IMDb-BEWERTUNG
6,0/10
550
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn 1842 in lawless Oregon, a gunfighter seeks vengeance after his innocent brother is lynched and his beautiful Indian wife is claimed by the local tyrant.In 1842 in lawless Oregon, a gunfighter seeks vengeance after his innocent brother is lynched and his beautiful Indian wife is claimed by the local tyrant.In 1842 in lawless Oregon, a gunfighter seeks vengeance after his innocent brother is lynched and his beautiful Indian wife is claimed by the local tyrant.
Robert J. Wilke
- Sile Doty
- (as Robert Wilke)
John Gavin
- Dan Kirby
- (as John Gilmore)
Beulah Archuletta
- Indian Woman
- (Nicht genannt)
Emile Avery
- Montgomery Rider
- (Nicht genannt)
Rudy Bowman
- Townsman
- (Nicht genannt)
Gertrude Chorre
- Indian
- (Nicht genannt)
Paul Fierro
- Frenchie the Bartender
- (Nicht genannt)
Bob Hoy
- Five Crows
- (Nicht genannt)
Empfohlene Bewertungen
A very Different Western with its concern Focused on Sex. Competing with TV, the Movies of the Decade occasionally ventured into this Territory. The Movie Stars Two Beautiful Women, Yvonne De Carlo, and Mara Corday and the Complete Running Time is spent with both being Chased, Near Raped, and generally Lusted after.
The Male Cast lead by Rory Calhoun also features Neville Brand, Rex Reason, and Emile Meyer. The Screen is On Fire from Frame One and the Chase is On to see who can Bed the Beauties First.
It's Widescreen and Technicolor and Runs 76 Minutes. The Subject Matter Alone makes this one Stand Apart from other Fifties Western Fodder. Definitely Worth a Watch for Western Movie Fans and even those not usually drawn to Genre might find it Entertaining as it leans more toward an Adult Audience.
Note...Director John Sherwood made a career as a Second Unit Director and only Directed three films. Other than this one...The Monolith Monsters (1957) and The Creature Walks Among Us (1956).
The Male Cast lead by Rory Calhoun also features Neville Brand, Rex Reason, and Emile Meyer. The Screen is On Fire from Frame One and the Chase is On to see who can Bed the Beauties First.
It's Widescreen and Technicolor and Runs 76 Minutes. The Subject Matter Alone makes this one Stand Apart from other Fifties Western Fodder. Definitely Worth a Watch for Western Movie Fans and even those not usually drawn to Genre might find it Entertaining as it leans more toward an Adult Audience.
Note...Director John Sherwood made a career as a Second Unit Director and only Directed three films. Other than this one...The Monolith Monsters (1957) and The Creature Walks Among Us (1956).
I read the reviews here and wonder if anyone has a different interpretation. This movie is about the dark side of human nature where everyone is for themselves. I'm not sure if that message will catch but it will in another light if you consider more recent films such as the Dark Knight movies or the Man With No Name trilogy. In many movies, there are no real heroes. So even the women in this movie don't have emotional reaction when something tragic happens to a close person. The hero Tex Kirby comes back for revenge of his brother, or is it? Paca who loses her husband finds an cold unexpected way to get revenge. The Indian maids who leave Hannah (Yvonne De Carlo) and the ranch are neutral characters but still, they do what's best in their interest. So at the end, it is easy for Hannah to have no love lost and be willing to leave with the hero.
The wild west was an arena where you had to watch your back. The setting was a wild 1842 Oregon where there are no rules. It was lawless and you defended yourself. Even those you think you can trust, can you really trust them? The rancher who makes the rules, Gerald Montgomery makes very harsh rules. Take a woman like she is property if she has no husband. One evil character shoots his father in the back. No one cries in this movie. Violence, lawlessness and war dull the emotions. We know that where even young children exposed to war get emotionally insensitive to death. It is unusually violent for a movie in the mid-50s depicting rape, murder (of relatives), treachery and lawlessness. It seems really that the Yakima Indians are the only ones with a code, law or ethics.
A question is what degrees of evil and selfishness are there?
If you watch the movie with this in mind, you can see the message. But most people won't see it that way, but will get confused by the mindless violence and unemotional characters. In this way, it's an unusual minor masterpiece.
The evil characters are definitely fun. Overall, supporting roles are well-acted but the leads are very average. The script does not lead to a clearer message and a viewer could get lost in its meaninglessness. Other than the message and supporting actors, the movie is fairly average. So an average rating might be 5-6 for me, but the supporting actors and dark message are fascinating and bump it to a 7 even 7.5. If you don't understand it, it's a 5 or 6.
The wild west was an arena where you had to watch your back. The setting was a wild 1842 Oregon where there are no rules. It was lawless and you defended yourself. Even those you think you can trust, can you really trust them? The rancher who makes the rules, Gerald Montgomery makes very harsh rules. Take a woman like she is property if she has no husband. One evil character shoots his father in the back. No one cries in this movie. Violence, lawlessness and war dull the emotions. We know that where even young children exposed to war get emotionally insensitive to death. It is unusually violent for a movie in the mid-50s depicting rape, murder (of relatives), treachery and lawlessness. It seems really that the Yakima Indians are the only ones with a code, law or ethics.
A question is what degrees of evil and selfishness are there?
If you watch the movie with this in mind, you can see the message. But most people won't see it that way, but will get confused by the mindless violence and unemotional characters. In this way, it's an unusual minor masterpiece.
The evil characters are definitely fun. Overall, supporting roles are well-acted but the leads are very average. The script does not lead to a clearer message and a viewer could get lost in its meaninglessness. Other than the message and supporting actors, the movie is fairly average. So an average rating might be 5-6 for me, but the supporting actors and dark message are fascinating and bump it to a 7 even 7.5. If you don't understand it, it's a 5 or 6.
Kirby (Rory Calhoun) comes to town and finds that his brother was hanged for a crime he didn't commit. There is a lot of tension between the men everywhere because too many of them are after two beautiful women, Mrs Montgomery (Yvonne De Carlo) and Paca (Mara Corday). Everyone who dies will mean less competition in the chase for them...
'Raw Edge' was shown in my country under a title that means 'The Pack Is Lurking Everywhere', and indeed it feels as if men behave like a pack of hounds here, no character is entirely sympathetic. The makers did not bother much about historical accuracy, because several pieces of clothing and weaponry look way too modern for Oregon in 1842. But surely the aim of the movie was to tell a story about the dark side of human nature, and it fully succeeded at that. A sinister and unusual western ahead of its time.
'Raw Edge' was shown in my country under a title that means 'The Pack Is Lurking Everywhere', and indeed it feels as if men behave like a pack of hounds here, no character is entirely sympathetic. The makers did not bother much about historical accuracy, because several pieces of clothing and weaponry look way too modern for Oregon in 1842. But surely the aim of the movie was to tell a story about the dark side of human nature, and it fully succeeded at that. A sinister and unusual western ahead of its time.
This edgy and off-beat western has plenty of seething resentment amongst its characters (and there are lots of them: vengeful gunslinger, baddie, baddie's dumb henchmen, local gambler, baddie's wife, baddies girlfriend...) but isn't too believable. Some good action scenes but only average over all. (5
Set in the days of the Oregon Territory, Raw Edge is one of your more adult westerns made during the Fifties at a time when westerns were trying to compete with westerns shown on television. The Saturday matinée kids of the Thirties and Forties did not see westerns that were about sex.
John Gavin married to Mara Corday insults Yvonne DeCarlo in the eyes of her husband Herbert Rudley who is the local Ponderosa owner in the area. But this guy has a lot more power than Ben Cartwright ever dreamed of. He's a veritable medieval lord of the manor and he's in charge of the women who in pioneer Oregon are the most valuable commodity around.
Gavin is hung as per Lord Rudley's orders and Mara Corday who is a mixed racial women is then 'assigned' to Robert J. Wilkie also per Lord Rudley's orders. That's how it is in his part of Oregon.
That is until former Texas Ranger Rory Calhoun arrives in town and is greeted with his brother's lifeless swinging body. He wants answers and wants them now.
Which presents a peculiar conundrum for a lot of people. They're all under Rudley's thumb, but they also realize that there's still a shortage of women and Yvonne DeCarlo's one most desirable woman. And she'd also be a wealthy widow. And Corday has a tribe of relations ready to take up her cause as well.
All in all Raw Edge with its emphasis on sex and women as valuable commodities is an unusual, but entertaining western. Besides those I've mentioned look for good performances from Rex Reason as a cynical gambler and a father and son pair of lowlifes, Emile Meyer and Neville Brand.
Definitely one adult western.
John Gavin married to Mara Corday insults Yvonne DeCarlo in the eyes of her husband Herbert Rudley who is the local Ponderosa owner in the area. But this guy has a lot more power than Ben Cartwright ever dreamed of. He's a veritable medieval lord of the manor and he's in charge of the women who in pioneer Oregon are the most valuable commodity around.
Gavin is hung as per Lord Rudley's orders and Mara Corday who is a mixed racial women is then 'assigned' to Robert J. Wilkie also per Lord Rudley's orders. That's how it is in his part of Oregon.
That is until former Texas Ranger Rory Calhoun arrives in town and is greeted with his brother's lifeless swinging body. He wants answers and wants them now.
Which presents a peculiar conundrum for a lot of people. They're all under Rudley's thumb, but they also realize that there's still a shortage of women and Yvonne DeCarlo's one most desirable woman. And she'd also be a wealthy widow. And Corday has a tribe of relations ready to take up her cause as well.
All in all Raw Edge with its emphasis on sex and women as valuable commodities is an unusual, but entertaining western. Besides those I've mentioned look for good performances from Rex Reason as a cynical gambler and a father and son pair of lowlifes, Emile Meyer and Neville Brand.
Definitely one adult western.
Wusstest du schon
- WissenswertesFilm debut of John Gavin, credited as John Gilmore.
- VerbindungenReferenced in Hollywood Rocks the Movies: The Early Years (1955-1970) (2000)
- SoundtracksRAW EDGE
Written and Performed by Terry Gilkyson
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- Laufzeit
- 1 Std. 17 Min.(77 min)
- Seitenverhältnis
- 2.00 : 1
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