Bonnie Prince Charlie

Bizarrely this version shows us only the aftermath of Culloden, but anyone who has ever seen Peter Watkins' 1964 cinema-verite TV version will never forget Olivier Espitalier-Noel's callow, French-accented Bonnie Prince Charlie snootily looking on from horseback as the Jacobites are routed. He couldn't be further removed from David Niven's dashing Young Pretender in this monumental Technicolor folly, upon which the critics fell en masse following a long and troubled production.

You know what to expect after the first five minutes when lovely shots by the second unit of authentic highland heather is replaced by a fascinatingly unreal studio glen where Niven meets Morland Graham as Donald the Shepherd for the first time.

And so it continues for the next two hours as scenes between men in wigs huffing & puffing alternate with further phony-looking studio exteriors shot at Shepperton in which the clouds never move; relieved by very occasional (and brief) second unit footage actually shot in Scotland, and by a darting-eyed Charles Goldner as the relentless Captain Ferguson.

Unfortunately a number of technicolour productions made in Britain in the forties were great failures.In this case Niven was miscast and the script was a total bore.

When I saw this had a rating of 4.9 and a running time of 130 mins I was expecting a disappointing long slog of a movie and I admit it's no great film by any means but it's also no way as bad as the 4.9 rating suggests. The DVD that I watched which was from The David Niven Screen Icons collection was only 112 minutes and had a good for its age unremastered colour picture that made the most of the rich colours of the costumes and landscape. Expecting it to be a longer film I saw it in two sittings and it was hard to get into at first but by about halfway I was quite engrossed by the story and thought it was well told. No doubt its failure at the box office along with its high cost has dented its reputation but that doesn't mean it's a terrible film. I would give it a 6/10.

Upon it's much delayed initial release, Bonnie Prince Charlie was a huge flop and even now, 70 years later, it's easy to see why. It's just plain dull.

The script, apparently revised repeatedly, manages to extract all suspense and intrigue from the tale of The Young Pretender attempting to establish Stuart royal claims over England and Scotland. The movie plays out theatrically, like some light, frothy,,drawing room farce, with none too many Scottish accents to be heard.

Poor old David Niven, (one of my personal favourites) is hopelessly miscast as Charlie and never convinces us, let alone all the Scottish nobles he depended on for support, of his rightful credentials to the throne.

Those expecting a rousing adventure filled with battle scenes need to think again. In this well over 2 hour film, the singular skirmish, takes up barely a minute of screen time and then ends up serving more as comic relief, it is so poorly staged. This is cinema where actors stand around and talk about various actions, without the audience being shown anything.

It's said that especially in the UK, Charlie's tale is an eternally popular one. If this is the case, may be some producer could do worse than seek to remake a far more exciting, suspenseful 21st century production, than this turkey.

The Stuart Family (unlike most of their Tudor cousins) were ill-starred. From the 15th Century onward, while they ruled Scotland, the royal family went through five King named James, none of whom died happily and most of whom died bloodily. James V died of a broken heart, after being beaten by his uncle, Henry VIII, in battle. His daughter Mary, Queen of Scots, managed to lose two thrones (she was briefly Queen of France as well as Scotland), and finally lost her life trying to kill her cousin and "protector" Elizabeth I of England. But her son James VI of Scotland had the best claim to the English throne after Elizabeth (his father was Henry, Lord Darnley, also descended from the Tudor family). So in 1603 he ascended the English throne. He would rule both England and Scotland until he died in 1625, having possibly the most corrupt court in English history. His son Charles I had his likeable aspects (he had a discerning eye for paintings, and built up a large collection), but he was untrustworthy in dealing with Parliament. He ended up facing a series of civil wars, that only ended with his death on the scaffold in 1649. After the Cromwell interlude, Charles I's son, Charles II, succeeded to the throne in 1660. Charles II was corrupt too, but unlike his father he was smart and left one of the most liked public images of any monarch in English history. He died in full power in 1685. His idiot brother James II ruled only three years, and was overthrown. James cousin William of Orange married James daughter Mary, and they ruled from 1688 - 1694. Mary died that year, and William continued ruling until his death in 1702. Mary's sister Anne ruled from 1702 to her death in 1714. Officially that ended the Stuart Dynasty, for William and Mary had no children, and Anne's only child to live to the age of 11, William Duke of Gloucester, died in 1701 before his mother became Queen. Now the Hanovarians came to the throne. They were Protestant, and this garnished them much support overcoming their being autocratic petty German tyrants (from the electorate of Hanover) as well as the mysterious disappearance of Phillip, Count Koeningsmarck (who may have had an affair with Prince George's wife Sophia Dorothea of Celle (see SARABAND FOR DEAD LOVERS).

Unfortunately, the Stuarts were not quite dead with Queen Anne in 1714. Besides the descent of the Hanovarians from James I's youngest child, his daughter Elizabeth, the last Catholic Stuart monarch, James II, had a son called James III by his supporters in Scotland and England, and known to his opponents as "the Old Pretender". James was one of those nice men who history mananged to mangle - he was to see several attempts to reclaim his throne (in 1717, 1719, 1721, and 1745) fail completely. Bad weather, bad leadership, feckless French aid, and bad luck denied him any real opportunity to get rid of the Germans (who were not too popular under the bullying George I and his son George II). Then, in 1744, it looked like a final fling of the dice might just bring about the first successful invasion of England since William the Conqueror came in 1066.

James had two sons, Charles and Henry. Henry would become a priest, eventually rising to being Henry, Cardinal Stuart (and last Stuart pretender monarch - he died in 1807). His older brother Charles became a hero of romance, as Bonnie Prince Charlie. Charlie landed in Scotland, and in two battles defeated British troops sent to stop him. He then led his army through Scotland into England and reached Derby - he was less than 100 miles from London. Historians still debate his decision to retreat to Scotland. Most feel that if he had pushed forward, the public would have supported him and the Hanovarian line would have been sent...well back to Hanover. Instead, Charlie returned to Scotland, and was defeated by his cousin, the Duke of Cumberland, at the battle of Culloden. Cumberland went after the highland families and tribes ruthlessly, and sought out Charlie. But the latter hid for nearly six months in Scotland, sometimes hidden by Flora MacDonald a brave female supporter. Finally Charlie was rescued and returned to France. He would remain an international conspirator for a decade or so, but by 1765 he was a decaying alcoholic. He died in Italy in 1786.

Still, despite the sad end of the man, the story of his adventure from 1744 - 46 remains a powerful myth to this day. One of those great "what if" questions (like, had Pickett's Charge worked at Gettysburg) that we always wonder about. It certainly keeps Charlie's memory alive.

This film certainly is not a great one, but it is a reasonably good view of the main incidents of Charlie's campaign to win back the thrones. David Niven is not too lively at first, but he gradually gets into more adventursome scenes in his escape sequences with Margaret Leighton. The film was made just after the Second World War, so the producer and director play down the atrocities against the Highlanders by the English, reminding the viewers of the German elements of the royal family and some of their worst officers. It is an interesting approach, but not as true as the film suggests. Not a great film, but not as unworthy (given it's subject) as has been suggested.