Füge eine Handlung in deiner Sprache hinzuU.S. agent Kent Foster pursues traitorous murderer Nick Randall using singer Angela Booth as bait. Angela escapes prison with Foster's help to meet Randall on New Year's Eve but flees after ... Alles lesenU.S. agent Kent Foster pursues traitorous murderer Nick Randall using singer Angela Booth as bait. Angela escapes prison with Foster's help to meet Randall on New Year's Eve but flees after Randall assaults her, confirming his true nature.U.S. agent Kent Foster pursues traitorous murderer Nick Randall using singer Angela Booth as bait. Angela escapes prison with Foster's help to meet Randall on New Year's Eve but flees after Randall assaults her, confirming his true nature.
- Regie
- Drehbuch
- Hauptbesetzung
Douglas Argent
- Reveller
- (Nicht genannt)
Hermione Baddeley
- Grace
- (Nicht genannt)
Sidney Brahms
- Reveller
- (Nicht genannt)
Olwen Brookes
- Hackett
- (Nicht genannt)
Sheila Burrell
- Bates
- (Nicht genannt)
Fanny Carby
- Brooker
- (Nicht genannt)
Empfohlene Bewertungen
Beverly Michaels is a new find for me, and I must say I like her a lot! Here she stars as "Blonde Bait" from 1956, also starring Thora Hird, Jim Davis, Paul Cavanagh, and Richard Travis.
Michaels plays a London performer, Angela Booth. She is sent to prison when she tries to leave her possessive employer for her boyfriend Randall (Jim Davis). She winds up hitting him with a mirror, and his connections lead to her being incarcerated.
The U. S. State Department wants her boyfriend because he was a Nazi collaborator. Angela has secret plans to meet Randall on New Year's Eve at the Oxhead Inn so they can run off get married. In order to catch him, it's arranged that Angela escape with the help of "Gran" (Hird), an old-time prisoner. The plan is to follow Angela to wherever the meeting is to take place.
I thought this was a good film, a real B British noir. Michaels is different in this film from the last one I saw her in, Pickup, where she gave Ann Savage's Detour performance a run for its money. She played an abusive, trashy woman. Here she's a woman sincerely in love, who demonstrates some class and possesses humanity.
Thora Hird is a scream. Jim Davis, frankly, is pretty bad. It's no wonder when he returned from Korea, Bette Davis forgot she ever heard of him. He still needed some seasoning.
All in all, entertaining.
Michaels plays a London performer, Angela Booth. She is sent to prison when she tries to leave her possessive employer for her boyfriend Randall (Jim Davis). She winds up hitting him with a mirror, and his connections lead to her being incarcerated.
The U. S. State Department wants her boyfriend because he was a Nazi collaborator. Angela has secret plans to meet Randall on New Year's Eve at the Oxhead Inn so they can run off get married. In order to catch him, it's arranged that Angela escape with the help of "Gran" (Hird), an old-time prisoner. The plan is to follow Angela to wherever the meeting is to take place.
I thought this was a good film, a real B British noir. Michaels is different in this film from the last one I saw her in, Pickup, where she gave Ann Savage's Detour performance a run for its money. She played an abusive, trashy woman. Here she's a woman sincerely in love, who demonstrates some class and possesses humanity.
Thora Hird is a scream. Jim Davis, frankly, is pretty bad. It's no wonder when he returned from Korea, Bette Davis forgot she ever heard of him. He still needed some seasoning.
All in all, entertaining.
Another Hammer movie watched to go with the "House of Hammer" Podcast and after a few welcome weeks of otherworldly horror, we're back with a noiry crime thriller. I usually write my reviews a few days after watching the film, so as an aide memoire I usually make a couple of little notes. Here I've just written down one word, in big letters, "BORING".
Angie Booth (Beverly Michaels) a lounge room singer of some renown, plans to marry her shady boyfriend Nick (Paul Carpenter) on New Years Eve. With Nick out of the country, Angie is imprisoned for an assault on her murderous club promotor and will miss the arranged date. However, the British and American authorities are aware of the planned nuptials and, using an informant, 'Granny' (Thora Hird), try to organise a Prison break, so Angie can lead them to Nick.
Despite not one, but two, salacious titles, the version of this film I saw on Youtube was catastrophically dull. There appears to be two very different versions of the film, with "Blonde Bait" recasting Nick and adding new actors and scenes, I think I was watching the original though.
The women's prison seems remarkably clean and organised and there's not much antagonism going on between the staff and convicts. Some of the other prisoners have an impact on the story. Marguerite, played by April Olrich, has had a baby that will be taken from her and put up for adoption soon, as the rules of prison dictate and so joins the escape and bigamist Babs (Sheila Burrell) who has married twice and is released before the escape takes place. There are a couple of recognisable actors in this, recognisable to me anyway. One is Thora Hird, who is playing a character called Granny in 1956, it's almost incomprehensible that she'd still be playing elderly characters on TV fifty years later, she's great though. Gordon Jackson is also in the film too.
