Die Frau im goldenen Cadillac

It is truly rare to come across a movie that does everything so well.

Conversely, it is truly sad that the 'feel good' genre of movies seem to have gone the way of the dinosaur

Every character actor here is on point. And there are plenty of them. The talent particularly of Judy Holliday cant be overstated, as she moves seemingly effortless between comedic and romantic scene changes. Even the pairing of the 'loudmouth' Paul Douglas is great for her, as the two of them trade punches with ease when their voices are turned up a few decibels. The story moves along quickly with no gaps or awkward pauses in the script, and it works up to a very Capra-like ending which practically leaves you on the edge of your seat. It's not an easy one to find, but if you come across this movie, hang on to it.

What can you say about Judy Holliday? Her timing was always absolutely perfect. Her facial expressions frequently making speech unnecessary. In Solid Gold Cadillac she gives a magical portrayal as Laura Partridge, the supposedly, dumb blonde, part time actress with no appreciation of Shakespeare, ("You don't even get to sit down unless you're a king" - a typical Holliday line), but who is nonetheless shrewd enough to see through the corrupt shenanigans of the board of directors of a multi-national company in which she owns just ten shares. The partnering of Judy Holliday and that fine actor, Paul Douglas, as Edward L. McKeever, the upright, down to earth and totally incorruptible founder of the company, who is (according to Laura Partridge) "scared of girls", works like a dream. The film also has excellent support from Ray Collins, Arthur O'Connell, Neva Patterson, John Williams and of course Fred Clark, as Snell, the oily, slippery company treasurer, a real nasty piece of work. I defy anyone not to boo and hiss whenever he appears. In addition to being a delightful romantic comedy, this is also a tale of good fighting to overcome evil, and the little people of this world getting together and refusing to be trampled by a big faceless conglomerate. If you've never seen this picture before, or maybe never seen a Judy Holliday movie, you're in for a treat.

I would run out of positive adjectives if I had to write a review. Judy Holliday gives her best performance. If you see this film, you will want to see her other classics. Paul Douglas shines as a scrupulous businessman.

Judy Holliday's best comedy vehicle, a wonderful adaptation of George Kaufman and Howard Teichmann's play, about a struggling actress in New York City who owns ten shares of stock in a large corporation; perplexed as to why the board members do so little and get paid so much, she attends a stockholder's meeting and soon has all the power-suits reeling. Richard Quine directs the proceedings with an assured touch, and teaming Holliday with her "Born Yesterday" stage co-star Paul Douglas was a terrific move (they have a built-in rapport). Douglas gets one of his funniest roles as the former Chairman of the Board who has gone to work in Washington, D.C., setting up a finale which mixes together a touch of Frank Capra with a bit of "Born Yesterday". Some may complain the theme of government--coupled with a wise-beyond-her-own-knowledge heroine--is too close to Judy's previous hit. While that may be true, the actress is so good at playing the innocent gal taking on the corporate sharks, it's not worth quibbling over. Big laughs from start to finish, with a doozy of a tag and fantastic comic support from Fred Clark, John Williams, Neva Patterson, and Madge Blake. ***1/2 from ****

Wonderful, perfect romp with Judy Holliday doing what she does best...make us laugh, cry and fall in love with her and her characters.

Her acting in Solid Gold is as perfect as can be. The script and wonderful character actors, Paul Douglas, Fred Clark, Paul Collins and Neva Patterson, who support her, do their very best to bring this whimsical story to life.

Judy may not be a household name to most - but to me, she will be one of the inextinguishable shining angels in the celluloid firmament.

Her legacy will live on as long as we want to laugh at ourselves.

This movie is a must-see comedy if you like to feel good.