Mystery in Mexico

Not much to this. William Lundigan plays Steve Hastings, an insurance inspector checking into the theft of a diamond necklace in "Mystery in Mexico" from 1948. The film also stars Jacqueline White and Ricardo Cortez.

The first suspect in the case is actually an insurance investigatorGlenn Ames (Walter Reed) for the same company - it looks like he has taken off with the goods. Steve follows Ames' sister (White) to Mexico. They suspect she might be in cahoots with him.

Here's the thing - Steve Hastings is obnoxious. For a man who is trying to keep track of a woman by befriending her, he does a lousy job with his sexist attitude. In old films, sometimes the more wolf-like a man is, the better is chances are - go figure. I just saw another film, "Career Woman" where the male character was even worse and got the girl in the end.

At 66 minutes, the film has a lot of dead space. Finally, towards the end, there's a murder. Big yawn. Lundigan is very attractive and in my opinion deserved better. Jacqueline White was lovely and feisty. Ricardo Cortez' leading man and A movie days were over. He would eventually return to Wall Street, where he had once worked as a runner. He did very well, too.

"Mystery in Mexico" is a pretty good crime film. However, it does suffer from a few writing difficulties....the worst of which occurs near the beginning of the film. An insurance investigator (William Lundigan) is looking for another insurance investigator who has gone missing...and possibly with a $200,000 necklace! The only possible lead is the missing man's sister--who is suddenly bound for Mexico. So he heads to Mexico as well and 'just happens to meet her' on the way to the plane. Now here is a serious problem with the film...he behaves like a boorish pig...sexually harassing the heck out of her during the trip. It's supposed to be some sort of 'meet cute'...but it comes off in 2019 as a guy who needs a sock in the nose. And, later in the film, she inexplicably falls for him!!

So how do I still give the film a 6? Well, the mystery is pretty good and it has a few nice twists. Plus, it's really neat that RKO actually filmed the movie in Mexico...and seeing the countryside and Mexico City was very nice and made it all seem real. Worth seeing....but some folks might really be annoyed by Lundigan's style! My, how times have changed...and in this case, for the better.

By the way, this film also features Ricardo Cortez as a Mexican guy. Well, truth be told, Cortez was really about as Mexican as Chow Mein! He was actually Jacob Krantz, born to Jewish Parents in New York City. Back in the 1920s, there was a Latino leading man craze--with Valentino the biggest star in the world. The studios wanted to capitalize on this and re-christened Krantz 'Ricardo Cortez'...and for many years fans thought he was Mexican. In fact, he didn't even speak Spanish and I was surprised to hear him speaking a bit in the film...though it also didn't sound all that authentic.

I am not a great fan of this movie, despite it is a RKO product. But mystery topics have always bored me to death. It is short, rare and from a great director whose it is always interesting to watch the movies. Typical B movie with second rank actors and with also an atmosphere that you could purchase only in forties films: settings, music, camera work, actor's play, topics. Robert Wise will do better for RKO pictures with BORN TO KILL, GAME OF DEATH, THE BODY SNATCHER and many more short features made for Howard Hughe's company. Another future great director began with RKO: Richard Flesicher. And I also forgot Mark Robson.

There's not much of one -- a mystery, that is -- but that's S.O.P for these programmers that run a longish hour. But Robert Wise keeps things brisk and watchable, which isn't to be sneezed at. It's about an insurance investigator (William Lundigan) who follows a suspect (Jacqueline White) south of the border while trying to solve a jewelry theft. The whole shebang was filmed in the studios in Mexico City, with a largely native cast; among them is Ricardo Cortez, a big Latin heart-throb from the earliest talkies (when he was often paired with Bebe Daniels).

This seems a bit of a comedown for Wise, who the previous year had helmed the excellent noir Born to Kill, starring Clare Trevor and Lawrence Tierney, and for that film we can almost forgive him for The Sound of Music, many years later.

An early film from Robert Wise, the much acclaimed director of different science fiction and musical films, this is quite different stuff to what he would later be best known for, and in all honestly it is noticeably inferior too. It is far from being a poor film, but the production is far off being great too, with a quite lifeless, underdeveloped central romance and not too much to get excited over in terms of the mystery plot and technical credits. To fans of its director, the film will certainly be of some interest, but to other viewers it might well sit as mediocre: neither really good nor really bad.