Race Street

George Raft is a well respected bookie in San Francisco. He's got a cute girlfriend in Marilyn Maxwell, a sister who's a lounge singer in Gale Robbins, and a cop friend in Lieutenant William Bendix. Raft doesn't play ball with him, but Bendix figures so long as things are quiet, he's doing his job. But when a mysterious stranger played by Frank Faylen decides to set up a protection racket for bookies, they resist. Harry Morgan winds up dead. Bendix investigates because it's his job. Raft, because Morgan is his friend.

The most interesting part of Raft's last film for RKO is the handsome shots of San Francisco shot by DP Roy Hunt. Miss Robbins' musical numbers are good, and Bendix is interesting in a straightforward, amiably corrupt role. Meanwhile, Raft continues to fail to impress me with his minimal performance, although he does manage to grit his teeth when he has been shot. With Russell Hicks, Tom Keene, Franklyn Farnum, and Charles Lane.

Noted San Francisco bookie and club owner George Raft is being muscled by the syndicate. He shrugs it off until pal Harry Morgan is thrown down a flight of stairs and killed. After that Raft is hot for revenge.

Though this film was produced by RKO it has a Paramount look to it because of the presence of William Bendix as a police lieutenant and Frank Faylen as the syndicate's man in San Francisco.

Raft gets a lot of good advice from Bendix in the film, most of which he ignores. Raft also has some very treacherous associates as the viewer will find out.

George Raft films are always art imitating life when they are about gangsters. Except for horror film stars like Bela Lugosi and Boris Karloff, I doubt there was ever a major star whose own life so closely got involved in the roles he played.

Raft was hardly a great actor, but in gangster films he knew the mob literally from the inside out so it was never acting.

Bill Bendix of course is always good, films with him in it should be seen if for no other reason than to watch him.

Race Street is an average noir film which I'm sure entertained the audiences who came to see whatever A picture was playing with it.

In San Francisco, bookie Dan Gannin (George Raft) quits the racket and opens a nightclub. He offers his pal Hal Towers (Harry Morgan) a piece of the club to get out as well but Hal turns him down. Then thugs murder Hal by throwing him down a flight of stairs. Dan goes searching for the killers.

The stairs may be the best part of the movie especially when the thugs take Dan back to the place where they killed his friend. It's the best scene. I hoped for more San Francisco street scenes. Those street scenes have a vibrancy that is missing from much of the movie. Raft does a workmanlike job but he doesn't shine like a movie star. The story doesn't pop with the exception of certain scenes. All in all, it's a functional crime noir thriller.

From 1948, Race Street, starring George Raft and directed by Edwin L. Marin.

Slower moving than an iceberg with two tuneless musical numbers to boot.

Raft plays bookie Dan Gannin, who is leaving the racket and has opened his own nightclub featuring his sister (Gale Robbins). When his buddy (Harry Morgan) is killed after refusing mob protection, Dan goes after the killers. This doesn't sit well with Runson (William Bendix) a cop and friend, who feels Dan is putting himself in danger.

Race Street has no zip, no pace, and the plot just meanders along. It seemed as if the same scenes were repeated over and over - Runson asking Dan if he had any info, Gannin's friends discussing the problem, Gannin being threatened.

Marilyn Maxwell as a brunette is Gannin's girlfriend. Charles Lane, who died at 102, is a switchboard operator - his last credit was in 1995 after a 65-year career. Jason Robards Sr. Is uncredited as a hotel clerk. Frank Faylen plays a bad guy.

You can skip this.

George Raft is said to have turned down more than one role that ended up making someone else's career. Sam Spade in "The Maltese Falcon," for example. Yet the movies he did choose are for the most part flat and predictable.

I like him as a tough guy. He does it well. "Race Street" is strictly routine. He won't pay protection money, with predictable results.

Harry Morgan is excellent in a fairly small role. William Bendix, who always turned in a fine performance, is very good as a cop. And Marilyn Maxwell is the femme fatale.

She's OK. But her performance is unexciting. We neither hate her nor feel sorry for her. Maxwell essentially executes a plot contrivance.