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Dr. Johnsons Heimkehr

Originaltitel: Homecoming
  • 1948
  • 12
  • 1 Std. 53 Min.
IMDb-BEWERTUNG
6,8/10
1190
IHRE BEWERTUNG
Clark Gable, Anne Baxter, Lana Turner, and John Hodiak in Dr. Johnsons Heimkehr (1948)
At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.
trailer wiedergeben2:27
1 Video
38 Fotos
DramaMysteryRomanceWar

Füge eine Handlung in deiner Sprache hinzuAt the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.

  • Regie
    • Mervyn LeRoy
  • Drehbuch
    • Sidney Kingsley
    • Jan Lustig
    • Paul Osborn
  • Hauptbesetzung
    • Clark Gable
    • Lana Turner
    • Anne Baxter
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    1190
    IHRE BEWERTUNG
    • Regie
      • Mervyn LeRoy
    • Drehbuch
      • Sidney Kingsley
      • Jan Lustig
      • Paul Osborn
    • Hauptbesetzung
      • Clark Gable
      • Lana Turner
      • Anne Baxter
    • 37Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 wins total

    Videos1

    Official Trailer
    Trailer 2:27
    Official Trailer

    Fotos38

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    + 31
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    Topbesetzung80

    Ändern
    Clark Gable
    Clark Gable
    • Col. Ulysses Delby 'Lee' Johnson (Dr. Johnson)
    Lana Turner
    Lana Turner
    • Lt. Jane 'Snapshot' McCall
    Anne Baxter
    Anne Baxter
    • Mrs. Penny Johnson
    John Hodiak
    John Hodiak
    • Dr. Robert Sunday
    Ray Collins
    Ray Collins
    • Lt. Col. Avery Silver
    Gladys Cooper
    Gladys Cooper
    • Mrs. Kirby
    Cameron Mitchell
    Cameron Mitchell
    • 'Monk' Monkevickz
    Marshall Thompson
    Marshall Thompson
    • Staff Sgt. 'Mac' McKeen
    Lurene Tuttle
    Lurene Tuttle
    • Miss Stoker
    Jessica Grayson
    • Sarah, Johnson's Maid
    • (as Jessie Grayson)
    J. Louis Johnson
    J. Louis Johnson
    • Sol, Johnson's Butler
    Eloise Hardt
    • Nurse Aldine Bradford
    John Albright
    • Corpsman
    • (Nicht genannt)
    Frank Arnold
    • Maitre d'Hotel
    • (Nicht genannt)
    Peggy Badley
    • Nurse Betty Simpson
    • (Nicht genannt)
    Art Baker
    Art Baker
    • Williams, Reporter on Transport Ship
    • (Nicht genannt)
    Gregg Barton
    Gregg Barton
    • Captain
    • (Nicht genannt)
    Nanette Bordeaux
    • Nurse
    • (Nicht genannt)
    • Regie
      • Mervyn LeRoy
    • Drehbuch
      • Sidney Kingsley
      • Jan Lustig
      • Paul Osborn
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen37

    6,81.1K
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    Empfohlene Bewertungen

    9bkoganbing

    Home to a new sense of purpose

    As a rule I'm not much into romantic films, but there are exceptions and Homecoming is one of them.

    Clark Gable and Lana Turner did four films together and this is the third one. It's Turner's show here. It's a great tribute to her charisma and star quality that she looks incredibly sexy in those army fatigues she has to wear as per the plot. Lana Turner in her

    younger days had a quality of winsomeness that was never showcased than when she plays Jane "Snapshot" McCall, idealistic army nurse.

    In this cynical age we would look with incredulity that a widow with a young son would follow her late husband off to war because his ideals became her ideals. Yet Turner makes you believe that in this film.

    The plot is simply Clark Gable, very successful doctor in a small mid-west city, goes to World War II basically because its expected of him. He's a self centered guy, nice home, loving wife played very well by Anne Baxter, all the material things you could want and not a clue about why we are in World War II. He has a fellow physician friend, John Hodiak who does a lot of pro bono public service work who tries to act as a conscience, but fails. I guess Turner had something to offer Hodiak didn't.

