IMDb-BEWERTUNG
6,6/10
1230
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA man is bent on taking revenge on those he believes are responsible for his fiance's death.A man is bent on taking revenge on those he believes are responsible for his fiance's death.A man is bent on taking revenge on those he believes are responsible for his fiance's death.
- Regie
- Drehbuch
- Hauptbesetzung
Barbara Read
- Abbie Miles
- (as Barbara Reed)
Eddie Acuff
- Bit
- (Nicht genannt)
Chris Willow Bird
- Indian
- (Nicht genannt)
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With his square-jawed determination, Scott (Danning) makes a riveting screen presence. So, by golly, he's going to get whoever is responsible for his fiancé's death and nothing's going to stand in his way. Not even the comely Chapman (Kate) or the Big Guy in the Sky. But he's got a tough bunch to deal with, especially blond bruiser Tucker (Ernie), who would rather grind hands than seeds. That fist-fight with Danning may be a stretch, but it's sure imaginative. Then there's that arch baddie Macready (Miles) and veteran sneer merchant Douglas Fowley (Stew). So Danning's got his work cut out for him.
You gotta love those red rock Sedona AZ locations. They turn up in so many horse operas of the time. Speaking of turning up and lending color—yes indeed, there he is, old gravel- voiced grouch Edgar Buchanan as the sheriff. No western of the day worth its salt was without his particular brand of character color. And, guys, there's not just the usual one good-looking woman in the movie. There're three, so which one will Scott end up with.
Can't help noticing that Harry Joe Brown produced this film along with Scott's later The Tall T (1957). Then too, the plot here is similar to many of the Scott-Buddy Boetticher classics of a decade later. But then, Scott was so good at grim determination, it's hard not to make him a revenge-seeker. Anyway, better than most six-gun directors, Enright knows where to put the camera, helping to make this one of Scott's more memorable westerns that even non-fans may enjoy.
You gotta love those red rock Sedona AZ locations. They turn up in so many horse operas of the time. Speaking of turning up and lending color—yes indeed, there he is, old gravel- voiced grouch Edgar Buchanan as the sheriff. No western of the day worth its salt was without his particular brand of character color. And, guys, there's not just the usual one good-looking woman in the movie. There're three, so which one will Scott end up with.
Can't help noticing that Harry Joe Brown produced this film along with Scott's later The Tall T (1957). Then too, the plot here is similar to many of the Scott-Buddy Boetticher classics of a decade later. But then, Scott was so good at grim determination, it's hard not to make him a revenge-seeker. Anyway, better than most six-gun directors, Enright knows where to put the camera, helping to make this one of Scott's more memorable westerns that even non-fans may enjoy.
Director Enright is an unknown to me but he does a competent directing job in CORONER CREEK. Photography is above average, dialogue sharp, action believable and well edited, and the cherry on the cake is Randy Scott's performance, possibly his finest after RIDE THE HIGH COUNTRY, SEVEN MEN FROM NOW and RIDE LONESOME.
First class performances too from slightly deranged, wholly evil, top villain George Macready, laughing heavy Forrest Tucker and doting daddy Edgar Buchanan.
Great punch-up between Scott and Tucker, with head butts and revenge thrown in all in the same bout. Unfortunately, Scott delivers the first heavy punch with the damaged hand and only feels the pain with the second punch, thereafter he uses the other hand. That goof aside, it is a credible and well staged sequence.
CORONER CREEK is one of the most unassuming yet gripping Westerns I have ever watched. 8/10.
First class performances too from slightly deranged, wholly evil, top villain George Macready, laughing heavy Forrest Tucker and doting daddy Edgar Buchanan.
Great punch-up between Scott and Tucker, with head butts and revenge thrown in all in the same bout. Unfortunately, Scott delivers the first heavy punch with the damaged hand and only feels the pain with the second punch, thereafter he uses the other hand. That goof aside, it is a credible and well staged sequence.
CORONER CREEK is one of the most unassuming yet gripping Westerns I have ever watched. 8/10.
