IMDb-BEWERTUNG
3,6/10
1909
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuPaula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.
Art Millan
- Carl Parkins
- (as Arthur Millan)
Timothy Farrell
- Lt. Holmes
- (as Timothy Farell)
Chandler McClure
- Det. Artman
- (as F. Chan McClure)
Harry Keaton
- Doctor
- (Nicht genannt)
Empfohlene Bewertungen
Thoroughly entertaining for most of the time, this is the story of a bored, wealthy young woman who forms a gang with like-minded friends and has a whale of a time robbing gas stations, trashing schools and making men sexual offers they can't refuse. They are occasionally employed by Sheila, a splendid older gang moll in a tight sweater, whose appearance sadly only lasts a couple of minutes prior to her being gunned down. The plot runs from one absurdity to the next including two cop cars racing to a disturbance at a school and going in with all guns blazing, as if Bonnie and Clyde were in there. Unfortunately Mr Wood seemed to forget what the audience had paid to see, and devotes nearly a fifth of the running time to the patently phony moralizing required to justify everything else. This provides some fun in itself, with the veteran actor playing the judge clearly reading his interminable lines, while the distraught mother bemoans giving her errant daughter Paula 'a new dress instead of a caress'. In fact Paula, played by the glamorous Jean Moorhead, looks ravishing in the one-piece she wears at the pajama party, no doubt from 'Victor Most of California', who gets a credit. Pity the film was so short and the ending such a washout.
In what is yet another bad juvenile delinquent movie from the moralistic 1950s, four "teenage" girls rob a gas station, erase a classroom chalkboard, and do other vile things. The four females are all miscast. They're too old to be teenagers. The main "girl", Paula, is 18 years old. But the role is given to an "actress" who looks more like she's in her thirties.
The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.
With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.
But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.
There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.
With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.
But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.
There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
Never let it be said that Ed Wood was afraid to tackle some burning social issues and he does so again here with his usual skill. The Violent Years talks about female delinquency as wealthy, but bored Jean Moorhead gathers around her some followers and they form a girl gang. These chicks are out for action and with them being masked, the law thinks that it's after your typical male holdup gang as the girls start going through all the local filling stations.
But these brazen harlots don't stop there. Unmasked they terrorize couples in a frequented lover's lane and tie up the women and then force men to their sexual wills. I don't know about you, but that's normally the kind of thing that is not best done under pressure at the point of a gun.
In the end Moorhead is pregnant and commits murder and the wages of sin are exacted by the long arm of the law in the person of noted character actor I. Stanford Jolley who looks like he's needing some laxative as he intones the sentence and his views on parents who do not give good supervision and values to their kids. Poor Jolley who is the only person in this cast who has a decent resume probably fired his agent after he signed him up for this.
Ed Wood, they'll never be another like you.
But these brazen harlots don't stop there. Unmasked they terrorize couples in a frequented lover's lane and tie up the women and then force men to their sexual wills. I don't know about you, but that's normally the kind of thing that is not best done under pressure at the point of a gun.
In the end Moorhead is pregnant and commits murder and the wages of sin are exacted by the long arm of the law in the person of noted character actor I. Stanford Jolley who looks like he's needing some laxative as he intones the sentence and his views on parents who do not give good supervision and values to their kids. Poor Jolley who is the only person in this cast who has a decent resume probably fired his agent after he signed him up for this.
Ed Wood, they'll never be another like you.
This film is pretty steady and mediocre (you can tell Ed didn't direct it), lacking the weirdness and spastic nature of Wood's other films. But, it also happens to be the only film you'll ever see where a MAN IS RAPED BY A GANG OF GIRLS! A truly unique moment in film history.
Incredibly dumb and utterly predictable story of a rich teen girl who, not given love by her parents, starts a girl gang. They rob gas stations, rape guys (!!!) and kill a policeman.
All the "teenagers" in this film are easily in their late 20s/early 30s, the acting is all horrible and the script has every cliche imaginable with hilarious dialogue--it comes as no surprise that it was written by the immortal Ed Wood Jr.!
Worth seeing for laughs. Best lines--"They're shooting back!" and "It ain't supposed to be like this."
All the "teenagers" in this film are easily in their late 20s/early 30s, the acting is all horrible and the script has every cliche imaginable with hilarious dialogue--it comes as no surprise that it was written by the immortal Ed Wood Jr.!
Worth seeing for laughs. Best lines--"They're shooting back!" and "It ain't supposed to be like this."
Wusstest du schon
- WissenswertesThe four girls, who act like a violent gang of men, adopt male names: Paula is Paul, Geraldine is Gerry, Phyllis is Phil, and Georgia is George.
- PatzerDuring the shootout from the classroom, it's nighttime. However, when the cops are shooting, it's daylight.
- Alternative VersionenDifferent versions of the film contain different opening credits. One opening has the credits play over a static shot of a city skyline, while in other prints the credits play over a nondescript background with the title card appearing over a cast photo.
- VerbindungenEdited into Sleazemania Strikes Back (1985)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Жестокие годы
- Drehorte
- 500 N Larchmont Blvd, Hancock Park, Los Angeles, Kalifornien, USA(Rosewood Super Service Station robbery, demolished)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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