Füge eine Handlung in deiner Sprache hinzuThe Bowery Boys run into a smuggling operation when Slip checks out a manor he mistakenly believes he's inheritedThe Bowery Boys run into a smuggling operation when Slip checks out a manor he mistakenly believes he's inheritedThe Bowery Boys run into a smuggling operation when Slip checks out a manor he mistakenly believes he's inherited
- Regie
- Drehbuch
- Hauptbesetzung
William 'Billy' Benedict
- Whitey
- (as Billy Benedict)
Benny Bartlett
- Butch
- (as Bennie Bartlett)
Hans Schumm
- Karl
- (as Andre Pola)
Gene Roth
- Capt. Franz Drum
- (as Gene Stutenroth)
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In this usual Bowery Boys entry, jokes are mixed with drama and creepy trappings when Leo Gorcey (as Terrence Mahoney) thinks he's been left a large mansion located in Bay Shore, Long Island. What he doesn't know is he's the wrong Mahoney -- the real intended heir is an elder well-to-do type, one "Terrence Mahoney, Esq." All the same, Gorcey, Sach (Huntz Hall) and the rest of the boys head out to the eerie house which happens to be the headquarters of a gang of smugglers. B-movie bad man Martin Kosleck is the leader of the group, and it's always a pleasure to have him, but he doesn't add much to the proceedings this time around. As a side note, this film also features Amelita Ward (seen in 1945's THE JUNGLE CAPTIVE), who went on to become Mrs. Leo Gorcey, and the mother of his son, Leo Jr. **1/2 out of ****
You know there has to be a mistake when Leo Gorcey inherits a spooky Long Island mansion. Spooky mansions only mean one thing in movies, that there is villainy afoot. Otherwise why would you have trap doors, hidden rooms and the like built into your home.
The place is actually owned by another Terrence Aloysius Mahoney if you think the world is ready for another one. This one is played by Paul Harvey who has a command of the English language, but is a rather tired and put upon individual who also visits his Long Island home where caretaker Eddie Gribbon has allowed a group of smugglers headed by Martin Kosleck to operate.
Harvey and the Bowery Boys come separately on the same night, Harvey to visit his house and Gorcey and the gang to claim it. After that it's the usual group of gags that occur in every haunted house picture.
Smuggler's Cove is a pretty good Bowery Boys film, but I personally prefer Hold That Ghost where Abbott&Costello did so much more with the haunted house genre.
The place is actually owned by another Terrence Aloysius Mahoney if you think the world is ready for another one. This one is played by Paul Harvey who has a command of the English language, but is a rather tired and put upon individual who also visits his Long Island home where caretaker Eddie Gribbon has allowed a group of smugglers headed by Martin Kosleck to operate.
Harvey and the Bowery Boys come separately on the same night, Harvey to visit his house and Gorcey and the gang to claim it. After that it's the usual group of gags that occur in every haunted house picture.
Smuggler's Cove is a pretty good Bowery Boys film, but I personally prefer Hold That Ghost where Abbott&Costello did so much more with the haunted house genre.
Leo Gorcey comes to the mistaken conclusion that he has inherited an estate on Long Island's North Shore; actually, it is series semi-regular Paul Harvey, also named 'Terence Mahoney' who has done so. They all wind up at the house where diamond smuggler Martin Kosleck has set up shot. The usual low hijinx ensue.
The Bowery Boys movies are held in disesteem by serious cineastes, and there's no sensible way to elevate them to high art -- although the same thing can be said about the Lemmy Caution movies, which didn't stop the New Wave. Cheaply made, formulaically written and directed by William Beaudine at his trough, no one ever claimed these were made to do more than to give jobs to the men who had started out as the gang in DEAD END, entertain the kids at weekend matinees, and show a profit.
They did that, in the tradition of Samuel Johnson, who said "No man but a blockhead ever wrote except for money." While people maunder on about the cinematic arts and who wins the Academy Awards, they seem to forget that the movies are business, and the businessmen are there to make money. Ignoble as that sounds, the great actors, directors, cameramen, writers and others who make movies also want to make some money too. The Bowery Boys offer no advancement in the arts, no examples of great moments, but they did what they were supposed to do.
