IMDb-BEWERTUNG
7,0/10
1547
IHRE BEWERTUNG
Die detektive von Scotland Yard versuchen, eine einbruchsserie aufzuklären.Die detektive von Scotland Yard versuchen, eine einbruchsserie aufzuklären.Die detektive von Scotland Yard versuchen, eine einbruchsserie aufzuklären.
- Nominiert für 1 BAFTA Award
- 1 Gewinn & 1 Nominierung insgesamt
Empfohlene Bewertungen
Apart from the unique acting style of Jack Hawkins (before his so sad illness), one thing which marks this film out from modern detective yarns is that the detective work follows logical sequences - little depends on chance and nothing on fantastic coincidences.
It is a rattling good yarn - I only wish the same could be said of todays films.
And the supporting cast!!! Ian Bannen gets run over and killed and (Sir) Alec McCowan is an unimportant doctor. But everyone has to start somewhere.
Those were the days
Gerald (aged 72)
It is a rattling good yarn - I only wish the same could be said of todays films.
And the supporting cast!!! Ian Bannen gets run over and killed and (Sir) Alec McCowan is an unimportant doctor. But everyone has to start somewhere.
Those were the days
Gerald (aged 72)
8cb49
I echo Mike Wilson's views on this film, it is the classic British crime drama. Jack Hawkins is superb (and I feel that John Gregson's TV portrayal of Gideon was based on this). It even has little touches of humour which succeed in making the movie real. I would also agree with Mike that the later Gideon of Scotland Yard is poor in comparison, if Jack Hawkins had played the character in the same manner as he played Supt. Halliday, it could have been perfect. The movie has just been re-issued in the UK (Feb. 2003) on VHS.
In this cracking black and white police drama, Ealing comes up trumps yet again. Made in 1956, with good locations in and around London, the story concerns Jack Hawkins, as Superintendent Halliday, who has to track down, a very clever cat burglar, who is an expert in disguises.
What makes this film so interesting, is that Hawkins, trying to reproduce the character, made a similar film, 2 years later, called 'Gideon of Scotland Yard', which was shot in colour by the great John Ford. Where 'Long Arm' succeeded in every way, 'Gideon' was a shambles. It just proves that the one of greatest directors in Hollywood history, and a good cast , are hamstrung, without a reasonable script. 'Long Arm' holds you in suspense right up the final scene, even when you know, that the cinema code of the day, will not allow the villain to escape. A good supporting cast from a large range of well known British actors, makes this film a must to see. 8 out of 10.
What makes this film so interesting, is that Hawkins, trying to reproduce the character, made a similar film, 2 years later, called 'Gideon of Scotland Yard', which was shot in colour by the great John Ford. Where 'Long Arm' succeeded in every way, 'Gideon' was a shambles. It just proves that the one of greatest directors in Hollywood history, and a good cast , are hamstrung, without a reasonable script. 'Long Arm' holds you in suspense right up the final scene, even when you know, that the cinema code of the day, will not allow the villain to escape. A good supporting cast from a large range of well known British actors, makes this film a must to see. 8 out of 10.
This wonderful film shot in London and Wales during late 1955 is a must for all lovers of 1950's British cinema and this late Ealing Studios masterpiece is as good as anything ever to leave the cutting room of that great British film institution. As simply a film the plot of an unsolvable robbery is very cleverly constructed and little by little the expert veteran detective (Hawkins) and his new sergeant nibble away at the clues, it may seem rather familiar but this is the template on which the likes of the TV Gideon of Scotland yard was built. Hawkins always excellent is brilliant throughout totally convincing as the career copper who loves his job. Back in the nineteen fifties the coppers always got their bad guy and no villain was beyond the law as the title infers, cynicism and shades of Gray would have to wait another decade or so more. Fans of the era such as my self sees a treasure trove of fifties stereotypes but stay at home house wives were the normal back then as was chain smoking drinking on the job if only a small beer and the odd whiskey for bigger problems, everyone wore an overcoat and a hat while London was mostly Gray dull damp smog-ed and still bombed out while car owner ship was still mostly for the better off. Please note the car park right outside the doors of the Royal Festival hall, then only a few years old, boy was parking handy back then. My old Dinky toy cars were in every day use Ford Pilot, Wolseley 4/44 police cars, a Jaguar mark on. Oh! Oh! the nostalgia and all in glorious black and white. Enjoy!
Very solid brit crime drama. Fine performance from Jack Hawkins. Thankfully, not so much stiff upper lip as we were used, the humour between Hawkins and his sidekick the John Stratton bubbles along and the mechanics of the plot is nicely constructed and presented. A veritable glut of fine British actors both future stars like Ian Bannon and Stratford Johns and small part favourites like Sam Kydd and Harold Goodwin. Also keep an eye out for a young Nicholas Parsons playing a copper. If you're a resident of London it will be fascinating looking at the sites of our capital and seeing how much it has changed. An undiscovered gem worth digging out
Wusstest du schon
- WissenswertesThe last film made at Ealing Studios, London.
- PatzerWhen a kid try to sell a new car's lamp, the policeman took him back to the junk yard and the lamp is still in car.
Sorry, not a goof. The two lamps on the front of the damaged car are the headlights, or lamps if you prefer. The boy had taken the fog lamp off the car. The fog lamp was a third lamp as may be seen at 34 mins when the collision occurs. The fog lamp is clearly seen on the nearside just above the bumper. When the car is on on the dump, the fog lamp is not there.
- Zitate
[during the final chase, Halliday leaps onto the bonnet of the getaway car and stops it by smashing its windscreen with his truncheon; as it lurches to a halt, he falls off the bonnet onto the ground. Ward helps him up]
Detective-Sergeant Ward: Are you all right, sir?
Detective-Superintendent Tom Halliday: I'll live, I think.
Detective-Sergeant Ward: Nothing broken?
[Halliday pauses and looks mortified]
Detective-Superintendent Tom Halliday: Yes - a promise I made to let *other* people take the risks!
- Crazy CreditsSPOILER: In the end credits Ursula Howells is credited twice: first as her fake character Mrs. Elliot, and then at the end as Mrs. Gilson, the wife of Gilson the criminal.
- VerbindungenReferenced in The Kiss (1958)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Third Key
- Drehorte
- Pen-Y-Gwryd, Gwynedd, Wales, Vereinigtes Königreich(Mr Thomas's garage where the newspaper was delivered)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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