was still very much the South, so to lampoon the South in any way (even if also the Union received comic dusting) would seem to me as quite a stretch by the producers. Like they were willing to write the South off their distribution lists.

    Bottom line, Red was much better than I can ever remember seeing him and that alone was worth it.
    7fcasanova

    A Classic

    First saw this movie on late 1950's TV, about 10 years after it was made. As a kid, I thought it was hilarious. Just watched again in 2011 and wondered if I would perceive it to be as funny as I did 50 years ago. I still love it. Not as much as a 10 year old perhaps, but Skelton can hold his own in his comedic genius through the decades. Of course the writing team of Frank & Panama also later wrote Danny Kaye's "The Court Jester" where they use the same tongue-twister rhyming lines to make hilarious running gags... and the hero's continuous use of secret code questions...to all the wrong people. Makes me want to revisit all the old Red Skelton movies of the late 40's and early 50's.
    7jimo

    Morning Electra

    As a fan of old films I always look for the character actors. This film has a lot of notable ones: John Ireland, George Colouris, Reed Hadley (what a voice), Art Baker, Louise Beavers, Charles Dingle, Paul Harvey, and many others. This movie has a mix of slapstick, stunt gags, screwball comedy, and one-liners like "Morning Electra". I must admit I enjoy these no-limit comedies.

    Red Skelton and Bob Hope and Danny Kaye often did scaredy-cat but bluffing buffoon type characters in films. Skelton expanded this by adding his usual rubber-faced over-reacting but he managed to get away with it.
    Big Cat 12

    A very funny movie

    This movie is about a hotel bell boy who wants to be a soldier in the Civil War (Red Skeleton's role). By sheer luck,he becomes a spy (Northern spy pretending to be a Southern). The flag carrying scene (I won't give it away anymore) is definitely one of the funniest scenes I have ever seen. My only critique is that the last part of the movie was not quite as humorous as the first part (at least in my opinion). However, this movie is definitely worth seeing.

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    Handlung

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    • Wissenswertes
      No one could figure out a simple, yet funny way to get Aubrey out of the house when he was being held captive by the angry dog. Buster Keaton, employed by MGM as a roving gag man, was called to the set, looked at the set up, and came up with the idea of removing the door hinges and letting the dog in as Aubrey got out. The most famous gag in the movie took Keaton all of five minutes to devise. Buster also contributed other gags some of which he'd done himself years earlier.
    • Patzer
      Mention of prisoner exchange is mentioned by the colonel. Prison exchanges were stopped by Grant in 1864, the first union commander who realized the road to victory lay through attrition.
    • Zitate

      Col. Clifford M. Baker: The paper's in the pocket of the boot with the buckle. The map's in the packet in the pocket of the jacket. Understand?

      Aubrey Filmore: Hmm?

      Col. Clifford M. Baker: And if you get them mixed up, you're a dead goose.

      Aubrey Filmore: Oh, well let's see now. The paper's in the pocket of the macket with a jacket, and the . . No, I see, the packet's in the . .

    • Verbindungen
      Featured in Die große Metro-Lachparade (1964)
    • Soundtracks
      Oh! Susanna
      (uncredited)

      Composed by Stephen Foster (1848)

      Instrumental version used as leitmotif under titles ad sung briefly by Skelton and Dahl.

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 6. August 1954 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • El espía espiado
    • Drehorte
      • Providencia Ranch, Griffith Park hills, Los Angeles, Kalifornien, USA(Photograph)
    • Produktionsfirma
      • Loew's
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 1.482.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 30 Min.(90 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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