Ehe ohne Liebe

I too became a fan of this movie (thank you American Movie Classics). What at first appeared to be a run-of-the-mill frontier cabin story turned into an absorbing, well-written, well-acted human interest story with four engaging characters, a beautiful locale (the movie would have benefited from color), and a fine score to boot. The concept of a bonded (indentured) servant added an interesting historical facet. The cast, of course, is top notch. Mitchum and Holden work particularly well together. The film should be a lot better known than it is, and is well worth a see.

This is a film that for most of its running time has no other players than the three adult leads and a child. The players had better be good for this one. Fortunately they are and Rachel and the Stranger has a good quiet charm about it.

The title role is played by Loretta Young. She was a year past her Oscar winning performance in The Farmer's Daughter and really at the top of her game. Rachel is a bondservant who is bought by widower William Holden to help out at the family farm, bring back a feminine touch to the place and help raise his son, Gary Gray. Rachel is bought for "eighteen dollars and owing four" by Holden, but frontier proprieties being what they were, Holden has to marry her.

But she's no wife, she's bought and paid for help, until Holden's friend Robert Mitchum shows up and starts looking at her as a desirable woman. Now Holden starts thinking along those lines and the fun begins.

Holden and Mitchum both do very well in typical roles for both at the time. Bill Holden called this his "smiling jim" period which ended with Sunset Boulevard a year later.

Mitchum gets to sing in Rachel and the Stranger and even cut a couple of records of the songs he sings from the film. Not bad for Bob, among the many accomplishments of that complex and talented man was as a singer and songwriter. He didn't do it often enough in movies.

But the movie really turns on Loretta Young's performance. She strikes just the right note as the bondwoman who helps make the whole lot of them a family again.

The movie is also a good depiction of frontier Ohio. An Indian attack is part of the problems the quartet faces and the Shawnees were very active there until the Battle of Fallen Timbers which took place in 1795. Figure the action to be taking place slightly before that.

A nice entertaining film.

"Rachel and the Stranger" is a story that takes place on the frontier during the early days of the Ohio Territory.

Jim Fairways (Robert Mitchum), a frontiersman who likes to disappear into the woods for months at a time, rides onto the property of his friend, Dave Harvey (William Holden), to find that Dave is disconsolate over the death of his wife, Susan. The property has gone to seed and Dave's son, Little Davey, though independent, is fairly neglected.

After talking with Dave, Jim says he will be back in the Spring. Dave figures he needs to honor the memory of his wife by giving Little Davey the attention he needs, as his mother had. He rides into town (the fort) to find female help. The preacher knows of a bondwoman who might be bought cheap and he intercedes to facilitate the deal. Her name is Rachel (Loretta Young).

The story is about the changes that need to be made by father and son, still pining over Susan's absence. Eventually it takes the return of Jim--who recognizes Rachel's value--to really precipitate things.

The story is filled with big moments of action, small moments of interaction, and silent moments of understanding. All three stars are strong in their roles and the boy is played very competently by Gary Gray. This is a charming story that, at its center, is a love story.

Holden would arguably hit his stride in a couple of years ("Sunset Boulevard") and Mitchum a few years later ("The Night of the Hunter"). But Young, who was slightly older, was already accomplished. Her performance is quiet, but strong. Given the success of this film and its four complementary performances, a sequel probably would have done well. But we will have to settle for this memorable production.

I loved this movie. I thought the banter between Holden and Mitchum were subtly hilarious. The facial expressions were spot on from Holden. Young was formidable in this part as well. I think it takes a strong cast to make a movie that revolves around four sole characters. It was a great romantic comedy. I liked the chemistry between Mitchum and Young on screen. I also thought that Gary Gray added the right amount of drama/comedy to the whole show. I loved the scenes in the woods with Mitchum and Holden bickering and making their pleas to Young. All in all, I think this is a good movie, and definitely worth the time of watching.

At its most basic, "Rachel and the Stranger" is a domestic comedy set in the wilderness of 18th century Ohio. Director Norman Foster manages to pack more charm into each five minutes than most films have during their entire running length.

At its most ambitious, "Rachel and the Stranger" is an allegorical story about the impact of a catalyst into a seemingly stable dynamic. In this case the stranger in the title, Jim (Robert Mitchum), visits the isolated farm of long-time friend David Harvey (William Holden), his young son Davey (Gary Gray), and their bond servant Rachel (Loretta Young). David bought Rachel (who is working off her late father's debts) after his wife died, needing a replacement to help raise Davey. He married her out of respect for social convention but has no intention of consummating the marriage.

While David treats Rachel with respect and consideration, his son is openly resentful of the substitute mother. After some initial progress the threesome settles into a distanced existence, a rut from which there is little chance they will be able to escape on their own. But things quickly change when Jim stops by on his way to town. For the first time Rachel has someone who actively engages her. Jim's attentions build up Rachel's status in Davey's eyes while causing David to see her obvious attractions for the first time. But Foster doesn't limit things to this predictable interplay; he builds on it by having Rachel quickly come out of her guarded shell in response to Jim's interest. Even the makeup people get into the act as Young goes from the look of a plain pioneer woman to a subtle radiance.

All four stars are excellent. It was probably Holden's best performance as he provides most of the humor with his growing attraction to Rachel and his increasing irritation with the attention Jim is paying to her.

Young was about 10 years too old for her 25 year-old character but this is not really a factor as the age of the character is unimportant; you wonder why they did not simply change the one reference to her age after casting Young for the part. Young's acting tends to be underrated because of her later work as a television hostess but even her film work as a teenager was extraordinary. She was an especially good casting choice because the repressed Rachel needs to subtly convey a depth and dimensionality early in the film to make her later transformation plausible.

Mitchum gives perhaps his liveliest performance as he seems to be having a lot of fun with his part. Gray is solid as always, one of those rare child actors who were not irritating after a few minutes on the screen.

Then again, what do I know? I'm only a child.