Annie Was a Wonder

Annie Was a Wonder (1949)

** (out of 4)

Oscar-nominated short from John Nesbitt's Passing Parade series. Nesbitt narrates the story of Annie (Kathleen Freeman), a Swedish woman who came to American to work as a maid. She's almost fired on her first day but the father of the family falls in love with her cooking and keeps her on. This here leads to a close relationship between the family and their maid. This is a decent short but there's really nothing here to make it worth seeking out, although if you've got ten minutes to kill and spot it on Turner Classic Movies then you mind find it as mild entertainment. Freeman gives a pretty good performance but the film never really allows her to take shape and deliver what we need and that was some sort of character movement. The narration is decent but there's just not enough here to keep it going even through its short running time.

I quite enjoyed this jolly depiction of the narrator's young life with Swedish housekeeper Annie (Kathleen Freeman). Right from day one, she isn't about to be played pranks upon by the brothers, but by joining in their hosepipe game risks a swift termination of her fortnight's trial. Luckily, she came top of the class at her cookery school and anyone who has ever tasted Swedish cuisine will know that when it is done well it is certainly not one for the calorie counter. Studying for her citizenship qualification and befriending the local delivery man she spends the next few years gradually becoming an integral part of a family that worked her to the bone, but clearly cared a lot for her too. Freeman is clearly enjoying her role here and though perhaps the Nesbitt's might genuinely want to feel some guilt for their exploitation for $15 a month, it's one of the cheerier stories of the American dream working out for someone conflicted between her homeland of old and her new land of opportunity.

I always think of KATHLEEN FREEMAN as Miss Dinsmore, the vocal coach for Jean Hagen in the hilarious SINGIN' IN THE RAIN. Actually she had numerous TV and film credits to her name for a long period of time beginning in the late '40s, but this is her only starring role in a John Nesbitt "Passing Parade" short about immigrant hired girls from Europe.

Freeman is Annie Swenson from Sweden, who doesn't pass the test as maid to an American household until the dad gets a taste of her cooking. As the narrator says, from then on she "conquers the father through the stomach" with some good Swedish recipes.

"I guess I don't send for my trunk, yes?" she asks in her Swedish accented voice.

She becomes a dear member of the family and eventually marries and has to say her good-byes to the family that took her in as a maid, starting at 84 hours a week, room and board, for $15 a month.

A nice look back at a time that doesn't exist any longer with a fine performance from Freeman in this Oscar-nominated short from MGM.

This one reel short subject was the debut of beloved character actress Kathleen Freeman in which she plays Swedish immigrant Annie, who hires out as domestic help for what we would consider really pittance wages of $15.00 a week. For that she put in an 84 hour work week. It's bad enough, but you also have to remember she's live in help as well and her room and board are free.

As Annie, all the brassiness that characterized Kathleen Freeman's screen persona is all there. The charm is there too as she wins her place in the affections of the family that hired her. Her good Swedish cooking helps in that department.

Kathleen Freeman worked steady on the big and small screen from this point on right up to her death in 2001. I'm not sure she ever starred in anything other than this short subject from John Nesbitt's Passing Parade Series. Yet this particular short was an Oscar winner in 1948 and the reason for it is Kathleen Freeman.

She went places and we the audience are all the better for it.

Kathleen Freeman was unrecognizable as Annie Swenson, a Swedish immigrant who had become hired by a family. At first, she creates a terrible impression on the parents when their sons are playing around with her and she turned the hose on them too. Still, Freeman was wonderful in her role and stole the short film.