Vincent van Gogh - Ein Leben in Leidenschaft

This film is a rarity, a biopic which is more accurate than the book it's based on. Irving Stone's book was a major best-seller which did much to make Vincent Van Gogh one of the ten most famous artists in history but it did have its inaccuracies, particularly when it depicted its protagonist in Paris with other great painters of the time. In the book, Gauguin, Lautrec, Cezanne and Rousseau come off as typical bohemians while Vincent was made much more of a leader than he was. Minelli doesn't give us a detailed look at any of the artists except Gauguin but he is more accurate about who influenced Van Gogh and he does include his best friend, the now-forgotten Emile Bernard, if only as an extra in Tanguy's shop.

When Lust for Life came out, several critics dismissed it as too lurid and melodramatic, but those adjectives are accurate in describing Van Gogh's life. Note that Kirk Douglas does not play his usual cool, fun-loving tough guy and actually uses his whole body in his acting. For once Hollywood outdid itself.

Although I started my academic career as an art major, my interest was always in making art of my own rather than studying the works of the past masters. As a result, I wouldn't know a Manet from a Monet, but one painter whose work I can always identify is Vincent Van Gogh, perhaps the most famous example of the "tortured artist" who sought solace from the pain of life through his work. Like so many artists from different mediums, Van Gogh's life, especially the dramatic episode in which he sliced off his ear in an epileptic fit, is more famous than his work, a situation heightened, no doubt, by Don Mclean's melancholy ballad "Vincent," an improbable chart topper in 1972. Prior to being honored by the composer of "American Pie," Van Gogh's biggest brush with popular success came with Vincent Minnelli's film of Irving Stone's best-seller, an often melodramatic but still effective dramatization of the artist's troubled life. Kirk Douglas' intense portrayal of the impoverished and often fanatical Dutchman is helped immeasurably by his physical resemblance to his subject. Bearded, and with his blonde hair dyed red, Douglas could easily be mistaken for the man whose self-portraits hang on the wall of the modest bedroom where much of the film takes place. Occasionally, Douglas' clenched teeth and fist approach to drama comes through to reveal the actor behind the makeup, but his Oscar nominated performance seldom falls victim to the actor's "star" persona. Even Anthony Quinn, an actor who has given the same performance in dozens of movies, is good, but his brief turn as Paul Gaughan is hardly distinguished enough to merit the Oscar for best supporting actor. The rest of the cast is beautifully assembled with James Donald properly sympathetic as Vincent's patient, supportive brother, Theo, and no way can I complain about any film that finds room for the splendid presence of Henry Daniell, seen here as the patriarch of the Van Gogh family. The paintings, a wild riot of colorful intensity, are seen throughout (courtesy of numerous private collectors and public museums, including my hometown's Cleveland Museum of Art), and without them, "Lust for Life" would have a lot less luster.

This awesome and vivid picture concerns life of brilliant but tortured artist Vincent van Gogh . He was a Post-Impressionist painter of Dutch origin whose work—notable for its rough beauty , emotional honesty, and bold color—had a far-reaching influence on 20th-century art. The picture has an opening credits prologue: Without museums help and that of private collectors the world over, this motion picture about a great painter could not have been made . Van Gogh life is a disaster , he fails at being a preacher to coal miners , he fails in his relationships with parents (Henry Daniell as Theodorus Van Gogh and wife Madge Kennedy) and women (Pamela Brown) . At the same time the movie deals with other Impressionist painters who appear across footage such as Gauguin (Anthony Quinn won well-deserved Academy Award as painter/friend) , Camille Pissarro (David Leonard) , George Seurat , Millet , Henri de Toulouse-Lautrec ; furthermore, his relationships to known characters such as his brother Theo Van Gogh (James Donald) and Dr. Gachet (Everett Sloane). After years of painful anxiety and frequent bouts of mental illness he commits himself suicide .

