Ritt in den Tod

There a few greatest star to have a enough charisma as much as Audie Murphy had, I did remember perfectly once around 1981 on TV "Audie Murphy's week" from monday to friday at 9.00 pm o'clock, l've been waiting for a long time a remastered official copy of this movie watched a couple times only, Murphy playing a legendary John Philip Clum a Indian agent with clear ideas handling with those natives, concerning their traditions and values, letting to them to decide for themselves, a real human treatment to those people who were the true and authentic owner of the those lands.

They deserve more respect from us, this meaningful production gives back a slight concept how should be better spared them of such killing, treated by disproportionate forces, usually a cold blood, severely decimeted with no mercy, John Clum who shall be eternity remembered as "Indian's protector" few times we have this kind of approach on western movies, mostly of them show a opposite way, perhaps to confirm such saying " a thousand lies overcome a single true if said repeated" a defeated people have to stand such barbarism, this picture has my respect forever, still more with Audie Murphy!!

Resume:

First watch: 1989 / How many: 2 / Source: TV-DVD / Rating: 7.5.

An enjoyable movie for a lazy afternoon. But there was a lot of schmaltz and predictable action, and the dialog was a little fake. But at times there was a nicely presented humorous edge to conversations as in the "maybe" style. I also enjoyed it for the typical Old Tuscon movie set location having been there a number of times myself. Being based on a true story the screen writer did a good job. I feel this movie is a good example of the style of westerns of which John Wayne was a good example. It remains simple in format, clear in style, and does not contain excessive goofs. One simple goof I noticed was how clean the Agent's suit was after he had just been rolling in the dirt. A nicely told story, enjoyable to watch, and the kind of movie experience I enjoy without the excessive violence, vulgar language, and smut contained in many modern works.

In the various tellings of the tale of the OK Corral, the name John Clum comes up as a peripheral character. At that point in his life he was Mayor of Tombstone, Arizona and founder and editor of the Tombstone Epitaph which was in editorial support of the Earp brothers. But before that John Clum was an Indian agent, sent to the San Carlos Reservation in Arizona to reform the corrupt practices regarding same. Audie Murphy plays an eager and honest Clum in this film.

The poor Indians were caught between a rock and a hard place. Either it was the army who was going to govern them or as was argued the civilian Interior Department.

Clum has some interesting and novel ideas about giving the Apaches a large measure of self government. But the real story of Clum is hardly touched on. He stands out simply because he was honest. Sad to say Indian agents for the most part were hack politicians from the political machines back east. Whether they were hired by the War Department or the Interior Department, a lot of them robbed the poor Indians blind. Right at this time, one of the most notorious scandals of the Grant Administration was the Whiskey Ring which involved various trading posts and reached right up to the Secretary of War, a gentleman named William Belknap who resigned before he was impeached.

Murphy gets able support from two leading ladies, pretty and perky Pat Crowley who plays his eastern fiancé and Anne Bancroft who is the spectacularly beautiful Indian widow who's crushing out on him. Jay Silverheels who played Geronimo in Broken Arrow, plays him again in Walk the Proud Land. Charles Drake plays the former army sergeant who hires on as a blacksmith at the San Carlos Reservation and becomes Murphy's best pal and confidante.

Walk the Proud Land is one of the few western films to have a choreographer in the person of Tommy Rall. Rall, a well known Broadway dancer, plays a young Indian warrior who becomes Murphy's friend. There is a lengthy sequence involving the Apaches entertaining some white VIPs at Murphy's wedding to Crowley with some tribal dances. A nice mix between the real deal and what you might see in Rose Marie's Totem Tom Tom number.

Walk the Proud Land is definitely one of Audie Murphy's better westerns for Universal and a nice tribute to a real western figure.

I was brought up to believe the "indian" was "the baddie"! At no point did anyone ever tell me that their land was being taken over by "white men" who were mainly full of lust for gold and other such things. The Indian was in the minority which is why today the land we know as the USA is run by "white men" This particular episode is about how 1 man managed to get the warmongering apaches to settle down in peace, although clearly there was very little in it for them! Historically, they like other Indian tribes have been badly treated and let down by "white mans law". Audie Murphy does well in his portrayal of a true story, ably supported by Anne Bancroft and other known faces. Those who invaded their land DO have much still to answer for!

The narrative of John P. Clum's broadly varied activities is one of the most dramatic in U.S. history, his tenure as Indian Agent at Arizona's San Carlos Reservation, 1874/77, being particularly noteworthy and forming the subject of this film starring war hero Audie Murphy as Clum. During his assignment to San Carlos, Clum established the first Indian tribal police and court system, using the former to capture the wily Geronimo, convincing the renegade that he was surrounded by a large group of warriors, far from the case. By accomplishing all of this and more, Clum eliminated any possible requirement for continued deployment of a United States Army cavalry regiment at San Carlos, which erased profits from provisioning for the Army and made Clum's presence less than heaven-sent for the mounted troopers. WALK THE PROUD LAND is based upon incidents to be found within Woodworth Clum's 1936 biography of his father, which is the principal source for the screenplay written by the capable pair of Gil Doud and Jack Sher. Unfortunately, Doud ("To Hell and Back") and Sher ("Shane") fail to utilize the most dramatic elements of Clum's story, replacing them with a collection of banal contrivances which serve only to dissipate the feature's impact. Filmed with the wide-screen Cinemascope process, and with sublime Technicolor, the work is delightful to the eye, and benefits as well from the stylish efforts of costumer Bill Thomas. A top-notch performance is given by Anne Bancroft as an Apache warrior's widow who is "given" by the tribe's chief to Clum and who becomes his strongest ally against the Agent's enemies from within both the cavalry and the tribe. Audie Murphy's native earnestness is very effective in his portrayal of Clum, with his palpable lack of emotive flexibility being of no consideration here, and he is well supported by Bancroft, sturdy Charles Drake as his closest comrade, winsome Pat Crowley as his wife, Tommy Rall as his Indian blood brother, and character actors Addison Richards and Morris Ankrum. Many good hands were not utilized properly during the creation of this film, and since Clum's travails were largely for nought, Geronimo being released by his successor, leading to nearly 15 years of unabated Indian wars, a bittersweet and indeed revelatory quality would have been more effective in lieu of numerous scenes depicting lamely comedic children and romantic frippery that have no basis in fact.