The Bowery Boys movies are held in disesteem by serious cineastes, and there's no sensible way to elevate them to high art -- although the same thing can be said about the Lemmy Caution movies, which didn't stop the New Wave. Cheaply made, formulaically written and directed by William Beaudine at his trough, no one ever claimed these were made to do more than to give jobs to the men who had started out as the gang in DEAD END, entertain the kids at weekend matinees, and show a profit.
They did that, in the tradition of Samuel Johnson, who said "No man but a blockhead ever wrote except for money." While people maunder on about the cinematic arts and who wins the Academy Awards, they seem to forget that the movies are business, and the businessmen are there to make money. Ignoble as that sounds, the great actors, directors, cameramen, writers and others who make movies also want to make some money too. The Bowery Boys offer no advancement in the arts, no examples of great moments, but they did what they were supposed to do.
Terrence "Slip" Mahoney (Leo Gorcey) and Sach (Huntz Hall) are cleaning an empty office. A delivery boy mistakenly gives a letter addressed to Terrence Mahoney which tells him that he has inherited the Mahoney Manor. Only he's the wrong Terrence Mahoney. He and his friends go take possession of the mansion but it's being occupied by criminal smugglers.
It's The Bowery Boys doing some Scooby Doo stuff. It's a bit light fun. It needs more but it's plenty silly anyways.
It's The Bowery Boys doing some Scooby Doo stuff. It's a bit light fun. It needs more but it's plenty silly anyways.
Terrence Mahoney--wrong one
"Smuggler's Cove" is a pretty standard Bowery Boys film, though with less antisocial behavior than usual! The film begins with Slap and Sach working at a building doing janitorial work. As usual, Slap doesn't do much of the work and is mostly there to 'supervise'. Soon a messenger brings a note for Terrence Mahoney (Sach's real given name) and he assumes it's for him...though they also happen to be in the office for a difference Terrence Mahoney...the REAL recipient of the letter. Sach reads it and it says he's the heir to a mansion...and even though all his relatives are apparently poor slobs and he's never heard of this family member, he automatically assumes it's meant to be. After all, Sach is, as usual, a bit of an idiot.
Unfortunately, when Sach and the gang arrive at the place, they don't realize that a gang of smugglers are using the place. What's worse, the OTHER Terrence Mahoney soon shows up and the usual hilarity (?) occurs. Oddly, however, the ending comes awfully easily and abruptly between the two Terrences. Overall, it's the usual undemanding time-passer you'd expect. Nothing brilliant but considering it's from Monogram pictures, this isn't a bad thing.
"Smuggler's Cove" is a pretty standard Bowery Boys film, though with less antisocial behavior than usual! The film begins with Slap and Sach working at a building doing janitorial work. As usual, Slap doesn't do much of the work and is mostly there to 'supervise'. Soon a messenger brings a note for Terrence Mahoney (Sach's real given name) and he assumes it's for him...though they also happen to be in the office for a difference Terrence Mahoney...the REAL recipient of the letter. Sach reads it and it says he's the heir to a mansion...and even though all his relatives are apparently poor slobs and he's never heard of this family member, he automatically assumes it's meant to be. After all, Sach is, as usual, a bit of an idiot.
Unfortunately, when Sach and the gang arrive at the place, they don't realize that a gang of smugglers are using the place. What's worse, the OTHER Terrence Mahoney soon shows up and the usual hilarity (?) occurs. Oddly, however, the ending comes awfully easily and abruptly between the two Terrences. Overall, it's the usual undemanding time-passer you'd expect. Nothing brilliant but considering it's from Monogram pictures, this isn't a bad thing.
Wusstest du schon
- WissenswertesThe 11th of 48 Bowery Boys movies released from 1946 to 1958.
- PatzerWhen Captain Drum rows the smugglers into the cave, he makes a very lame attempt to moor the boat to a post. The rope unravels and falls into the water as he walks away, risking the rowboat floating away. A real ship's captain would not fail to tie a stable nautical hitch.
- Zitate
Sach: Whoops! A bagel tiger!
Terrence 'Slip' Mahoney: It's not "bagel" tiger, it's *beagle* tiger, ya moron!
- VerbindungenFollowed by Trouble Makers (1948)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Cuatro delincuentes
- Drehorte
- 100 Bush Street, San Francisco, Kalifornien, USA(Shell Building - used for the Metropolitan Building where Slip and Satch work)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 6 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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