Magnificent rendition of Irving Stone's biography of known painter , being finely portrayed , especially his anguishes , unrewarding friendships , poorness , pains and many other things . This splendid film packs emotion , top-drawer interpretation , adequate production design , enjoyable soundtrack and exquisite color in CinemaScope . Interesting and thought-provoking screenplay by Norman Corwin . Terrific acting by the great Kirk Douglas who even had his hair cut specially in the style of the artist and had it dyed to a similar reddish tint . Over-the-top performance by Anthony Quinn as Gauguin but he does not get along with Van Gogh , his playing actually lasts 22 minutes and 40 seconds , he won his Best Supporting Actor Oscar . Evocative as well as sensitive musical score by classical composer Miklos Rozsa . Rousing and glittering cinematography by Russell Harlan and Freddie Young . The color process used for the film -Ansco color, but labeled in the credits as Metrocolor- is supposedly unsuitable for long term color preservation . As a result, many prints have lost the extraordinary brightness of the movie's images . Being shot on location , as many of the locations used for filming were the actual locations Vincent van Gogh visited in his life ; parts of the film were shot in Auvers-sur-Oise, where Vincent van Gogh lived and died . This motion picture perfectly produced by actor/producer John Houseman was stunningly directed by Vincente Minnelli who even had a portion of a field spray-painted yellow to closer resemble Vincent van Gogh's painting.

The flick is well based on actual events , these are the followings : Van Gogh spent his early adulthood working for a firm of art dealers, traveling between The Hague, London, and Paris, after which he taught for a time in England at Isleworth and Ramsgate. One of his early aspirations was to become a pastor, and from 1879 he worked as a missionary in a mining region in Belgium, where he began to sketch people from the local community. In 1885, he painted his first major work, entitled The Potato Eaters. His palette at the time consisted mainly of somber earth tones and showed no sign of the vivid coloration that distinguished his later work. In March 1886, he moved to Paris and discovered the French Impressionists. Later, he moved to the south of France and was influenced by the strong sunlight he found there. His work grew brighter in color, and he developed the unique and highly recognizable style that became fully realized during his stay in Arles in 1888. The extent to which his mental health affected his painting has been a subject of speculation since his death. Despite a widespread tendency to romanticize his ill health, modern critics see an artist deeply frustrated by the inactivity and incoherence brought about by his bouts of illness. Van Gogh's late works show an artist at the height of his ability, completely in control and "longing for concision and grace". He died aged 37 from a gunshot wound, generally accepted to be self-inflicted although no gun was ever found .

This is one of my favorite films. It deeply touched me. It's in my top 20 for sure. Maybe top 10. The acting, directing, and production are all about as good as it gets. It's a shame Kirk Douglas didn't win the best actor Oscar. I think it's his finest performance. I can't think of a single bad thing to say about this great movie. It's a vivid (and accurate) tribute to the immortal Vincent.

Lust For Life may look, at first glance, to be a typical Hollywood biopic, which is usually not much more than a star vehicle about a famous, real-life but vacuously recreated character, denuded of any real personality. Minelli certainly makes his biopic of Vincent Van Gogh with his trademark lavishness. But, importantly, he does not glamorise his subject. Instead, he makes a visually rich but earthy film, which exalts Van Gogh's achievement and seeks to portray the realities of his creative life and the dark side of his personality.

Lust For Life focuses on the extremely troubled man Van Gogh was, at turns listless, priggish, childish, needy, manic and quick-tempered; but also sensitive, caring, thoughtful, romantic and altruistic. Kirk Douglas is superb as Van Gogh, holistically exhibiting his various and contradictory aspects: obsessive though circumspect artist, diffident but passionate friend, forlorn romantic and dangerous maniac. It is all the more of an accomplishment as he is such a muscular, good-looking leading actor (nor should Anthony Quinn's key supporting performance as Gauguin, a macho with hidden sensibilities, be neglected).

However, at the same time, what the film never forgets is Van Gogh's considerable achievement. Minelli's iridescence complements Van Gogh's colourful, vivacious visual style, and many of his paintings are shown throughout the film.

Critics have pointed to the over-use of melodrama in the film. Yet Lust For Life is rare in that the film is consummated by its melodrama, along with Miklós Rózsa's grand, sweeping music. In other words, its melodrama succeeds, making the viewer identify more with Douglas' Van Gogh, giving him a greater, but also justified, pathos and sense of tragedy.

Lust For Life is the best Hollywood Biopic