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An Act of Murder

  • 1948
  • Approved
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
6,9/10
958
IHRE BEWERTUNG
Geraldine Brooks and Fredric March in An Act of Murder (1948)
Film NoirDramaKriminalität

Füge eine Handlung in deiner Sprache hinzuA hard-line judge is tempted toward mercy-killing by his wife's terminal cancer.A hard-line judge is tempted toward mercy-killing by his wife's terminal cancer.A hard-line judge is tempted toward mercy-killing by his wife's terminal cancer.

  • Regie
    • Michael Gordon
  • Drehbuch
    • Ernst Lothar
    • Michael Blankfort
    • Robert Thoeren
  • Hauptbesetzung
    • Fredric March
    • Edmond O'Brien
    • Florence Eldridge
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    958
    IHRE BEWERTUNG
    • Regie
      • Michael Gordon
    • Drehbuch
      • Ernst Lothar
      • Michael Blankfort
      • Robert Thoeren
    • Hauptbesetzung
      • Fredric March
      • Edmond O'Brien
      • Florence Eldridge
    • 21Benutzerrezensionen
    • 15Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Fotos14

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    Topbesetzung59

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    Fredric March
    Fredric March
    • Judge Calvin Cooke
    Edmond O'Brien
    Edmond O'Brien
    • David Douglas
    Florence Eldridge
    Florence Eldridge
    • Catherine Cooke
    Geraldine Brooks
    Geraldine Brooks
    • Ellie Cooke
    Stanley Ridges
    Stanley Ridges
    • Doctor Walter Morrison
    John McIntire
    John McIntire
    • Judge Ogden
    Frederic Tozere
    • Charles Dayton
    Will Wright
    Will Wright
    • Judge Jim Wilder
    Virginia Brissac
    Virginia Brissac
    • Mrs. Russell
    Francis McDonald
    Francis McDonald
    • Mr. Russell
    Mary Servoss
    Mary Servoss
    • Julia
    Don Beddoe
    Don Beddoe
    • Pearson
    Clarence Muse
    Clarence Muse
    • Mr. Pope
    Charles Bedell
    • Barker
    • (Nicht genannt)
    Maurice Brierre
    • Pedestrian
    • (Nicht genannt)
    Paul E. Burns
    Paul E. Burns
    • Old Man with Dog
    • (Nicht genannt)
    Joël Colin
    • Boy
    • (Nicht genannt)
    Pat Combs
    • Young Man
    • (Nicht genannt)
    • Regie
      • Michael Gordon
    • Drehbuch
      • Ernst Lothar
      • Michael Blankfort
      • Robert Thoeren
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    6,9958
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    Empfohlene Bewertungen

    6marcslope

    A tough one

    Caught this tough 1948 drama on TCM, which seems to have been out of circulation for a while. It's about a tough, by-the-book judge (Fredric March) who discovers his wife (Florence Eldridge, March's real-life spouse) has a fatal, painful disease, and rather clumsily plots a mercy killing. This means that for much of the film's length we have to watch Eldridge suffer, suffer, and it's quite uncomfortable viewing. There are plot conveniences that one other poster lists, and also the debatable position posed by the family doctor (Stanley Ridges, also good) that Eldridge should be lied to about her prognosis. Hal Mohr's photography thrusts itself deep into the Marches' anguish, and plot and subplot are contrivedly merged when Edmond O'Brien, as the liberal attorney who's romancing the Marches' daughter (Geraldine Brooks), injects himself into March's murder trial. Then there's some unconvincing, unsolvable philosophizing about euthanasia, and fadeout. I find a number of faults: Daniel Amfitheatrof's hyperactive musical score, which needlessly underlines everything, and was there ever a less appealing juvenile than pudgy, charmless Edmond O'Brien? But the issues are real, the debate is tense, and Mr. and Mrs. March are superb. Now if only TCM would find a way to show their other excellent co-starring vehicle from back then, also Universal and also directed by Michael Gordon, "Another Part of the Forest."
    8LeonLouisRicci

    A Taut and Well Acted Film About Mercy Killing…Unheard of in 1948

    Fascinating Film that Daringly Approaches the Subject of Euthanasia. In Doing so it also has Liberal Elements Inserted about the Rigid Judicial System that has a Tendency Toward Antiquated ("Powdered Wigs") by the Book Procedures.

    Edmond O'Brien is the Lawyer that Questions a Hard-Boiled Judge, while Dating His Daughter. The Judge Played by Fredric March goes through a Tumultuous Time Dealing with His Wife's Terminal Illness. But the Acting Accolades must go to Florence Eldridge who Gives a Riveting Performance.

    This Thoughtful Piece of Social Commentary is Rich and Rewarding with Taut and Suspenseful Scenes that can at Times be Heartbreaking. This is an Odd Movie to be Sure, and is Well Worth a Watch for its Genuine Concern about Troubling Things that are Rarely Discussed (especially in 1948), but Linger on the Fringe of Everyday Life.
    8AlsExGal

    One of my favorite Fredric March performances, and an unfairly forgotten film

    Here Fredric March plays criminal court judge Calvin Cooke who has a reputation as a sort of "hanging judge" so that he has earned the nickname of "old man Maximum". Edmond O'Brien plays a defense attorney arguing a case before the judge. While O'Brien's character looks at the spirit of the law, Judge Cooke looks only at the letter of it and it is obvious from the opening court scene that the two do not like each other. What do they have in common? They both love the judge's only daughter, Ellie.