    At first Dr. Ulysses Johnson (Gable) and Nurse McCall don't hit it off after she's assigned to him as a nurse. But her beauty and idealism get to him he falls for her big time.

    Because its 1948 Hollywood and Anne Baxter is by no means a bad person there was no way Turner was going to wind up with Gable in the end. She has to die, but Turner is given a death scene that is one of the most moving in the history of film. You have to be made of stone not to be touched by her and Gable at her bedside.

    John Hodiak, a very talented and almost forgotten figure today is also terrific as Gable's friend Dr. Robert Sunday. Gable will be working with Hodiak at the clinic Hodiak has in a poor neighborhood and he will be doing it because of the social conscience Turner has instilled in him.

    There are no bad people in this film except the Nazis shooting at Gable Turner and the rest of Eisenhower's army.

    I believe this is Lana Turner's best film and fans of her's should not miss this one.
    8planktonrules

    Despite being a bit syrupy at times, I was surprised that I liked the movie as much as I did

    This is a far from perfect film featuring Gable and Turner, but upon seeing it for the second time, it sure seemed a lot better than I remembered it. In particular, I appreciated that the film took a pretty big risk dealing with wartime romance between a married doctor and a nurse when they are stationed overseas. This sort of situation MUST have happened quite a bit with all those nurses and WACS/WAVS, etc. serving in action, though it is hardly ever mentioned in any film up until that time. Plus, it offered a very unusual situation where a man is in love with a woman he is not married to and yet he still loves his wife at home. Pretty adult fare for 1948, I must say! The film begins with Gable a rich and successful doctor in the States. He is very isolated from the real world and his main focus in on the country club and his pampered wife--unconcerned about much else. When the war comes, he does serve but seems to be pretty selfish. His head nurse in the field hospital is a much more giving and selfless individual and they are destined to hate each other because they are so different AND because this IS Lana Turner and Clark Gable (this plot device is necessary before they actually fall in love--a bit of a cliché, I know).

    Gable and Turner are both excellent as the leads and their scenes together are excellent as well. I especially appreciated Lana's emotional range--it was better and more vulnerable here than I am used to seeing. The direction was pretty good and all the MGM production values were going full speed ahead! I especially appreciated the snow scene--you KNOW it was done in a sound stage and yet it STILL looked exceptional (though their breath didn't show--considering it was probably close to 70 degrees).

    Overall, this is a must-see for Gable fans and a pretty good flick for anyone but people who MUST have a lot of action in their films. Despite being WWII, the film is pretty talking and there is quite a bit of romance--something action junkies will probably have a hard time accepting.
    7AlsExGal

    Wartime romantic drama that was a big hit for MGM

    Successful surgeon Ulysses Johnson (Clark Gable) joins the Army Medical Corps during WW2. Once deployed, he develops a tempestuous relationship with his chief nurse, Jane "Snapshot" McCall (Lana Turner). Their constant bickering eventually morphs into romantic feelings, which Johnson's wife Penny (Anne Baxter) can sense back home through his letters. She looks for solace from crusading doctor Robert Sunday (John Hodiak).

    This somewhat soapy romance features surprisingly good performances from the cast. Gable seems an unlikely surgeon at first, but he settles into that role well. Baxter and Hodiak, a real-life married couple at the time, give their best to underwritten parts. The real revelation is Lana Turner, an actress that I've never really warmed to. I thought she fit her role well in The Postman Always Rings Twice, but every other movie that I've seen her in, I couldn't help thinking it would be better with someone else cast. Here she's real and genuine and nuanced like I haven't seen her before. It may be the script, or direction that clicked, or co-star Gable, or all of the above, but it works, and it's the best acting job I've seen from her.
    8HotToastyRag

    Clark Gable's best performance

    I've never been one to compliment Clark Gable's acting talents. Yes, he had a great screen presence and represented the everyman in the early '30s when no other good-looking actor fit the bill, but I usually thought all he did was shout and talk quickly. In Homecoming, he surprised me. Full of subtleties and tender expressions, he stars as a man coming home from the war but holds memories he'll never be able to bury.

