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After robbers steal $50,000 from a train, an insurance investigator (Mark Stevens) is assigned to investigate, who in fact one of the ring leaders of the train robbery and needs to make the investigation seem credible.

Produced, directed by and starring Stevens, this is an interestingly plotted crime thriller written by Aben Kendel that contains plenty of twists and turns with some decent changes in direction with Stevens' character trying to double cross his co-thieves.

This is a neat, no-frills thriller about an intricately planned train heist, the turbulent insurance investigator assigned to the case, and his hard-nosed boss whose motto is "There's no such thing as a perfect crime." Filmed in the flat, greyish TV style of the 50s with occasional expressionist touches, it is rife with plot twists and intriguing characters, and features a supporting cast of familiar faces (Alan Reed, Jack Klugman, etc). It should appeal to those who prefer story over stylishness. Tough-guy Stevens starred in several top-notch noirs of the 40s, and directed a couple of good second-feature thrillers in the 50s, including Cry Vengeance.

It's remarkable how many actors from the Golden Age of Hollywood began or ended their careers making crime pictures ( or horror movies). Mark Stevens is a case in point. He began promisingly enough with the stylish noir The Dark Corner in 1946 and basically ended it with Timetable ten years later. Was he a classic Marlowesque private eye in the first one, in Timetable the rigors of maintaining a Hollywood career have visibly and morally taken their toll. Directed by Stevens himself, all the glamour of the classic noir is drained from both the look of the film as from the protagonists. Stevens has the look of a man who has seen too much and has basically given up hope that his life will change for the better. Even his last desperate attempt to turn his life around seems doomed from the start. Which is not helped by the strict moral code of the day that is constantly underlined, namely that Crime Doesn't Pay. The plot is a little convoluted, but then that's not what we watch these movies for. Stylistically it has little going for it,and small effort was made to avoid a stage-bound look. But the performances are adequate enough and especially Stevens is totally convincing as the world-weary protagonist. For noir fans this one is certainly worth a look.

"Time Table" is a rather forgotten crime film which was directed by and stars Mark Stevens—a very capable but mostly forgotten actor from the 50s and 60s. It's really a shame the film isn't seen and lauded, as it's quite good—especially since it has a very modest budget. I've never seen it on TV nor DVD but fortunately it IS in the public domain and is therefore available through archive.org—a website often linked to films on IMDb. Download a free copy and watch it—it's quite good.

The film starts off wonderfully—with one of the most intelligently filmed heists I can remember. You really need to see it—and I don't want to spoil it by saying more about this. In the next scene, a couple are talking about their upcoming and much-needed vacation to Mexico when the phone rings—the husband (Stevens) is needed at once. It seems he's an investigator for the insurance company covering the heist—and they want him to look into it ASAP. This means the vacation is on hold.

When the investigation begins, it's quite obvious that the crime was very, very professional and was carried out with attention to every detail. However, during the robbery, somehow one of the gang was injured—and this might be the lead they need to break the case. But, in a WONDERFUL twist, the audience soon learns that there is so much more to the story than anyone has anticipated and the identity of the big brains of the operation is quite the surprise. I'd say more but don't want to spoil it.

Some might consider this film to be an example of Film Noir. Well, it is a crime film from the 1950s and is pretty unflinchingly violent in places. However, the film lacks the snappy dialog and cinematography you'd expect for Noir. I personally like the way the movie was handled, as it seemed more realistic than Noir—like you were watching a real investigation unfold. Fascinating throughout.

The Quick Pitch: $500,000 in cash is stolen from a train's baggage car.

Not a lot to say other than that this is a good one. My little plot summary may be shorter than usual, but I don't want to spoil anything. Time Table has a couple of plot twists that are about as good as any I've seen. The first comes early on in the film. While I may have had an inkling of what was about to happen, I still enjoyed watching the events unfold. But the second twist caught me by complete surprise. What fun!

Time Table is one of those films that proves you can (or at least you could in 1956) make a quality little movie without breaking the bank. Given budgetary constraints, director Mark Stevens created a tense, atmospheric crime/noir/thriller that moves at a brisk pace and is entertaining throughout. Not only does Stevens direct, but he also stars in Time Table. His performance is just as solid as his direction. The mostly no-name supporting cast is equal to the challenge. I'm sure I could pick a few things to complain about, but why bother when a movie is this enjoyable.

7/10