IMDb-BEWERTUNG
6,0/10
645
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe life, loves and adventures of a classic Casbah thief.The life, loves and adventures of a classic Casbah thief.The life, loves and adventures of a classic Casbah thief.
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
Yvonne De Carlo
- Inez
- (as Yvonne DeCarlo)
Märta Torén
- Gaby
- (as Marta Toren)
Hans Schumm
- Willem
- (as Andre Pola)
Empfohlene Bewertungen
This strange little item is a remake of the 1938 film "Algiers" which starred Charles Boyer and Hedy Lamarr, which itself was a remake of a French film of the previous year, called "Pepe LeMoko." The 1938 version made stars of Boyer and Lamarr; Tony Martin (who was married to dancer Cyd Charisse) and Marta Toren were not so lucky. Both were physically attractive enough but lacked the panache and charisma to capture the movie going public's loyalty. DeCarlo held her own in the film in a secondary role in a period when Universal was trying to figure out what to do with her -- the camp era was over -- no more "Salome" or "Sheherazade" for her. She did some fine work in film noir during this time -- "Brute Force" and "Criss Cross" in particular. (If you look real close at the Katherine Dunham Dance Troupe -- you might spot a young dancer named Eartha Kitt who made quite a name for herself a bit later, as a singer.)
Wrong headed semi musical remake of Algiers which is missing all the ingredients that made the first film stand out. Whoever thought that Tony Martin(?!) could be an acceptable substitute for Charles Boyer was seriously misguided or just plain crazy. While he has a fine singing voice he has zero screen presence so starting out the film has a black hole at it's center. Then there's Marta Toren in the Hedy Lamaar role, while she is certainly lovely she does not possess that elusive star quality which Hedy, although a spotty actress, had in spades. Yvonne de Carlo, an effective actress when properly cast, seems a natural for the Hedy Lamaar role but is wasted in a secondary part although top billed. Peter Lorre is the best thing here but he is similarly underused. All in all a throughly forgettable enterprise.
Surprisingly good remake of Pepe Le Moko with crooner Tony Martin giving a good account of himself as the cool, ultra-popular master criminal who enjoys a spurious life of liberty in the maze-like Casbah. Journeyman director John Berry does a good job of creating a sultry, claustrophobic atmosphere, and while the songs are largely unnecessary they don't really slow things down too much.
10B.J.
Pepe Le Moko is a great film role. Jean Gabin introduced the character to screen in the same named French Flick in 1937.
Charles Boyer brought the moody mobster to Hollywood's ALGIERS in 1938.
But in 1948, Tony Martin and director John Berry collaborated to create the most dramatic and entertaining version of the downfall of the exiled jewel thief in CASBAH.
Casbah is a film very alive with energy, style, suspense and romance. Brilliant casting; Tony Martin plays the suave thief with easy conviction and delivers the Harold Arlen songs skill, charm and gusto.
Marta Toren was arguably the most beautiful woman in films, prior to the arrival of Audrey Hepburn.
Peter Lorre...I can't believe how powerful his complex performance is as the dedicated policeman, committed to the capture of the thief who became also his friend.
Yvonne De Carlo, Douglas Dick, Katherine Dunham, acting, singing, dancing, love, passion, treachery...where is this great film on DVD? John Berry and Jules Dassin were contemporary artists and spirits. Their films even show a similarity of style and influence, possibly each upon the other.
They were also fingered as American Pinko Fellow Travelers right about this time and both moved to England. Dassin prevailed and prospered, probably with some initial support from Darryl F. Zanuck. Berry also prevailed, but without achieving anything like Dassin's level of success or recognition. Still, CASBAH, for my money is, value for value, the most under-acknowledged film out of Hollywood.
Charles Boyer brought the moody mobster to Hollywood's ALGIERS in 1938.
But in 1948, Tony Martin and director John Berry collaborated to create the most dramatic and entertaining version of the downfall of the exiled jewel thief in CASBAH.
Casbah is a film very alive with energy, style, suspense and romance. Brilliant casting; Tony Martin plays the suave thief with easy conviction and delivers the Harold Arlen songs skill, charm and gusto.
Marta Toren was arguably the most beautiful woman in films, prior to the arrival of Audrey Hepburn.
Peter Lorre...I can't believe how powerful his complex performance is as the dedicated policeman, committed to the capture of the thief who became also his friend.
Yvonne De Carlo, Douglas Dick, Katherine Dunham, acting, singing, dancing, love, passion, treachery...where is this great film on DVD? John Berry and Jules Dassin were contemporary artists and spirits. Their films even show a similarity of style and influence, possibly each upon the other.
They were also fingered as American Pinko Fellow Travelers right about this time and both moved to England. Dassin prevailed and prospered, probably with some initial support from Darryl F. Zanuck. Berry also prevailed, but without achieving anything like Dassin's level of success or recognition. Still, CASBAH, for my money is, value for value, the most under-acknowledged film out of Hollywood.
I was 15 when I first saw this film. Tony Martin played Pepe le Moko. I wanted to be like him. Because when you're 15 you think of how lucky you must be to play opposite beautiful girls such as Yvonne De Carlo and Marta Toren. These three actor/actresses had much more talent than they were given credit for. Tony seems cast perfectly as the gangster, yet no director gave him another chance in that type of roll. Unfortunately the gorgeous Marta Toren died several years later. But Yvonne carried on, appearing in other good films and the Munsters TV series. I hear she is now living in California. Good luck to her. Thanks for the memories (especially Casbah)
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- WissenswertesFilm debut of Eartha Kitt. She appears as one of the many uncredited dancers with Katherine Dunham and Her Troupe
- VerbindungenFeatured in Sven Uslings Bio: Casbah (2025)
- SoundtracksFor Every Man There's a Woman
(uncredited)
Music by Harold Arlen
Lyrics by Leo Robin
Sung by Tony Martin
also sung by Yvonne De Carlo
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Details
Box Office
- Budget
- 1.307.000 $ (geschätzt)
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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