    Told in flashback format, a reporter, talks to different soldiers returning on the ship. When he approaches Clark Gable, he's initially resistant. But thanks to the camera, we get to learn what Clark doesn't tell the reporter. Clark was a doctor, stationed overseas with his pal and fellow doctor John Hodiak. His nurse was the capable Lana Turner, in a rare break from her sexpot roles. They worked fantastically well together and bonded over seeing the horrors of war. Homecoming is a rare honest movie that shows how overworked and underappreciated the doctors, nurses, and medics were. The movie shows them being just as bombarded as the fighting men, with influx after influx of severely injured soldiers coming into the medical tent so quickly and urgently that they can't catch their breaths. It's far different to be a doctor at home than a doctor at war, and only those who have experienced it can truly understand. If you were moved by Lara and Dr. Zhivago's relationship, you'll love this movie.

    If 1948 hadn't had such stiff competition, as Hatter's Castle, All My Sons, and Enchantment, I'm sure this movie would have racked up some nominations at the Hot Toasty Rag Awards. As it was, this move wasn't honored, but I do highly recommend it. It's a change of pace for both leads, and in a post-war world, it was the perfect type of war movie to be released in 1948. Many veterans had a tough transition from the battlefield to civilian life, and this movie shows one man's struggle. In the supporting cast, you'll see Anne Baxter, Marshall Thompson, Gladys Cooper, Ray Collins, Queenie Leonard, Cameron Mitchell, and cameos from Jeff Corey and a pre-famous Arthur O'Connell.
    9minimal-3

    Homecoming Sometimes Tougher Than War

    2nd viewing and a lot of time in between.

    Enjoyed it first time especially how Lana pulls her role off and how sincere Gable was. Both great actors always worth watching. Anne Baxter was also very,very touching and deep as the wife.

    What really got me this time, having spent war time in Nam, was the changes Gable went through and the HOMECOMING. Anyone who has NOT experienced the razor's edge of actual combat, the terror the elation and the horror of seeing others die can feel what Gable projected magnificently in coming home after all that madness and trying to feel like you fit in again anywhere. You don't....for a long time. That why Gable said "...bear with me for a while..." Not only was he talking about losing Lana but returning home from a war, sometimes much more difficult than war itself. This film has so much deep feelings embedded in all three major characters it is amazing to me. The writer nailed it and Mr LeRoy was almost genius in bringing out such performances by all. I'm glad I got to view it on TCM a 2nd time. It really brings out a HOMECOMING!!

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    Handlung

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    • Wissenswertes
      According to the AFI catalog entry for this film, for the battle scenes in Italy, MGM constructed five 35-foot towers, a full-sized evacuation hospital, and more than 100 Army tents at the Lasky-Mesa movie ranch 35 miles outside of Hollywood. The set took three weeks to build and the scenes used hundreds of extras, five cameras, and six assistant directors. This was all for a re-creation of the historic capture of the Anzio beachhead in Italy by U.S. and British forces on January 22, 1944.
    • Patzer
      At the end, Penny Johnson says she followed her husband's movements on a map. During World War II, people in the military had it drilled into them that they could not say anything about where they were in letters sent back home, and to make sure they kept that rule, the mail from soldiers was censored. This has been mentioned in numerous histories of World War II. With Clark Gable being an officer, it's even less likely any information about his movements around Europe would have been available to his wife.
    • Verbindungen
      Edited from Ihr erster Mann (1940)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 28. September 1951 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Renunciación
    • Drehorte
      • Ahmanson Ranch, Victory Boulevard, Lasky Mesa, West Hills, Los Angeles, Kalifornien, USA(Italy battle scenes)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    Box Office

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    • Budget
      • 2.654.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 53 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    Clark Gable, Anne Baxter, Lana Turner, and John Hodiak in Dr. Johnsons Heimkehr (1948)
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