"Coroner Creek" is a Randolph Scott film that combines two typical western themes--revenge and the evil power-grabbing boss. It begins with a stage coach being attacked by Indians. However, these Indians are only working for the evil unknown white man. During this attack, the folks on the coach were murdered and one of them is Chris Danning's fiancé. Scott plays Chris Danning--a man determined to exact justice. After a montage showing Chris going town to town looking for a blond man with a scar, his trail leads to Coroner Creek---and to an evil boss-man named Younger Miles (George Macready). But, like a typical western baddie, Miles has hired a bunch of thugs (including Forrest Tucker and Joe Sawyer) and Chris is going to have to go through all this guys before his ultimate showdown with Younger. In the process, will Chris be able to hold on to his humanity? As I mentioned in the summary, this film, though reminiscent of other movies, handles it all very well. Scott managed to make it all seem very realistic and was at his best here. Well worth seeing.
Spectacular scenery highlights this Randolph Scott movie. Scott was 50 yers old when this was made and he never looked better. He is a man out to avenge his fiance's death caused by veteran bad guy, George MacReady. Lots of action and great fun watching Scott do his thing.
Out in the remote Southwest a stagecoach his held up by renegade Apache Indians led by a mysterious white man. All bar one of the passengers are killed, the other, a female, is taken as captive but takes her own life rather than suffer any more indignities. That woman was the fiancée of cowboy Chris Denning, who upon learning of the news vows revenge and goes in search of the mysterious leader. A search that takes him to the small town of Coroner Creek...
Coroner Creek doesn't mess about, it's a tough, no nonsense Oater that may have flecks of humour, and pretty gal familiarity's, but most assuredly thrives on its darkly revenge driven core. Directed by Ray Enright and starring genre supremo Randolph Scott as Denning, Coroner Creek is adapted by Kenneth Gamet from the novel written by Luke Short. Very much following the old biblical thematic of "an eye for an eye", Enright's film, produced by Harry Brown, boasts rousing fist fights, simmering sexual tensions and a riveting finale.
Scott is terrific, as he mostly always is in these genre pieces. Denning's sense of pain and hunger for revenge is perfectly brought home to the viewers by Scott, an actor who has the ability to express so much with darkened eyes and a down-turned mouth. And of course more crucially, Scott brings believability to his characters. You really wouldn't know he was 50 years of age whilst making this picture, such is the gusto he puts into the role. He's backed up by George Macready doing a solid line in scar faced villainy, the always enjoyable Wallace Ford as Denning's newly formed confidante Andy West, while Sally Eiles and Marguerite Chapman fill the important female roles with professional turns.
On the minor downside is the use of Cinecolor, a two colour process that fails to bring Fred Jackman's cinematography to life, whilst simultaneously giving the actors an odd looking sheen. DVD and TV viewers may find they have to tone down a couple of hues on this one to find a decent colour balance. Still it be a fine genre entry and one that is a must see for Randy Scott enthusiasts. 8/10
Coroner Creek doesn't mess about, it's a tough, no nonsense Oater that may have flecks of humour, and pretty gal familiarity's, but most assuredly thrives on its darkly revenge driven core. Directed by Ray Enright and starring genre supremo Randolph Scott as Denning, Coroner Creek is adapted by Kenneth Gamet from the novel written by Luke Short. Very much following the old biblical thematic of "an eye for an eye", Enright's film, produced by Harry Brown, boasts rousing fist fights, simmering sexual tensions and a riveting finale.
Scott is terrific, as he mostly always is in these genre pieces. Denning's sense of pain and hunger for revenge is perfectly brought home to the viewers by Scott, an actor who has the ability to express so much with darkened eyes and a down-turned mouth. And of course more crucially, Scott brings believability to his characters. You really wouldn't know he was 50 years of age whilst making this picture, such is the gusto he puts into the role. He's backed up by George Macready doing a solid line in scar faced villainy, the always enjoyable Wallace Ford as Denning's newly formed confidante Andy West, while Sally Eiles and Marguerite Chapman fill the important female roles with professional turns.
On the minor downside is the use of Cinecolor, a two colour process that fails to bring Fred Jackman's cinematography to life, whilst simultaneously giving the actors an odd looking sheen. DVD and TV viewers may find they have to tone down a couple of hues on this one to find a decent colour balance. Still it be a fine genre entry and one that is a must see for Randy Scott enthusiasts. 8/10
Wusstest du schon
- PatzerWhen Miles first sees Danning in the bar, the string hanging out of Danning's pocket changes shape & position from the stare-down close-up to when he stands up a second later.
- VerbindungenFeatured in Frances Farmer Presents: Coroner Creek (1959)
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Details
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Seitenverhältnis
- 1.37 : 1
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