    Now this doesn't mean that the judge is a bad guy. He likes his community, adores his wife of twenty years (Florence Eldridge as Catherine Cooke), and loves his daughter.

    But more trouble is afoot than just a suitor for his daughter's hand that the judge dislikes. His wife Catherine has been having headaches, dizziness, and has been dropping things due to numbness in her hands. She confides in a friend who also happens to be a doctor that she has "a friend" with these symptoms, and the doctor sees through her ruse and says that she should come to his Philadelphia office the next day for a check-up. She does that, but lies to Calvin and says she is going shopping.

    This is where I do some head scratching. The news is bad - Catherine has a type of inoperable brain tumor that means a certain and painful death. The doctor tells Catherine that everything is fine. Who does he call? After sticking a cancer stick in his mouth to relieve the stress (????) the good doctor calls Calvin, her husband and tells HIM the truth. They both decide to not tell Catherine, the ACTUAL patient, the truth. Later when Catherine finds out, she decides not to talk about it either, even though by the way she found out she must know that her husband knows. Why isn't anybody talking to anybody about this woman's illness? Everybody just goes on pretending. Maybe this is the way it was 60 years ago, and that is one reason I love classic film - it gives you real insight into a bygone era about how people handled life, in this case illness, the fact that doctors routinely smoked, that grown daughters lived at home and pretty much went from the custody of their fathers to their husbands, and that it was acceptable for a policeman to shoot a dog that had been run over by a car in plain view of the general public - a mercy killing. This last incident happens as the judge is walking down the street to get pain medicine for his wife that just isn't doing the job. The implication is that mercy killing is on the mind of "old man Maximum" too. How will all of this work out? Watch and find out.

    Even though all of the characters in this film are basically "good people" with good intentions, you could almost classify this one as a noir, because there are no easy answers, no possible way to a happy ending. I've seen a restored version of this film on Turner Classic Movies in the last year, so I wish Universal would find some way to get it out to the public. The questions the film raises are still relevant today. Highly recommended.
    7brogmiller

    Whose life is it, anyway?

    There has been no shortage of films in recent decades dealing with the highly emotive subject of Euthanasia but such was not always the case.

    Although Willi Forst's 'The Sinner' from 1951 is generally credited with breaking the taboo, he was beaten to it by Richard Pottier's 'Meutres' a year earlier whilst devoted cinephiles will no doubt be aware of Wolfgang Liebeneiner's controversial 'I accuse' from 1941 which has been airbrushed out of film history because of its promotion of the Aktion T4 Euthanasia programme. The most effective episode of a mediocre British film from 1954 called 'Front Page Story' features a trial of a wife accused of 'mercy killing'.

    Imagine one's surprise therefore to stumble across this novelty from Hollywood of the late 1940's adapted from Ernst Lothar's novel 'The Mills of God' and directed by Michael Gordon before he fell foul of the confounded HUAC.

    Although a courageous, gripping and very well made film with committed performances from its first rate cast, it has been obliged neither to condemn nor condone the actions of a Judge who can longer bear to see his beloved wife suffer from a devastating and terminal disease. The final speech delivered by the brilliant Fredric March in which he declares that although legally innocent of murder he remains morally guilty, very much reflects the ethical and religious sensibilities of the time and the need not to offend them!
    7adamshl

    Daring Morality Play

    The concept of tempering legality with compassion is a daring, slippery slope. It is today as it was in 1948 when this challenging film was released.

    Fortunately, this drama has the great acting team Florence Eldridge and Fredric March in the lead roles, lending both power and sensitivity to their characterizations. While conceding that the law must by its nature be clear and committed, one can also empathize with the human challenges faced in the case of a terminally ill loved one who is in great pain and suffering.

    Where does one draw the line in such cases, especially when a spouse accused of murder emphatically pleads guilty? It's a tough situation created here, and one that must either tread the path of legal justice or find extenuating circumstances to help relieve the inevitable sentence.

    "An Act of Murder" manages to walk this tightrope with considerable balance, thanks to an outstanding cast and some petty talented writers. The film also may be considered a "lost work," despite the pairing of Mr. and Mrs. March in the lead roles.

    It's also interesting to see only a single bona fide professional review in the IMDb, as though this subject may have been (and still may be) too tough to handle. The most complete review (by Bosley Crowther of the NY Times) expresses the critic's general reaction without declaring a firm stance on the controversial subject of euthanasia. And perhaps this is the best we can ever get, for the topic may be too challenging for us mortals to ever definitively solve.

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    Kriminalität

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    • Wissenswertes
      This movie marks the first use of "Courthouse Square", the iconic set/location seen in "Back to the Future" and countless other movies and TV shows. The courthouse facade was built for this movie.
    • Patzer
      Neither the city nor county where the courthouse is said to be located and the majority of the movie take place, are actual places in the Commonwealth of Pennsylvania.
    • Zitate

      Doctor Walter Morrison: What is incurable today is curable next Wednesday.

    • Verbindungen
      Featured in Movies Are Adventure (1948)

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    Details

    Ändern
    • Erscheinungsdatum
      • 17. Dezember 1948 (Mexiko)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Live Today for Tomorrow
    • Drehorte
      • Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Universal International Pictures (UI)
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    Technische Daten

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    • Laufzeit
      • 1 Std. 31 Min.(91 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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