What should be an interesting thriller, about a state mandated prison escape leading to the capture of a wanted felon gets hopelessly lost in the mundanity of the second act, so much so that I can't even recall the specifics of if they catch Nick at the end. It's not surprising that a new ending was created for "Blonde Bait" as this one is very underwhelming.
This feels like a step backwards for Hammer, after the horror successes of the last couple of films and I'm glad it doesn't appear to last too long.
Angie Booth (Beverly Michaels) a lounge room singer of some renown, plans to marry her shady boyfriend Nick (Paul Carpenter) on New Years Eve. With Nick out of the country, Angie is imprisoned for an assault on her murderous club promotor and will miss the arranged date. However, the British and American authorities are aware of the planned nuptials and, using an informant, 'Granny' (Thora Hird), try to organise a Prison break, so Angie can lead them to Nick.
Despite not one, but two, salacious titles, the version of this film I saw on Youtube was catastrophically dull. There appears to be two very different versions of the film, with "Blonde Bait" recasting Nick and adding new actors and scenes, I think I was watching the original though.
The women's prison seems remarkably clean and organised and there's not much antagonism going on between the staff and convicts. Some of the other prisoners have an impact on the story. Marguerite, played by April Olrich, has had a baby that will be taken from her and put up for adoption soon, as the rules of prison dictate and so joins the escape and bigamist Babs (Sheila Burrell) who has married twice and is released before the escape takes place. There are a couple of recognisable actors in this, recognisable to me anyway. One is Thora Hird, who is playing a character called Granny in 1956, it's almost incomprehensible that she'd still be playing elderly characters on TV fifty years later, she's great though. Gordon Jackson is also in the film too.
What should be an interesting thriller, about a state mandated prison escape leading to the capture of a wanted felon gets hopelessly lost in the mundanity of the second act, so much so that I can't even recall the specifics of if they catch Nick at the end. It's not surprising that a new ending was created for "Blonde Bait" as this one is very underwhelming.
This feels like a step backwards for Hammer, after the horror successes of the last couple of films and I'm glad it doesn't appear to last too long.
I saw her in Wicked Woman (1953) on youtube, some has dubbed this from VHS , for our viewing pleasure, I know this because the tracking at the bottom needs a bit of ajustment, but that's neither here nor there, what is important are these wonderful thespians and gems from the era...
I was a bit flummoxed for at some point this took a strange turn and sort of jumbled up everything sort of willy-nilly you see, and I ceased to be able to distinguish from regular dames and bad dames and good guys and bad guys since everything sort of took a big leap in the sophistic episodes of "Three's Company" see where everything sort of gets mixed up , but like the episode everything ambiguous became clear and resplendent and once again order out of chaos was of course restored! Huzza, huzza! lol,
But yes, this dame is cool, this dame really knows how to pose for the screen, I think most of the thespians especially the female actresses really knew about lighting as they were poised to pose for the camera, terrific!
A really fun film, a good show, a good show! Seeing Beverly run away into the night with roman candles exploding everywhere behind her made the flic for me, how about you?
I was a bit flummoxed for at some point this took a strange turn and sort of jumbled up everything sort of willy-nilly you see, and I ceased to be able to distinguish from regular dames and bad dames and good guys and bad guys since everything sort of took a big leap in the sophistic episodes of "Three's Company" see where everything sort of gets mixed up , but like the episode everything ambiguous became clear and resplendent and once again order out of chaos was of course restored! Huzza, huzza! lol,
But yes, this dame is cool, this dame really knows how to pose for the screen, I think most of the thespians especially the female actresses really knew about lighting as they were poised to pose for the camera, terrific!
A really fun film, a good show, a good show! Seeing Beverly run away into the night with roman candles exploding everywhere behind her made the flic for me, how about you?
Yes the late Thora Hird could be a comedienne in roles such as this playing Granny Rafferty, opposite American Beverley Michaels who plays her fellow inmate in a women's prison.Previous reviewers have outlined the plot of a tale of post WWII & the Cold War where both Scotland Yard and the U.S. State Dept mount a joint venture to entrap a traitor/murderer played by Jim Davis (most known in this country for playing JR's father in early episodes of "Dallas").The reference to "Lindberg" in the screenplay I assumed referred to aviator Charles Lindberg when the three escaped women prisoners and baby use an old MG to make their getaway, with Thora joking at the wheel.They make their getaway with the connivance of UK/US authorities before the denouement when Beverley finally realises the rotten relationship she had with the Jim Davis character.Yes I rated it 7/10 and was entertained on this, my first ever viewing.
Fairly straight laced telling of a Jailbreak to nab a felon and turncoat by the State Department.
They use his girlfriend to lure him in and she happens to be blonde...hence the title.
Most of the story is about the contrived breakout and the end wraps up before you can say jailbreak.
Mildly entertaining while it lasts.
They use his girlfriend to lure him in and she happens to be blonde...hence the title.
Most of the story is about the contrived breakout and the end wraps up before you can say jailbreak.
Mildly entertaining while it lasts.
Wusstest du schon
- WissenswertesFinal film of Joan Harrison.
- VerbindungenEdited from Women Without Men (1956)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Women Without Men
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 11 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen