Der Teufel von Colorado

Barry Sullivan is a Pinkerton agent. He's sent to gather information on the Hole In The Wall Gang. Barbara Stanwyck, who fronts for them and is Scott Brady's lover -- he plays the Sundance Kid -- falls in love with Sullivan. There's also a subplot about Mary Murphy, whose cattle keep getting rustled.

It's hard for me to judge this movie, because I saw it with the visuals wrecked. Released by Republic at a 2.35:1 aspect ratio, I saw it in TV-standard pan-and-scan, wrecking cinematographer Jack Marta's compositions and reducing every shot to an undistinguished series of close-ups and medium close-ups. The story is one of those A Westerns from the 1950s, meant to star a woman or two in trousers, but with the action carried by the men. I'm pretty sure that if you got to see it at its proper aspect ratio, you'd like it a lot. The way I saw it, though, reduces it to mush.

Willful and attractive Kit Banion (Barbara Stanwick) is the Maverick Queen. She is a saloon owner and one of the chiefs of an outlaw gang nicknamed the Wild Bunch . As the story unfolds Kit proves she is tough and smart, and can ride and shoot as well as any man. But a Pinkerton agent , posing as Jeff Younger , nephew of the infamous outlaw Younger brothers , is sent to infiltrate the Wild Bunch and gather evidence against the band . There appears Jeff Younger (Barry Sullivan) who teams up with the gang led by Sundance Kid (Scott Brady) . But Kid is a very jealousy man and when he finds out his girlfriend Kit falls for Jeff he becomes into a nasty and vengeful gunslinger who seeks for vendetta against him . Then the gutsy saloon keeper gets in trouble while squabbling over two men . While the powerful Pinkerton is relentlessly dedicated to catching Butch Cassidy and the members of The Wild Bunch. Hear Joni James sing !. Photographed in the colorful state of Colorado in exquisite Trucolor by Consolidated Film Industries !.

Exciting classic Western with a love triangle , crosses , double-crosses , gun-play and rousing action . Weird and hysterical Western with peculiar touches , dreamlike emotionalism and magnificent dialogue in which is blended domination , jealous , humiliation and a deadly confrontation ; resulting to be a fascinating and melodramatic film . This Western has acquired something of cult following along the lines of the magical and mythic ¨Joan Crawford's Johnny Guitar¨ , perhaps because it comes from the same studios : Republic . It has another Hollywood legend , Barbara Stanwick who gives a stunningly dominating acting in a similar role and Scott Brady as Sundance Kid who bears remarkable resemblace to his character in the Crawford picture . This isn't as excellent as Johnny Guitar , but notable enough , altough it does have some impressive shootouts , and more action than the vintage film . Love and hate are woven into three protagonists : Barbara Stanwick , Barry Sullivan and Scott Brady ; the fabulous trio sharing a mythical confrontation . Exceptional performances by all casting as top-notch Barbara Stanwick as a feisty lady saloonkeeper , Barry Sullivan as the mysterious , stubborn drifter and Scott Brady as saddle-tramp bandit who turns a psychopathic temper caused by jealous while taking up his pistols . Sensational plethora of secondaries , such as : gorgeous Mary Murphy at an important role as Lucy Lee , Wallace Ford , Howard Petrie , Jim Davis, Emile Meyer , Walter Sande , George Keymas , Taylor Holmes and John Doucette.

It contains colorful and brilliant cinematography in Trucolor by director of photography Jack A. Marta . As well as sensitive and atmospheric musical score by the classic composer Victor Young . This vintage as well as traditional movie was produced by Herbert J Yates from Republic Pictures and professionally directed by Joseph , ¨Joe¨ , Kane , containing some vigorous scenes , though virtually the Republic studio's last major production before it lurched towards extinction. Kane was a good craftsman who made around 100 titles from the 30s . This motion picture The Maverick Queen (1956) was well directed , though with no much enthusiasm . Kane directed a great number of films and several episodes of notorious TV episodes . Kane started directing career started with co-directing serials for Mascot and Republic, and he soon became Republic's top western director . He handled many of John Wayne's Republic westerns of the 1940s , and piloted numerous Roy Rogers and Gene Autry films . Unlike most Republic house directors, Kane was credited as associate producer on many of his films. He stayed at Republic until the studio's demise in 1959, and after freelancing for mostly independent production companies, he turned to directing TV series as Bonanza . Kane usually worked with Vera Ralston, whom husband Herbert J. Yates, president of Republic Pictures and Kane's boss, attempted without success to make a star . He made a lot of westerns , such as : King of the Cowboys 1943 , Idaho 1942 , Ridin' Down the Canyon 1942, Heart of the Golden West 1942 , Sunset Serenade 1942, Sons of the Pioneers 1942 Romance on the Range 1942 , Sunset on the Desert 1942 , South of Santa Fe 1942 ,Man from Cheyenne 1941 , Red River Valley 1941 , Jesse James at Bay 1941, Bad Man of Deadwood 1941, Rags to Riches 1941 , Nevada City 1941 ,Sheriff of Tombstone 1941, In Old Cheyenne 1941, The Great Train Robbery 1941 , Robin Hood of the Pecos 1940 , The Border Legion 1940 , Young Bill Hickok 1940 Colorado 1940 ,The Ranger and the Lady 1940 ,The Carson City Kid 1940 ,Young Buffalo Bill 1939, Days of Jesse James 1939 , Saga of Death Valley 1939 , The Arizona Kid 1939 , In Old Monterey 1939 , Wall Street Cowboy 1939 , and many others . The flick will appeal to Western/adventure buffs ; it's an agreeable popcorn story plenty of breathtaking scenes , emotion , adventures , colorful exteriors and anything else . It's a wonderful enjoyable story for kids , teens and old people . Rating : Decent Western 6.5/10 .

Stanwyck's portrayal of the outlaw woman Kit Banion is an all-time classic. This role sets the standard for strong western women in the cinema. Stanwyck perfect for the role of the beautiful and strong-willed Kit Banion, leader of the Wild Bunch outlaw gang who can ride and shoot with the best of them. Stanwyck more than holds her own, matching wits and pistol shots with outlaws and lawmen alike. However, her lawless days are numbered when she falls in love with a Pinkerton agent (Barry Sullivan) who infiltrates the gang. Good supporting cast with familiar supporting actors. Visually pleasing with great western scenery, shot on location in southrn Colorado. Exciting action scenes liven up a sometimes plodding script. Well worth watching. A must see for fans of classic westerns.

Tough gal Kit Banlon opens a hotel and saloon out in frontier Colorado that soon becomes a haven of gamblers and gunfighters. With notable patrons being none other than Butch Cassidy and The Sundance Kid. Fighting off the romantic advances of Sundance, Kit's life gets more interesting when she becomes attracted to a relative of the Younger Brothers' outlaw posse. Or is he? Whispers in the shadows point to the handsome stranger perhaps being a law man on the trail of the infamous Wild Bunch. Kit could very well be jeopardising much more than a unfulfilled romance if she falls in with the stranger?

Directed by the genre prolific Joe Kane and based upon on the novel written by Zane Grey, The Maverick Queen is something of a wasted premise, with all the elements are in place for a twisty psychological Western. The story is a sound one, with the characters at first glance looking to have potential for gusto and intrigue, but it just doesn't come together as a whole, either through one dimensional male characters or through lazy writing, it ultimately ends up being a damp squib. A squib briefly sparked by Barbara Stanwyk (Kit) in one of her later career tough feminine roles, and a pretty as a picture Mary Murphy who also gets to show a bit of spunk. But the girls can't carry the picture alone...

Barry Sullivan was a safe and amiable actor, he however was far from being a leading man who was able to carry a picture up front, thus here as the leading protagonist he struggles badly as he tries to make the tepid Kenneth Gamet screenplay work. It's a surprisingly weak adaptation from the man who wrote The Flying Leathernecks and the hugely enjoyable Coroner Creek, while Kane himself has to take some of the blame for letting the film plod when it should be zippy. There's a nice kicker in the finale - something that saves the piece from rotting at the bottom of the "B" Western barrel, but sadly it's just not decent enough to warrant a second glance - rendering as fact that both Stanwyck and the audience deserved better. 4/10

Lucy Lee is a young and pretty cattle owner, trying to get her herd to market to sell. One night in camp her and her partner are joined by Jeff Young – a man who saves them when they are later ambushed by the Sundance Kid and his gang. Sundance reports back to Kit Banion (aka the Maverick Queen) and she in enraged by his failure. However the arrival in town of Jeff Younger gives her a new scheme to run. As she attempts to assert further power can the others stop her criminal schemes?

Starting out with the usual style of song over the usual sort of landscapes nothing gave me any doubts that this would be a fairly ordinary western adventure and indeed that is what it turned out to be. The plot offered potential because it is more than just the standard good guys/bad guys stuff – this plot is driven by betrayal, lies, jealousy and intrigue. Shame then that it doesn't all come off, it is interesting and engaging but it does struggle to keep it tight with so many things going on – I wasn't sure exactly what my focus was supposed to be. This is also seen by it taking 15 minutes before the title character actually made it onto screen, not that bad a thing but just further suggestion of the slight lack of focus that made it a bit harder to get into. The characters don't all make sense and again the lack of focus meant I was confused as to who I was following.

The cast aren't much help in this regard either because nobody really steps up and makes the film their own. Stanwyck tries hard but she was approaching the end of her long career at this point and she isn't helped by being left in the background for most of the start of the film while the much younger Murphy makes us think the film is about her. Sullivan is pretty good and has a nice easy charm. Brady, Petrie and a few others make for interesting bad guys but their performances aren't that interesting and they just accept whatever changes the script throws at them.

Overall this is an enjoyable enough western that is fairly run-of-the-mill despite having aspects of it that are more than the standard stuff. The plot is good but the lack of focus for large chunks means that it is a little difficult to get into and the solid if unspectacular directing and acting don't do anything to really remedy that. Enjoyable for genre fans but no more than that.